[Script Info]
ScriptType: v4.00+
WrapStyle: 0
ScaledBorderAndShadow: yes
PlayResX: 1920
PlayResY: 1080
YCbCr Matrix: TV.709

[Aegisub Project Garbage]
Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 06 [WEB 1080p AAC] [FDFF028E].mkv
Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 06 [WEB 1080p AAC] [FDFF028E].mkv

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H0045221E,&HC0171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,60,1
Style: Alt,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H00391C54,&H96171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,50,1
Style: JapOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,8,15,15,50,1
Style: EngOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,2,15,15,50,1
Style: English,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,1,50,15,30,1
Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,9,15,50,30,1
Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
Style: Japanese,Arial,60,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,3,3,2,15,15,15,1
Style: Both,Dream Orphans,57,&H00F17FFF,&H000000FF,&H00FFFFFF,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
Style: Futaba,Dream Orphans,57,&H00FFFFFF,&H00782D0E,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
Style: Kaoru,Dream Orphans,57,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,9,50,50,30,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text

Dialogue: 1,0:17:43.34,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}When we were young, we swore to always be by each other's side{tlc: missing comma after introductory adverb clause :}
Dialogue: 2,0:17:43.34,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}When we were young, we swore to always be by each other's side{tlc: missing comma after introductory adverb clause :}
Dialogue: 3,0:17:43.34,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}When we were young, we swore to always be by each other's side{tlc: missing comma after introductory adverb clause :}
Dialogue: 1,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}How much time has passed since then?
Dialogue: 2,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}How much time has passed since then?
Dialogue: 3,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}How much time has passed since then?
Dialogue: 1,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I found myself charmed by that flower petal, yet
Dialogue: 2,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I found myself charmed by that flower petal, yet
Dialogue: 3,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I found myself charmed by that flower petal, yet
Dialogue: 1,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I felt like it would be forever out of reach{tlc: how about "it would be forever out of reach / beyond my reach"?}
Dialogue: 2,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I felt like it would be forever out of reach{tlc: how about "it would be forever out of reach / beyond my reach"?}
Dialogue: 3,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I felt like it would be forever out of reach{tlc: how about "it would be forever out of reach / beyond my reach"?}
Dialogue: 1,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}If you want to part ways, I will not stop you{tlc: "with me" perhaps redundant?}
Dialogue: 2,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}If you want to part ways, I will not stop you{tlc: "with me" perhaps redundant?}
Dialogue: 3,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}If you want to part ways, I will not stop you{tlc: "with me" perhaps redundant?}
Dialogue: 1,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}If you can't find happiness here, just go and bloom somewhere else
Dialogue: 2,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}If you can't find happiness here, just go and bloom somewhere else
Dialogue: 3,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}If you can't find happiness here, just go and bloom somewhere else
Dialogue: 1,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But the moment when you bloom in full
Dialogue: 2,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But the moment when you bloom in full
Dialogue: 3,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But the moment when you bloom in full
Dialogue: 1,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I want to be the first to witness
Dialogue: 2,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I want to be the first to witness
Dialogue: 3,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I want to be the first to witness
Dialogue: 1,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I thought you'd always you'd always be there to protect me without fail{tlc: "believed without a doubt" sounds a bit unnatural, how about just "I never doubted", possibly with "for a moment" or something to match the added intensity of 疑わずに | conversely, "be there for me", "be by my side", "be there to protect me", etc. might convey the tone of 守り抜く and the idea of Futaba leaving Cowruko}
Dialogue: 2,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I thought you'd always you'd always be there to protect me without fail{tlc: "believed without a doubt" sounds a bit unnatural, how about just "I never doubted", possibly with "for a moment" or something to match the added intensity of 疑わずに | conversely, "be there for me", "be by my side", "be there to protect me", etc. might convey the tone of 守り抜く and the idea of Futaba leaving Cowruko}
Dialogue: 3,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I thought you'd always you'd always be there to protect me without fail{tlc: "believed without a doubt" sounds a bit unnatural, how about just "I never doubted", possibly with "for a moment" or something to match the added intensity of 疑わずに | conversely, "be there for me", "be by my side", "be there to protect me", etc. might convey the tone of 守り抜く and the idea of Futaba leaving Cowruko}
Dialogue: 1,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But the caged bird was always longing for the blue sky{tlc: "caged bird" might sound better than "bird in the cage"}
Dialogue: 2,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But the caged bird was always longing for the blue sky{tlc: "caged bird" might sound better than "bird in the cage"}
Dialogue: 3,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But the caged bird was always longing for the blue sky{tlc: "caged bird" might sound better than "bird in the cage"}
Dialogue: 1,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}When did the chick learn to sing this gallantly?
Dialogue: 2,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}When did the chick learn to sing this gallantly?
Dialogue: 3,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}When did the chick learn to sing this gallantly?
Dialogue: 1,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Both flowers and wings sway as they take to the wind
Dialogue: 2,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Both flowers and wings sway as they take to the wind
Dialogue: 3,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Both flowers and wings sway as they take to the wind
Dialogue: 1,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Farewell, it's time for me to go, leaving you behind
Dialogue: 2,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Farewell, it's time for me to go, leaving you behind
Dialogue: 3,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Farewell, it's time for me to go, leaving you behind
Dialogue: 1,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Though I tear my heart in two, I go, keeping memories of the time we shared{tlc: "bear the pain to not forget" sounds a bit jumbled and "bear the pain" doesn't convey that it's a known consequence of her deliberate actions, maybe something like "Though I tear my heart in two, I go, keeping memories of the time we shared"}
Dialogue: 2,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Though I tear my heart in two, I go, keeping memories of the time we shared{tlc: "bear the pain to not forget" sounds a bit jumbled and "bear the pain" doesn't convey that it's a known consequence of her deliberate actions, maybe something like "Though I tear my heart in two, I go, keeping memories of the time we shared"}
Dialogue: 3,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Though I tear my heart in two, I go, keeping memories of the time we shared{tlc: "bear the pain to not forget" sounds a bit jumbled and "bear the pain" doesn't convey that it's a known consequence of her deliberate actions, maybe something like "Though I tear my heart in two, I go, keeping memories of the time we shared"}
Dialogue: 1,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}A stream may be divided by a boulder, but in its swift flow it will be united again
Dialogue: 2,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}A stream may be divided by a boulder, but in its swift flow it will be united again
Dialogue: 3,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}A stream may be divided by a boulder, but in its swift flow it will be united again
Dialogue: 1,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}So too will the flourishing paths we each set out on lead to a single straight path{tlc: pink path? wakarimasen}
Dialogue: 2,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}So too will the flourishing paths we each set out on lead to a single straight path{tlc: pink path? wakarimasen}
Dialogue: 3,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}So too will the flourishing paths we each set out on lead to a single straight path{tlc: pink path? wakarimasen}
Dialogue: 1,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}Let a flower bloom for the sake of a single person
Dialogue: 2,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Let a flower bloom for the sake of a single person
Dialogue: 3,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}Let a flower bloom for the sake of a single person
Dialogue: 1,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}For the entirety of our fleeting existence
Dialogue: 2,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}For the entirety of our fleeting existence
Dialogue: 3,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}For the entirety of our fleeting existence
