Add stripped insert scripts

This commit is contained in:
FichteFoll 2018-09-18 04:29:22 +02:00
parent df45ab0018
commit 972183a75f
7 changed files with 516 additions and 0 deletions

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@ -0,0 +1,116 @@
[Script Info]
; Script generated by Aegisub master r8903+1 g1042226, line0
; http://www.aegisub.org/
Title: Default Aegisub file
ScriptType: v4.00+
WrapStyle: 0
ScaledBorderAndShadow: yes
PlayResX: 1920
PlayResY: 1080
YCbCr Matrix: TV.709
[Aegisub Project Garbage]
Last Style Storage: Default
Audio File: kageki 03-finaltest02 (1) [E2BFBE86].mkv
Video File: kageki 03-finaltest02 (1) [E2BFBE86].mkv
Keyframes File: kageki03_keyframes.log
Video AR Mode: 4
Video AR Value: 1.777778
Video Zoom Percent: 1.000000
Scroll Position: 5966
Active Line: 5968
Video Position: 9154
[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H0045221E,&HC0171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,60,1
Style: Alt,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H00391C54,&H96171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,50,1
Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
Style: JapOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,8,15,15,50,1
Style: EngOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,2,15,15,50,1
Style: InsertEngDuo,Dream Orphans,80,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,10,10,30,1
Style: InsertEngTENDOMAYAFront,Dream Orphans,80,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,50,10,30,1
Style: InsertEngNitwitFront,Dream Orphans,80,&H00FFFFFF,&H00782D0E,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,50,50,30,1
Style: InsertEngNitwitBack,Dream Orphans,57,&H00FFFFFF,&H00782D0E,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
Style: InsertEngTENDOMAYABack,Dream Orphans,57,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,9,50,50,30,1
Style: English,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,1,50,15,30,1
Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,9,15,50,30,1
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 1,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}I should be able to see it too
Dialogue: 2,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6}I should be able to see it too
Dialogue: 3,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}I should be able to see it too
Dialogue: 1,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}No, you will not see it
Dialogue: 2,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}No, you will not see it
Dialogue: 3,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}No, you will not see it
Dialogue: 1,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}The view from the top of the tower
Dialogue: 2,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6\3c&H782D0E&}T{*\3c&H752C13&}h{*\3c&H722C18&}e {*\3c&H6C2A23&}v{*\3c&H692A28&}i{*\3c&H66292D&}e{*\3c&H632832&}w {*\3c&H5D273C&}f{*\3c&H5A2642&}r{*\3c&H572647&}o{*\3c&H54254C&}m {*\3c&H4E2456&}t{*\3c&H4B235B&}h{*\3c&H482260&}e {*\3c&H43216B&}t{*\3c&H402070&}o{*\3c&H3D2075&}p {*\3c&H371E7F&}o{*\3c&H341E84&}f {*\3c&H2E1C8F&}t{*\3c&H2B1C94&}h{*\3c&H281B99&}e {*\3c&H221AA3&}t{*\3c&H1F19A9&}o{*\3c&H1C18AE&}w{*\3c&H1918B3&}e{\3c&H1617B8&}r
Dialogue: 3,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}The view from the top of the tower
Dialogue: 1,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What lies hidden in your heart?
Dialogue: 2,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What lies hidden in your heart?
Dialogue: 3,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What lies hidden in your heart?
Dialogue: 1,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What do your shimmering eyes see?
Dialogue: 2,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What do your shimmering eyes see?
Dialogue: 3,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What do your shimmering eyes see?
Dialogue: 1,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}No matter how unreachable the star is
Dialogue: 2,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}No matter how unreachable the star is
Dialogue: 3,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}No matter how unreachable the star is
Dialogue: 1,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}For the sake of my promise
Dialogue: 2,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}For the sake of my promise
Dialogue: 3,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}For the sake of my promise
Dialogue: 1,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I will run towards it relentlessly
Dialogue: 2,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I will run towards it relentlessly
Dialogue: 3,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I will run towards it relentlessly
Dialogue: 1,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}The call of the goddesses, the throne of the heavens
Dialogue: 2,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}The call of the goddesses, the throne of the heavens
Dialogue: 3,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}The call of the goddesses, the throne of the heavens
Dialogue: 1,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}The number of stars descending
Dialogue: 2,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}The number of stars descending
Dialogue: 3,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}The number of stars descending
Dialogue: 1,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}Is but one
Dialogue: 2,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}Is but one
Dialogue: 3,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}Is but one
Dialogue: 1,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Climb up here if you believe you can
Dialogue: 2,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Climb up here if you believe you can
Dialogue: 3,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Climb up here if you believe you can
Dialogue: 1,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Cut me down and behold the light
Dialogue: 2,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Cut me down and behold the light
Dialogue: 3,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Cut me down and behold the light
Dialogue: 1,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}A cloud once hung over my heart
Dialogue: 2,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}A cloud once hung over my heart
Dialogue: 3,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}A cloud once hung over my heart
Dialogue: 1,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}But now in its place a flower blooms
Dialogue: 2,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}But now in its place a flower blooms
Dialogue: 3,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}But now in its place a flower blooms
Dialogue: 1,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Spare me your half-hearted resolve
Dialogue: 2,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Spare me your half-hearted resolve
Dialogue: 3,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Spare me your half-hearted resolve
Dialogue: 1,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I want to see you hold your head up with pride
Dialogue: 2,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I want to see you hold your head up with pride
Dialogue: 3,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I want to see you hold your head up with pride
Dialogue: 1,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 2,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 3,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Ever higher, ever brighter
Dialogue: 1,0:20:14.44,0:20:18.95,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Illuminate the horizon
Dialogue: 2,0:20:14.44,0:20:18.95,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Illuminate the horizon
Dialogue: 3,0:20:14.44,0:20:18.95,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Illuminate the horizon
Dialogue: 1,0:20:19.32,0:20:21.50,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}One step forward
Dialogue: 2,0:20:19.32,0:20:21.50,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}One step forward
Dialogue: 3,0:20:19.32,0:20:21.50,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}One step forward
Dialogue: 1,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}One step closer to my dream
Dialogue: 2,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}One step closer to my dream
Dialogue: 3,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}One step closer to my dream
Dialogue: 1,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}That is my pride
Dialogue: 2,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}That is my pride
Dialogue: 3,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}That is my pride
Dialogue: 1,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 2,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 3,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Ever higher, ever brighter
Dialogue: 1,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Towards unreachable heights
Dialogue: 2,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Towards unreachable heights
Dialogue: 3,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Towards unreachable heights
Dialogue: 1,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}That is what I pride myself on
Dialogue: 2,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}That is what I pride myself on
Dialogue: 3,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}That is what I pride myself on

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[Aegisub Project Garbage]
Last Style Storage: Aikatsu 1
Audio File: kageki 04-finaltest02 (1) [BEB37086].mkv
Video File: kageki 04-finaltest02 (1) [BEB37086].mkv
Keyframes File: kageki04_keyframes.log
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Style: English,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,1,50,15,30,1
Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,9,15,50,30,1
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[Script Info]
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PlayResY: 1080
YCbCr Matrix: TV.709
[Aegisub Project Garbage]
Last Style Storage: Default
Audio File: kageki 05-finaltest01 (1).mkv
Video File: kageki 05-finaltest01 (1).mkv
Video AR Mode: 4
Video AR Value: 1.777778
Video Zoom Percent: 0.742188
Scroll Position: 5136
Active Line: 5154
Video Position: 28689
[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H0045221E,&HC0171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,60,1
Style: Alt,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H00391C54,&H96171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,50,1
Style: JapOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,8,15,15,50,1
Style: EngOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,2,15,15,50,1
Style: English,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,1,50,15,30,1
Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,9,15,50,30,1
Style: InsertEngKaren,Comic Book,47,&H00FFFFFF,&H00782D0E,&H001617B8,&H00000000,-1,0,0,0,100,100,0,0,1,4,0,9,55,55,30,1
Style: InsertEngMahiru,Comic Book,47,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,0,0,0,100,100,0,0,1,4,0,7,55,50,30,1
Style: InsertEngDuo,Comic Book,47,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,0,0,0,100,100,0,0,1,4,0,7,55,50,30,1
Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
Style: Hybrid-signs,Arrus BT,60,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 3,0:15:11.02,0:15:12.32,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1200,1300,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(133,25)}Hold up
Dialogue: 3,0:15:13.46,0:15:14.93,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1420,1470,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(161.5,25)}Just a bit
Dialogue: 3,0:15:31.86,0:15:34.77,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2860,2910,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(258.5,25)}Don't look that way
Dialogue: 3,0:15:34.77,0:15:37.16,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2340,2390,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(254.5,25)}Don't go over there
Dialogue: 3,0:15:37.16,0:15:41.99,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4780,4830,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(547.5,25)}Won't you look straight at me and no one else?
Dialogue: 3,0:15:41.99,0:15:46.72,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4680,4730,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(371.5,25)}Stay just like you are forever
Dialogue: 3,0:15:46.72,0:15:49.56,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2790,2840,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(383.5,25)}I'll never forget about that day
Dialogue: 3,0:15:49.56,0:15:54.86,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(5250,5300,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(719,25)}Don't you remember the miracle pitch of love you threw my way?
Dialogue: 3,0:15:55.54,0:15:59.34,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3750,3800,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(329,25)}Round and round in a duet
Dialogue: 3,0:15:59.34,0:16:02.14,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2750,2800,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(383,25)}We'll dance until we can't stand
Dialogue: 3,0:16:02.64,0:16:06.27,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3580,3630,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(556.5,25)}The night is over and the day is breaking bright
Dialogue: 3,0:16:06.27,0:16:12.78,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6460,6510,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(600,25)}A swing and a miss doesn't mark the end of the game
Dialogue: 3,0:16:12.78,0:16:17.25,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4420,4470,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(242,25)}That's our destiny
Dialogue: 3,0:17:25.80,0:17:28.27,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2420,2470,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1745.5,25)}I'm running
Dialogue: 3,0:17:28.27,0:17:30.87,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2550,2600,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1714,25)}Straight ahead
Dialogue: 3,0:17:30.87,0:17:35.40,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4480,4530,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1416,25)}I'm sure it will lead straight to tomorrow
Dialogue: 3,0:17:35.40,0:17:40.37,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4920,4970,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1515,25)}I'll continue the dream I once had
Dialogue: 3,0:17:40.37,0:17:43.06,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2640,2690,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1536.5,25)}I'll never forget about that day
Dialogue: 3,0:17:43.06,0:17:48.31,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(5200,5250,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1237,25)}When I close my eyes it's all set in motion, I'm being reborn
Dialogue: 3,0:17:49.25,0:17:52.97,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3670,3720,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1557.5,25)}Round and round on the stage
Dialogue: 3,0:17:52.97,0:17:56.33,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3310,3360,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(495,25)}We'll put our feelings into song and fight
Dialogue: 3,0:17:56.33,0:18:00.04,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3660,3710,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1415.5,25)}We've never done something like this before
Dialogue: 3,0:18:00.04,0:18:02.91,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2820,2870,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(380,25)}Who made you change like this?
Dialogue: 3,0:18:02.91,0:18:06.29,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3330,3380,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1559.5,25)}It's because I made a promise
Dialogue: 3,0:18:06.29,0:18:10.69,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4350,4400,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(354,25)}What promise, and with who?
Dialogue: 3,0:18:11.79,0:18:15.44,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3600,3650,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(333,25)}Look at me and no one else
Dialogue: 3,0:18:15.44,0:18:18.68,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3190,3240,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(340,25)}See, even those small lights
Dialogue: 3,0:18:18.68,0:18:22.59,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3860,3910,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(497,25)}Will disappear along with the light of day
Dialogue: 3,0:18:22.59,0:18:28.70,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6060,6110,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(458.5,25)}Without you I'll lose everything I have
Dialogue: 3,0:18:28.70,0:18:33.46,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4710,4760,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(358,25)}I'm not letting this game end
Dialogue: 3,0:19:16.60,0:19:20.45,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3800,3850,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(329,25)}{\3c&H782D0E&}R{*\3c&H742C15&}o{*\3c&H702B1C&}u{*\3c&H6C2A23&}n{*\3c&H68292A&}d {*\3c&H602838&}a{*\3c&H5B2740&}n{*\3c&H572647&}d {*\3c&H4F2455&}r{*\3c&H4B235C&}o{*\3c&H472263&}u{*\3c&H43216A&}n{*\3c&H3F2071&}d {*\3c&H371E7F&}i{*\3c&H331D86&}n {*\3c&H2A1C95&}a {*\3c&H221AA3&}d{*\3c&H1E19AA&}u{*\3c&H1A18B1&}e{\3c&H1617B8&}t
Dialogue: 3,0:19:20.45,0:19:23.80,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3300,3350,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(383,25)}{\3c&H782D0E&}W{*\3c&H752C13&}e{*\3c&H722C19&}'{*\3c&H6F2B1E&}l{*\3c&H6B2A24&}l {*\3c&H65292F&}d{*\3c&H622834&}a{*\3c&H5F273A&}n{*\3c&H5C273F&}c{*\3c&H582645&}e {*\3c&H522450&}u{*\3c&H4F2455&}n{*\3c&H4C235B&}t{*\3c&H492260&}i{*\3c&H452266&}l {*\3c&H3F2071&}w{*\3c&H3C2076&}e {*\3c&H361E81&}c{*\3c&H321D87&}a{*\3c&H2F1D8C&}n{*\3c&H2C1C92&}'{*\3c&H291B97&}t {*\3c&H231AA2&}s{*\3c&H1F19A8&}t{*\3c&H1C18AD&}a{*\3c&H1918B3&}n{\3c&H1617B8&}d
Dialogue: 3,0:19:23.80,0:19:27.50,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3650,3700,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(556.5,25)}{\3c&H782D0E&}T{*\3c&H762D12&}h{*\3c&H742C15&}e {*\3c&H702B1C&}n{*\3c&H6E2B20&}i{*\3c&H6B2A24&}g{*\3c&H692A27&}h{*\3c&H67292B&}t {*\3c&H632832&}i{*\3c&H612836&}s {*\3c&H5D273D&}o{*\3c&H5B2641&}v{*\3c&H592644&}e{*\3c&H572648&}r {*\3c&H52254F&}a{*\3c&H502453&}n{*\3c&H4E2456&}d {*\3c&H4A235E&}t{*\3c&H482261&}h{*\3c&H462265&}e {*\3c&H42216C&}d{*\3c&H402070&}a{*\3c&H3E2073&}y {*\3c&H391F7B&}i{*\3c&H371E7E&}s {*\3c&H331E85&}b{*\3c&H311D89&}r{*\3c&H2F1D8D&}e{*\3c&H2D1C90&}a{*\3c&H2B1C94&}k{*\3c&H291B97&}i{*\3c&H271B9B&}n{*\3c&H251A9F&}g {*\3c&H2019A6&}b{*\3c&H1E19AA&}r{*\3c&H1C18AD&}i{*\3c&H1A18B1&}g{*\3c&H1817B4&}h{\3c&H1617B8&}t
Dialogue: 3,0:19:27.50,0:19:33.85,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6300,6350,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(505.5,25)}{\3c&H782D0E&}T{*\3c&H762C12&}h{*\3c&H732C16&}e {*\3c&H6F2B1E&}s{*\3c&H6C2A22&}h{*\3c&H6A2A26&}i{*\3c&H68292A&}n{*\3c&H65292E&}i{*\3c&H632832&}n{*\3c&H612836&}g {*\3c&H5C273F&}s{*\3c&H5A2643&}u{*\3c&H572647&}n {*\3c&H53254F&}i{*\3c&H502453&}s {*\3c&H4C235B&}r{*\3c&H49235F&}u{*\3c&H472263&}n{*\3c&H452167&}n{*\3c&H42216B&}i{*\3c&H40206F&}n{*\3c&H3E2073&}g {*\3c&H391F7B&}a{*\3c&H371E7F&}c{*\3c&H341E83&}r{*\3c&H321D87&}o{*\3c&H301D8B&}s{*\3c&H2D1C90&}s {*\3c&H291B98&}t{*\3c&H261B9C&}h{*\3c&H241AA0&}e {*\3c&H1F19A8&}f{*\3c&H1D19AC&}i{*\3c&H1B18B0&}e{*\3c&H1818B4&}l{\3c&H1617B8&}d
Dialogue: 3,0:19:33.85,0:19:37.90,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4000,4050,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(346,25)}{\3c&H782D0E&}L{*\3c&H742C14&}e{*\3c&H712B1B&}t{*\3c&H6D2B21&}'{*\3c&H692A27&}s {*\3c&H622834&}c{*\3c&H5F273A&}o{*\3c&H5B2640&}n{*\3c&H572647&}t{*\3c&H54254D&}i{*\3c&H502453&}n{*\3c&H4C235A&}u{*\3c&H492260&}e {*\3c&H42216C&}w{*\3c&H3E2073&}i{*\3c&H3A1F79&}t{*\3c&H371E7F&}h {*\3c&H2F1D8C&}t{*\3c&H2C1C92&}h{*\3c&H281B99&}e {*\3c&H2119A5&}g{*\3c&H1D19AB&}a{*\3c&H1A18B2&}m{\3c&H1617B8&}e
Dialogue: 3,0:19:38.22,0:19:39.90,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1630,1680,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1770.5,25)}All right
Dialogue: 3,0:19:39.90,0:19:40.83,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(880,930,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1768.5,25)}Here I go
Dialogue: 3,0:19:40.83,0:19:41.91,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1030,1080,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(148.5,25)}I'm ready
Dialogue: 3,0:19:41.91,0:19:43.12,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1160,1210,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(215,25)}Be gentle on me
Dialogue: 3,0:19:43.12,0:19:44.91,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1740,1790,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1784,25)}However
Dialogue: 3,0:19:45.45,0:19:48.42,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2920,2970,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1696,25)}I can't lose here
[Aegisub Extradata]
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 1,0:17:42.74,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}When we were young we swore to always be by each other's side
Dialogue: 2,0:17:42.74,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}When we were young we swore to always be by each other's side
Dialogue: 3,0:17:42.74,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}When we were young we swore to always be by each other's side
Dialogue: 1,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}How much time has passed since then?
Dialogue: 2,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}How much time has passed since then?
Dialogue: 3,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}How much time has passed since then?
Dialogue: 1,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}The flower petal I saw that day blinded me
Dialogue: 2,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}The flower petal I saw that day blinded me
Dialogue: 3,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}The flower petal I saw that day blinded me
Dialogue: 1,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I felt like I would never be able to reach it
Dialogue: 2,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I felt like I would never be able to reach it
Dialogue: 3,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I felt like I would never be able to reach it
Dialogue: 1,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}If happiness cannot be found in this place
Dialogue: 2,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}If happiness cannot be found in this place
Dialogue: 3,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}If happiness cannot be found in this place
Dialogue: 1,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Then it's time to leave for where the flowers bloom
Dialogue: 2,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Then it's time to leave for where the flowers bloom
Dialogue: 3,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Then it's time to leave for where the flowers bloom
Dialogue: 1,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Until the moment when you bloom in full
Dialogue: 2,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Until the moment when you bloom in full
Dialogue: 3,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Until the moment when you bloom in full
Dialogue: 1,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I want to watch you from your side
Dialogue: 2,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I want to watch you from your side
Dialogue: 3,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I want to watch you from your side
Dialogue: 1,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I believed without a doubt that we'd always be together
Dialogue: 2,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I believed without a doubt that we'd always be together
Dialogue: 3,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I believed without a doubt that we'd always be together
Dialogue: 1,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But the bird in the cage was always longing for the blue sky
Dialogue: 2,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But the bird in the cage was always longing for the blue sky
Dialogue: 3,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But the bird in the cage was always longing for the blue sky
Dialogue: 1,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}When did the chick learn to sing this gallantly?
Dialogue: 2,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}When did the chick learn to sing this gallantly?
Dialogue: 3,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}When did the chick learn to sing this gallantly?
Dialogue: 1,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Both flowers and wings are swayed by song and take to the wind
Dialogue: 2,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Both flowers and wings are swayed by song and take to the wind
Dialogue: 3,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Both flowers and wings are swayed by song and take to the wind
Dialogue: 1,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Farewell, I am going now, leaving you behind
Dialogue: 2,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Farewell, I am going now, leaving you behind
Dialogue: 3,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Farewell, I am going now, leaving you behind
Dialogue: 1,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I will gouge out my heart so that I can forget it all
Dialogue: 2,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I will gouge out my heart so that I can forget it all
Dialogue: 3,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I will gouge out my heart so that I can forget it all
Dialogue: 1,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}A stream may be divided by a boulder, but in its swift flow it will be united again
Dialogue: 2,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}A stream may be divided by a boulder, but in its swift flow it will be united again
Dialogue: 3,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}A stream may be divided by a boulder, but in its swift flow it will be united again
Dialogue: 1,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}So too will the pink paths we each set out on lead to a single straight path
Dialogue: 2,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}So too will the pink paths we each set out on lead to a single straight path
Dialogue: 3,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}So too will the pink paths we each set out on lead to a single straight path
Dialogue: 1,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}Let a flower bloom for the sake of a single person
Dialogue: 2,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Let a flower bloom for the sake of a single person
Dialogue: 3,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}Let a flower bloom for the sake of a single person
Dialogue: 1,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}For the entirety of our fleeting existence
Dialogue: 2,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}For the entirety of our fleeting existence
Dialogue: 3,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}For the entirety of our fleeting existence

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[Events]
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Dialogue: 1,0:15:36.20,0:15:43.70,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}For the sake of the promise we made
Dialogue: 3,0:15:36.20,0:15:43.70,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}For the sake of the promise we made
Dialogue: 1,0:15:46.60,0:15:54.57,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}It'll be fine, don't be afraid
Dialogue: 3,0:15:46.60,0:15:54.57,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}It'll be fine, don't be afraid
Dialogue: 1,0:15:57.36,0:16:05.07,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}The sword you hold is trembling
Dialogue: 3,0:15:57.36,0:16:05.07,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}The sword you hold is trembling
Dialogue: 1,0:16:07.83,0:16:15.24,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}Even a small glimmer
Dialogue: 3,0:16:07.83,0:16:15.24,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Even a small glimmer
Dialogue: 1,0:16:16.40,0:16:25.98,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}I bid farewell to this world that wallows in sorrow
Dialogue: 3,0:16:16.40,0:16:25.98,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I bid farewell to this world that wallows in sorrow
Dialogue: 1,0:16:25.98,0:16:33.00,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}I'll protect the people who matter to me
Dialogue: 3,0:16:25.98,0:16:33.00,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I'll protect the people who matter to me
Dialogue: 1,0:16:32.38,0:16:34.02,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}And
Dialogue: 3,0:16:32.38,0:16:34.02,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}And
Dialogue: 1,0:16:33.06,0:16:35.34,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}Endlessly
Dialogue: 3,0:16:33.06,0:16:35.34,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Endlessly
Dialogue: 1,0:16:34.56,0:16:36.16,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}Endlessly
Dialogue: 3,0:16:34.56,0:16:36.16,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Endlessly
Dialogue: 1,0:16:35.38,0:16:42.92,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}{\t(3200,6000,\3c&H0055F0&)}I'll turn back in the face of despair
Dialogue: 3,0:16:35.38,0:16:42.92,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}{\t(3200,6000,\3c&H0055F0&)}I'll turn back in the face of despair
Dialogue: 1,0:18:17.45,0:18:21.88,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}It all started unexpectedly
Dialogue: 3,0:18:17.45,0:18:21.88,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}It all started unexpectedly
Dialogue: 1,0:18:21.88,0:18:26.57,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}Before we knew it, our dreams overlapped
Dialogue: 3,0:18:21.88,0:18:26.57,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Before we knew it, our dreams overlapped
Dialogue: 1,0:18:26.57,0:18:31.90,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}I awoke the moment you took my hand
Dialogue: 3,0:18:26.57,0:18:31.90,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I awoke the moment you took my hand
Dialogue: 1,0:18:31.90,0:18:33.80,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}{\t(0,0,\3c&H0055F0&)}The girls
Dialogue: 3,0:18:31.90,0:18:33.80,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}{\t(0,0,\3c&H0055F0&)}The girls
Dialogue: 1,0:18:32.70,0:18:34.54,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}Are starting anew
Dialogue: 3,0:18:32.70,0:18:34.54,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Are starting anew
Dialogue: 1,0:18:34.54,0:18:42.14,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}Even if I can't do it alone
Dialogue: 3,0:18:34.54,0:18:42.14,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Even if I can't do it alone
Dialogue: 2,0:19:44.32,0:19:54.21,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord4\blur1\be.6\t(0,1118,\3c&HE5C37F&)\t(1118,2236,\3c&HFF974D&)\t(2236,3354,\3c&HE5C37F&)\t(3354,4472,\3c&HFF974D&)\t(4472,5590,\3c&HE5C37F&)\t(5590,6708,\3c&HFF974D&)\t(6708,7826,\3c&HE5C37F&)\t(7826,8944,\3c&HFF974D&)\t(8944,10062,\3c&HE5C37F&)\t(10062,11180,\3c&HFF974D&)\t(0,1080,\bord3\blur3)\t(1080,2160,\bord6\blur1)\t(2160,3240,\bord3\blur3)\t(3240,4320,\bord6\blur1)\t(4320,5400,\bord3\blur3)\t(5400,6480,\bord6\blur1)\t(6480,7560,\bord3\blur3)\t(7560,8640,\bord6\blur1)\t(8640,9720,\bord3\blur3)\t(9720,10800,\bord6\blur1)\t(10800,11880,\bord3\blur3)}Our dream is taking shape
Dialogue: 3,0:19:44.32,0:19:54.21,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Our dream is taking shape
Dialogue: 2,0:20:18.23,0:20:25.36,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord4\blur1\be.6\t(0,1036,\3c&HE5C37F&)\t(1036,2072,\3c&HFF974D&)\t(2072,3108,\3c&HE5C37F&)\t(3108,4144,\3c&HFF974D&)\t(4144,5180,\3c&HE5C37F&)\t(5180,6216,\3c&HFF974D&)\t(6216,7252,\3c&HE5C37F&)\t(0,1102,\bord3\blur3)\t(1102,2204,\bord6\blur1)\t(2204,3306,\bord3\blur3)\t(3306,4408,\bord6\blur1)\t(4408,5510,\bord3\blur3)\t(5510,6612,\bord6\blur1)\t(6612,7714,\bord3\blur3)}When we were young, we planted a small seed together
Dialogue: 3,0:20:18.23,0:20:25.36,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}When we were young, we planted a small seed together
Dialogue: 2,0:20:25.36,0:20:29.22,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord4\blur1\be.6\t(0,832,\3c&HE5C37F&)\t(832,1664,\3c&HFF974D&)\t(1664,2496,\3c&HE5C37F&)\t(2496,3328,\3c&HFF974D&)\t(3328,4160,\3c&HE5C37F&)\t(0,1065,\bord3\blur3)\t(1065,2130,\bord6\blur1)\t(2130,3195,\bord3\blur3)\t(3195,4260,\bord6\blur1)}And now it has started to bloom in full
Dialogue: 3,0:20:25.36,0:20:29.22,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}And now it has started to bloom in full
Dialogue: 2,0:20:29.22,0:20:31.89,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord4\blur1\be.6\t(0,936,\3c&HE5C37F&)\t(936,1872,\3c&HFF974D&)\t(1872,2808,\3c&HE5C37F&)\t(0,1095,\bord3\blur3)\t(1095,2190,\bord6\blur1)\t(2190,3285,\bord3\blur3)}Guided by the star
Dialogue: 3,0:20:29.22,0:20:31.89,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Guided by the star
Dialogue: 2,0:20:31.89,0:20:35.90,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord4\blur1\be.6\t(0,971,\3c&HE5C37F&)\t(971,1942,\3c&HFF974D&)\t(1942,2913,\3c&HE5C37F&)\t(2913,3884,\3c&HFF974D&)\t(3884,4855,\3c&HE5C37F&)\t(0,1028,\bord3\blur3)\t(1028,2056,\bord6\blur1)\t(2056,3084,\bord3\blur3)\t(3084,4112,\bord6\blur1)}I won't lose again, I won't give up
Dialogue: 3,0:20:31.89,0:20:35.90,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I won't lose again, I won't give up
Dialogue: 2,0:20:35.90,0:20:39.40,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord4\blur1\be.6\t(0,845,\3c&HE5C37F&)\t(845,1690,\3c&HFF974D&)\t(1690,2535,\3c&HE5C37F&)\t(2535,3380,\3c&HFF974D&)\t(3380,4225,\3c&HE5C37F&)\t(0,822,\bord3\blur3)\t(822,1644,\bord6\blur1)\t(1644,2466,\bord3\blur3)\t(2466,3288,\bord6\blur1)\t(3288,4110,\bord3\blur3)}I'm reaching out towards where you are
Dialogue: 3,0:20:35.90,0:20:39.40,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I'm reaching out towards where you are
Dialogue: 2,0:20:39.40,0:20:42.90,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord4\blur1\be.6\t(0,1190,\3c&HE5C37F&)\t(1190,2380,\3c&HFF974D&)\t(2380,3570,\3c&HE5C37F&)\t(0,1082,\bord3\blur3)\t(1082,2164,\bord6\blur1)\t(2164,3246,\bord3\blur3)\t(3246,4328,\bord6\blur1)}I won't run away, I won't cry
Dialogue: 3,0:20:39.40,0:20:42.90,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I won't run away, I won't cry
Dialogue: 2,0:20:42.90,0:20:45.30,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord4\blur1\be.6\t(0,870,\3c&HE5C37F&)\t(870,1740,\3c&HFF974D&)\t(1740,2610,\3c&HE5C37F&)\t(0,1190,\bord3\blur3)\t(1190,2380,\bord6\blur1)\t(2380,3570,\bord3\blur3)}Heading for our promised place
Dialogue: 3,0:20:42.90,0:20:45.30,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Heading for our promised place
Dialogue: 2,0:20:45.30,0:20:49.08,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord4\blur1\be.6\t(0,911,\3c&HE5C37F&)\t(911,1822,\3c&HFF974D&)\t(1822,2733,\3c&HE5C37F&)\t(2733,3644,\3c&HFF974D&)\t(3644,4555,\3c&HE5C37F&)\t(0,941,\bord3\blur3)\t(941,1882,\bord6\blur1)\t(1882,2823,\bord3\blur3)\t(2823,3764,\bord6\blur1)\t(3764,4705,\bord3\blur3)}I wanted see you all this time
Dialogue: 3,0:20:45.30,0:20:49.08,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I wanted see you all this time
Dialogue: 2,0:20:49.08,0:20:54.88,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord4\blur1\be.6\t(0,989,\3c&HE5C37F&)\t(989,1978,\3c&HFF974D&)\t(1978,2967,\3c&HE5C37F&)\t(2967,3956,\3c&HFF974D&)\t(3956,4945,\3c&HE5C37F&)\t(4945,5934,\3c&HFF974D&)\t(0,1072,\bord3\blur3)\t(1072,2144,\bord6\blur1)\t(2144,3216,\bord3\blur3)\t(3216,4288,\bord6\blur1)\t(4288,5360,\bord3\blur3)\t(5360,6432,\bord6\blur1)}We are once again connected by the stars
Dialogue: 3,0:20:49.08,0:20:54.88,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}We are once again connected by the stars
Dialogue: 2,0:20:54.88,0:21:00.82,Hikari2,,0,0,0,,{\fad(100,500)\pos(50,30)\bord4\blur1\be.6\t(0,1030,\3c&HE5C37F&)\t(1030,2060,\3c&HFF974D&)\t(2060,3090,\3c&HE5C37F&)\t(3090,4120,\3c&HFF974D&)\t(4120,5150,\3c&HE5C37F&)\t(5150,6180,\3c&HFF974D&)\t(6180,7210,\3c&HE5C37F&)\t(0,1119,\bord3\blur3)\t(1119,2238,\bord6\blur1)\t(2238,3357,\bord3\blur3)\t(3357,4476,\bord6\blur1)\t(4476,5595,\bord3\blur3)\t(5595,6714,\bord6\blur1)}We can make a miracle happen
Dialogue: 3,0:20:54.88,0:21:00.82,Hikari2,,0,0,0,,{\fad(100,500)\bord0\c&H00FFFFFF&\pos(50,30)}We can make a miracle happen

View File

@ -0,0 +1,48 @@
[Script Info]
; Script generated by Aegisub master r8903+1 g1042226, line0
; http://www.aegisub.org/
Title: Default Aegisub file
ScriptType: v4.00+
WrapStyle: 0
ScaledBorderAndShadow: yes
PlayResX: 1920
PlayResY: 1080
YCbCr Matrix: TV.709
[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H0045221E,&HC0171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,60,1
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Style: English,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,1,50,15,30,1
Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,9,15,50,30,1
Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
Style: Nana2,Signatra DEMO,80,&H00FFFFFF,&H002B2B2B,&H0001C9E7,&H00000000,0,0,0,0,100,90,0,0,1,4,0,9,50,50,30,1
Style: Hikari,Signatra DEMO,80,&H00FFFFFF,&H002B2B2B,&H001617B8,&H00000000,0,0,0,0,100,90,0,0,1,4,0,7,50,50,30,1
Style: Nana,Austie Bost Hooked on a Feeling,90,&H0086FDF3,&H0046F8FB,&H00000000,&H00000000,-1,0,0,0,130,100,0,0,1,4,0,9,50,50,30,1
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 1,0:15:34.34,0:15:41.34,Nana,,0,0,0,,{\fad(100,100)\c&H00000000&\3c&H00000000&\bord2\pos(1870,30)\blur1.5}I won't let anyone
Dialogue: 3,0:15:34.34,0:15:41.34,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H0086FDF3&\pos(1870,30)}I won't let anyone
Dialogue: 1,0:15:34.34,0:15:41.34,Nana,,0,0,0,,{\fad(100,100)\c&H00000000&\3c&H00000000&\bord2\blur1.5\pos(1870,100.571)}get in my way
Dialogue: 3,0:15:34.34,0:15:41.34,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H0086FDF3&\pos(1870,100.571)}get in my way
Dialogue: 1,0:15:41.34,0:15:47.96,Nana,,0,0,0,,{\fad(100,0)\c&H00000000&\3c&H00000000&\bord2\pos(1870,30)\blur1.5}Of my own eternal stage
Dialogue: 3,0:15:41.34,0:15:47.96,Nana,,0,0,0,,{\fad(100,0)\bord0\c&H0086FDF3&\pos(1870,30)}Of my own eternal stage
Dialogue: 1,0:16:35.89,0:16:43.39,Nana,,0,0,0,,{\fad(100,100)\c&H00000000&\3c&H00000000&\bord2\pos(1870,30)\blur1.5}Change brings with it tragedy
Dialogue: 3,0:16:35.89,0:16:43.39,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H0086FDF3&\pos(1870,30)}Change brings with it tragedy
Dialogue: 1,0:17:05.57,0:17:14.20,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}The sky shines on endlessly
Dialogue: 3,0:17:05.57,0:17:14.20,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}The sky shines on endlessly
Dialogue: 1,0:17:14.20,0:17:23.10,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}I want to show you this newly born star
Dialogue: 3,0:17:14.20,0:17:23.10,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I want to show you this newly born star
Dialogue: 1,0:17:32.89,0:17:39.32,Nana2,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}I just want to treasure and protect you all
Dialogue: 3,0:17:32.89,0:17:39.32,Nana2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I just want to treasure and protect you all
Dialogue: 1,0:17:42.91,0:17:51.50,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}We had a precious encounter, and now
Dialogue: 3,0:17:42.91,0:17:51.50,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}We had a precious encounter, and now
Dialogue: 1,0:17:51.50,0:17:56.34,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}We are growing stronger
Dialogue: 3,0:17:51.50,0:17:56.34,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}We are growing stronger
Dialogue: 1,0:17:59.09,0:18:05.19,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}We became connected by the stars
Dialogue: 3,0:17:59.09,0:18:05.19,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}We became connected by the stars
Dialogue: 1,0:18:05.19,0:18:11.33,Hikari,,0,0,0,,{\fad(100,500)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}I'll protect this bond forever
Dialogue: 3,0:18:05.19,0:18:11.33,Hikari,,0,0,0,,{\fad(100,500)\bord0\c&H00FFFFFF&\pos(50,30)}I'll protect this bond forever