03: Reimport insert from engsub

This commit is contained in:
FichteFoll 2021-03-05 12:57:00 +01:00
parent 8c681f667f
commit 458ffc1ee5

View File

@ -1,4 +1,4 @@
[Script Info]
[Script Info]
Title: Default Aegisub file
ScriptType: v4.00+
WrapStyle: 0
@ -10,97 +10,92 @@ YCbCr Matrix: TV.709
[Aegisub Project Garbage]
Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 03 [WEB 1080p EAC3] [6693A4D0].mkv
Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 03 [WEB 1080p EAC3] [6693A4D0].mkv
Keyframes File: keyframes.txt
[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H0045221E,&HC0171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,60,1
Style: Alt,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H00391C54,&H96171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,50,1
Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
Style: JapOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,8,15,15,50,1
Style: EngOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,2,15,15,50,1
Style: InsertEngDuo,Dream Orphans,80,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,10,10,30,1
Style: InsertEngTENDOMAYAFront,Dream Orphans,80,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,50,10,30,1
Style: InsertEngNitwitFront,Dream Orphans,80,&H00FFFFFF,&H00782D0E,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,50,50,30,1
Style: InsertEngNitwitBack,Dream Orphans,57,&H00FFFFFF,&H00782D0E,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
Style: InsertEngTENDOMAYABack,Dream Orphans,57,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,9,50,50,30,1
Style: English,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,1,50,15,30,1
Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,9,15,50,30,1
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 1,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}I too should be able to see{tlc: "I too should be able to see" / "No, you will not see" / "The view from the tower's peak"}
Dialogue: 2,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6}I too should be able to see
Dialogue: 3,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}I too should be able to see
Dialogue: 1,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}No, you will not see
Dialogue: 2,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}No, you will not see
Dialogue: 3,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}No, you will not see
Dialogue: 1,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}The view from the top of the tower
Dialogue: 2,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6\3c&H782D0E&}T{*\3c&H752C13&}h{*\3c&H722C18&}e {*\3c&H6C2A23&}v{*\3c&H692A28&}i{*\3c&H66292D&}e{*\3c&H632832&}w {*\3c&H5D273C&}f{*\3c&H5A2642&}r{*\3c&H572647&}o{*\3c&H54254C&}m {*\3c&H4E2456&}t{*\3c&H4B235B&}h{*\3c&H482260&}e {*\3c&H43216B&}t{*\3c&H402070&}o{*\3c&H3D2075&}p {*\3c&H371E7F&}o{*\3c&H341E84&}f {*\3c&H2E1C8F&}t{*\3c&H2B1C94&}h{*\3c&H281B99&}e {*\3c&H221AA3&}t{*\3c&H1F19A9&}o{*\3c&H1C18AE&}w{*\3c&H1918B3&}e{\3c&H1617B8&}r
Dialogue: 3,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}The view from the top of the tower
Dialogue: 1,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What lies hidden in your heart?
Dialogue: 2,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What lies hidden in your heart?
Dialogue: 3,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What lies hidden in your heart?
Dialogue: 1,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What do your shimmering eyes seek?
Dialogue: 2,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What do your shimmering eyes seek?
Dialogue: 3,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What do your shimmering eyes seek?
Dialogue: 1,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I may not be able to reach the star yet
Dialogue: 2,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I may not be able to reach the star yet
Dialogue: 3,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I may not be able to reach the star yet
Dialogue: 1,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But for the sake of my promise
Dialogue: 2,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But for the sake of my promise
Dialogue: 3,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But for the sake of my promise
Comment: 0,0:16:55.51,0:16:57.51,Default,,0,0,0,,https://utaten.com/lyric/スタァライト九九組/誇りと驕り/
Dialogue: 1,0:16:57.51,0:17:03.00,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}I too should be able to see{tlc: "I too should be able to see" / "No, you will not see" / "The view from the tower's peak"}
Dialogue: 2,0:16:57.51,0:17:03.00,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6}I too should be able to see
Dialogue: 3,0:16:57.51,0:17:03.00,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}I too should be able to see
Dialogue: 1,0:17:03.39,0:17:09.00,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}No, you will not see
Dialogue: 2,0:17:03.39,0:17:09.00,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}No, you will not see
Dialogue: 3,0:17:03.39,0:17:09.00,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}No, you will not see
Dialogue: 1,0:17:09.00,0:17:18.51,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}The view from the top of the tower
Dialogue: 2,0:17:09.00,0:17:18.51,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6\3c&H782D0E&}T{*\3c&H752C13&}h{*\3c&H722C18&}e {*\3c&H6C2A23&}v{*\3c&H692A28&}i{*\3c&H66292D&}e{*\3c&H632832&}w {*\3c&H5D273C&}f{*\3c&H5A2642&}r{*\3c&H572647&}o{*\3c&H54254C&}m {*\3c&H4E2456&}t{*\3c&H4B235B&}h{*\3c&H482260&}e {*\3c&H43216B&}t{*\3c&H402070&}o{*\3c&H3D2075&}p {*\3c&H371E7F&}o{*\3c&H341E84&}f {*\3c&H2E1C8F&}t{*\3c&H2B1C94&}h{*\3c&H281B99&}e {*\3c&H221AA3&}t{*\3c&H1F19A9&}o{*\3c&H1C18AE&}w{*\3c&H1918B3&}e{\3c&H1617B8&}r
Dialogue: 3,0:17:09.00,0:17:18.51,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}The view from the top of the tower
Dialogue: 1,0:17:20.17,0:17:24.77,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What lies hidden in your heart?
Dialogue: 2,0:17:20.17,0:17:24.77,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What lies hidden in your heart?
Dialogue: 3,0:17:20.17,0:17:24.77,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What lies hidden in your heart?
Dialogue: 1,0:17:25.33,0:17:30.02,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What do your shimmering eyes seek?
Dialogue: 2,0:17:25.33,0:17:30.02,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What do your shimmering eyes seek?
Dialogue: 3,0:17:25.33,0:17:30.02,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What do your shimmering eyes seek?
Dialogue: 1,0:17:30.04,0:17:35.03,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I may not be able to reach the star yet
Dialogue: 2,0:17:30.04,0:17:35.03,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I may not be able to reach the star yet
Dialogue: 3,0:17:30.04,0:17:35.03,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I may not be able to reach the star yet
Dialogue: 1,0:17:35.03,0:17:38.49,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But for the sake of my promise
Dialogue: 2,0:17:35.03,0:17:38.49,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But for the sake of my promise
Dialogue: 3,0:17:35.03,0:17:38.49,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But for the sake of my promise
Dialogue: 1,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I will run towards it relentlessly
Dialogue: 2,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I will run towards it relentlessly
Dialogue: 3,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I will run towards it relentlessly
Dialogue: 1,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}The call of the goddesses, the throne of the heavens
Dialogue: 2,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}The call of the goddesses, the throne of the heavens
Dialogue: 3,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}The call of the goddesses, the throne of the heavens
Dialogue: 1,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}Descending from high above
Dialogue: 2,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}Descending from high above
Dialogue: 3,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}Descending from high above
Dialogue: 1,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}Is one lone star
Dialogue: 2,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}Is one lone star
Dialogue: 3,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}Is one lone star
Dialogue: 1,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Climb up here if you believe you can{tlc: "if you believe you can" > "if your will can carry/propel you" or "if your spirit will last/endure" or "if you have the balls", something like that?}
Dialogue: 2,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Climb up here if you believe you can
Dialogue: 3,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Climb up here if you believe you can
Dialogue: 1,0:18:33.28,0:18:39.92,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}The call of the goddesses, the throne of the heavens
Dialogue: 2,0:18:33.28,0:18:39.92,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}The call of the goddesses, the throne of the heavens
Dialogue: 3,0:18:33.28,0:18:39.92,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}The call of the goddesses, the throne of the heavens
Dialogue: 1,0:18:39.92,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}Descending from high above
Dialogue: 2,0:18:39.92,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}Descending from high above
Dialogue: 3,0:18:39.92,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}Descending from high above
Dialogue: 1,0:18:45.75,0:18:50.31,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}Is one lone star
Dialogue: 2,0:18:45.75,0:18:50.31,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}Is one lone star
Dialogue: 3,0:18:45.75,0:18:50.31,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}Is one lone star
Dialogue: 1,0:19:10.99,0:19:15.59,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Climb up here if you believe you can{tlc: "if you believe you can" > "if your will can carry/propel you" or "if your spirit will last/endure" or "if you have the balls", something like that?}
Dialogue: 2,0:19:10.99,0:19:15.59,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Climb up here if you believe you can
Dialogue: 3,0:19:10.99,0:19:15.59,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Climb up here if you believe you can
Dialogue: 1,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Cut me down and show me your rage{tlc: "show me" > "reveal" or "unleash"?}
Dialogue: 2,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Cut me down and show me your rage
Dialogue: 3,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Cut me down and show me your rage
Dialogue: 1,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Don't be at the mercy
Dialogue: 2,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Don't be at the mercy
Dialogue: 3,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Don't be at the mercy
Dialogue: 1,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Of the beast that dwells within
Dialogue: 2,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Of the beast that dwells within
Dialogue: 3,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Of the beast that dwells within
Dialogue: 1,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Spare me your half-hearted resolve{tlc: "Cast off those reservations" / "And show me a fight with your true pride at stake" links back to previous lines about being held back, though it's more imperative than the Japanese lyrics, I dunno}
Dialogue: 2,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Spare me your half-hearted resolve
Dialogue: 3,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Spare me your half-hearted resolve
Dialogue: 1,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I want to see you fight with your pride on the line
Dialogue: 2,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I want to see you fight with your pride on the line
Dialogue: 3,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I want to see you fight with your pride on the line
Dialogue: 1,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 2,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 3,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Ever higher, ever brighter
Dialogue: 1,0:19:19.91,0:19:24.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Don't be at the mercy
Dialogue: 2,0:19:19.91,0:19:24.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Don't be at the mercy
Dialogue: 3,0:19:19.91,0:19:24.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Don't be at the mercy
Dialogue: 1,0:19:24.90,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Of the beast that dwells within
Dialogue: 2,0:19:24.90,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Of the beast that dwells within
Dialogue: 3,0:19:24.90,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Of the beast that dwells within
Dialogue: 1,0:19:28.92,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Spare me your half-hearted resolve{tlc: "Cast off those reservations" / "And show me a fight with your true pride at stake" links back to previous lines about being held back, though it's more imperative than the Japanese lyrics, I dunno}
Dialogue: 2,0:19:28.92,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Spare me your half-hearted resolve
Dialogue: 3,0:19:28.92,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Spare me your half-hearted resolve
Dialogue: 1,0:19:33.49,0:19:44.57,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I want to see you fight with your pride on the line
Dialogue: 2,0:19:33.49,0:19:44.57,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I want to see you fight with your pride on the line
Dialogue: 3,0:19:33.49,0:19:44.57,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I want to see you fight with your pride on the line
Dialogue: 1,0:20:09.89,0:20:14.44,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 2,0:20:09.89,0:20:14.44,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 3,0:20:09.89,0:20:14.44,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Ever higher, ever brighter
Dialogue: 1,0:20:14.44,0:20:18.95,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Illuminate the horizon
Dialogue: 2,0:20:14.44,0:20:18.95,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Illuminate the horizon
Dialogue: 3,0:20:14.44,0:20:18.95,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Illuminate the horizon
Dialogue: 1,0:20:19.32,0:20:21.50,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}One step forward
Dialogue: 2,0:20:19.32,0:20:21.50,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}One step forward
Dialogue: 3,0:20:19.32,0:20:21.50,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}One step forward
Dialogue: 1,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}One step closer to my dream
Dialogue: 2,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}One step closer to my dream
Dialogue: 3,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}One step closer to my dream
Dialogue: 1,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}This is my pride
Dialogue: 2,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}This is my pride
Dialogue: 3,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}This is my pride
Dialogue: 1,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 2,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 3,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Ever higher, ever brighter
Dialogue: 1,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Towards unreachable heights
Dialogue: 2,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Towards unreachable heights
Dialogue: 3,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Towards unreachable heights
Dialogue: 1,0:20:19.32,0:20:21.64,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}One step forward
Dialogue: 2,0:20:19.32,0:20:21.64,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}One step forward
Dialogue: 3,0:20:19.32,0:20:21.64,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}One step forward
Dialogue: 1,0:20:21.64,0:20:24.79,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}One step closer to my dream
Dialogue: 2,0:20:21.64,0:20:24.79,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}One step closer to my dream
Dialogue: 3,0:20:21.64,0:20:24.79,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}One step closer to my dream
Dialogue: 1,0:20:24.79,0:20:28.01,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}This is my pride
Dialogue: 2,0:20:24.79,0:20:28.01,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}This is my pride
Dialogue: 3,0:20:24.79,0:20:28.01,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}This is my pride
Dialogue: 1,0:20:28.01,0:20:32.55,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 2,0:20:28.01,0:20:32.55,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 3,0:20:28.01,0:20:32.55,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Ever higher, ever brighter
Dialogue: 1,0:20:32.55,0:20:37.42,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Towards unreachable heights
Dialogue: 2,0:20:32.55,0:20:37.42,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Towards unreachable heights
Dialogue: 3,0:20:32.55,0:20:37.42,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Towards unreachable heights
Dialogue: 1,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}For this is my pride
Dialogue: 2,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}For this is my pride
Dialogue: 3,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}For this is my pride