71 lines
12 KiB
Plaintext
71 lines
12 KiB
Plaintext
[Script Info]
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ScriptType: v4.00+
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WrapStyle: 0
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ScaledBorderAndShadow: yes
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PlayResX: 1920
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PlayResY: 1080
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YCbCr Matrix: TV.709
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[Aegisub Project Garbage]
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Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 05v2 [WEB 1080p EAC3] [860821DE].mkv
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Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 05v2 [WEB 1080p EAC3] [860821DE].mkv
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[V4+ Styles]
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Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
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Style: Default,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H0045221E,&HC0171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,60,1
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Style: Alt,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H00391C54,&H96171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,50,1
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Style: JapOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,8,15,15,50,1
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Style: EngOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,2,15,15,50,1
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Style: English,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,1,50,15,30,1
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Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,9,15,50,30,1
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Style: InsertEngKaren,Comic Book,47,&H00FFFFFF,&H00782D0E,&H001617B8,&H00000000,-1,0,0,0,100,100,0,0,1,4,0,9,55,55,30,1
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Style: InsertEngMahiru,Comic Book,47,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,0,0,0,100,100,0,0,1,4,0,7,55,50,30,1
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Style: InsertEngDuo,Comic Book,47,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,0,0,0,100,100,0,0,1,4,0,7,55,50,30,1
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Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
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Style: Hybrid-signs,Arrus BT,60,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
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[Events]
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Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
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Dialogue: 3,0:15:11.02,0:15:12.32,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1200,1300,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(133,25)}Hold on
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Dialogue: 3,0:15:13.46,0:15:14.93,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1420,1470,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(161.5,25)}Just a bit
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Dialogue: 3,0:15:31.86,0:15:34.77,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2860,2910,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(258.5,25)}Don't look that way
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Dialogue: 3,0:15:34.77,0:15:37.16,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2340,2390,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(254.5,25)}At least let me play{tlc: 敬遠 is a baseball term for giving the batter a walk, maybe "Al least let me swing", "Let me step up to the plate" or "Don't throw the game" or something}
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Dialogue: 3,0:15:37.16,0:15:41.99,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4780,4830,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(547.5,25)}Won't you look straight at me and no one else?
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Dialogue: 3,0:15:41.99,0:15:46.72,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4680,4730,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(371.5,25)}Please stay just like you are forever{tlc: Mahiru's lyrics has a fair bit of non-assertive ね going on, maybe ", okay?" on the end of this line}
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Dialogue: 3,0:15:46.72,0:15:49.56,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2790,2840,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(383.5,25)}I'll never forget about that day
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Dialogue: 3,0:15:49.56,0:15:54.86,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(5250,5300,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(719,25)}Don't you remember the miracle pitch of love you threw my way?
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Dialogue: 3,0:15:55.54,0:15:59.34,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3750,3800,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(329,25)}Round and round in a duet
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Dialogue: 3,0:15:59.34,0:16:02.14,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2750,2800,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(383,25)}We'll dance until our feet give out{tlc: "until we can't stand" > "'till we can no longer stand" or "until our feet give out" or another more colourful description of being danced out}
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Dialogue: 3,0:16:02.64,0:16:06.27,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3580,3630,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(556.5,25)}The night is over and the day is breaking bright
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Dialogue: 3,0:16:06.27,0:16:12.78,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6460,6510,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(600,25)}A swing and a miss doesn't mean the game is over{tlc: "doesn't mean it's game over", "doesn't mean the game's over"?}
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Dialogue: 3,0:16:12.78,0:16:17.25,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4420,4470,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(242,25)}That's our destiny
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Dialogue: 3,0:17:25.80,0:17:28.27,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2420,2470,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1745.5,25)}I'm running straight
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Dialogue: 3,0:17:28.27,0:17:30.87,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2550,2600,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1714,25)}Like a fastball{ストレート would be another baseball reference/pun, prefereable to work it in there somehow, maybe "I'm running straight / like a fastball"}
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Dialogue: 3,0:17:30.87,0:17:35.40,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4480,4530,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1416,25)}I'm sure we'll end up as twin stars in the sky{some random person on twitter theorized that this represents flora and claire}
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Dialogue: 3,0:17:35.40,0:17:40.37,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4920,4970,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1515,25)}I'll continue the dream I once had
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Dialogue: 3,0:17:40.37,0:17:43.06,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2640,2690,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1536.5,25)}I'll never forget about that day
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Dialogue: 3,0:17:43.06,0:17:48.31,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(5200,5250,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1237,25)}When I close my eyes it's all set in motion, I'm being reborn
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Dialogue: 3,0:17:49.25,0:17:52.97,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3670,3720,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1557.5,25)}Round and round on the stage
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Dialogue: 3,0:17:52.97,0:17:56.33,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3310,3360,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(495,25)}We'll go all out and fight
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Dialogue: 3,0:17:56.33,0:18:00.04,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3660,3710,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1415.5,25)}We've never done something like this before
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Dialogue: 3,0:18:00.04,0:18:02.91,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2820,2870,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(380,25)}Who made you change like this?
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Dialogue: 3,0:18:02.91,0:18:06.29,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3330,3380,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1559.5,25)}It's because I made a promise
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Dialogue: 3,0:18:06.29,0:18:10.69,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4350,4400,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(354,25)}What promise, and with who?
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Dialogue: 3,0:18:11.79,0:18:15.44,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3600,3650,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(333,25)}Look at me and no one else
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Dialogue: 3,0:18:15.44,0:18:18.68,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3190,3240,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(340,25)}See, those small lights
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Dialogue: 3,0:18:18.68,0:18:22.59,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3860,3910,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(497,25)}Will disappear along with the light of day
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Dialogue: 3,0:18:22.59,0:18:28.70,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6060,6110,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(458.5,25)}Without you I'll lose everything I have
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Dialogue: 3,0:18:28.70,0:18:33.46,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4710,4760,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(358,25)}Don't make this game end
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Dialogue: 3,0:19:16.60,0:19:20.45,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3800,3850,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(329,25)}{\3c&H782D0E&}R{*\3c&H742C15&}o{*\3c&H702B1C&}u{*\3c&H6C2A23&}n{*\3c&H68292A&}d {*\3c&H602838&}a{*\3c&H5B2740&}n{*\3c&H572647&}d {*\3c&H4F2455&}r{*\3c&H4B235C&}o{*\3c&H472263&}u{*\3c&H43216A&}n{*\3c&H3F2071&}d {*\3c&H371E7F&}i{*\3c&H331D86&}n {*\3c&H2A1C95&}a {*\3c&H221AA3&}d{*\3c&H1E19AA&}u{*\3c&H1A18B1&}e{\3c&H1617B8&}t
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Dialogue: 3,0:19:20.45,0:19:23.80,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3300,3350,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(383,25)}{\3c&H782D0E&}W{*\3c&H752C13&}e{*\3c&H722C19&}'{*\3c&H6F2B1E&}l{*\3c&H6B2A24&}l {*\3c&H65292F&}d{*\3c&H622834&}a{*\3c&H5F273A&}n{*\3c&H5C273F&}c{*\3c&H582645&}e {*\3c&H522450&}u{*\3c&H4F2455&}n{*\3c&H4C235B&}t{*\3c&H492260&}i{*\3c&H452266&}l {*\3c&H3F2071&}w{*\3c&H3C2076&}e {*\3c&H361E81&}c{*\3c&H321D87&}a{*\3c&H2F1D8C&}n{*\3c&H2C1C92&}'{*\3c&H291B97&}t {*\3c&H231AA2&}s{*\3c&H1F19A8&}t{*\3c&H1C18AD&}a{*\3c&H1918B3&}n{\3c&H1617B8&}d
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Dialogue: 3,0:19:23.80,0:19:27.50,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3650,3700,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(556.5,25)}{\3c&H782D0E&}T{*\3c&H762D12&}h{*\3c&H742C15&}e {*\3c&H702B1C&}n{*\3c&H6E2B20&}i{*\3c&H6B2A24&}g{*\3c&H692A27&}h{*\3c&H67292B&}t {*\3c&H632832&}i{*\3c&H612836&}s {*\3c&H5D273D&}o{*\3c&H5B2641&}v{*\3c&H592644&}e{*\3c&H572648&}r {*\3c&H52254F&}a{*\3c&H502453&}n{*\3c&H4E2456&}d {*\3c&H4A235E&}t{*\3c&H482261&}h{*\3c&H462265&}e {*\3c&H42216C&}d{*\3c&H402070&}a{*\3c&H3E2073&}y {*\3c&H391F7B&}i{*\3c&H371E7E&}s {*\3c&H331E85&}b{*\3c&H311D89&}r{*\3c&H2F1D8D&}e{*\3c&H2D1C90&}a{*\3c&H2B1C94&}k{*\3c&H291B97&}i{*\3c&H271B9B&}n{*\3c&H251A9F&}g {*\3c&H2019A6&}b{*\3c&H1E19AA&}r{*\3c&H1C18AD&}i{*\3c&H1A18B1&}g{*\3c&H1817B4&}h{\3c&H1617B8&}t
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Dialogue: 3,0:19:27.50,0:19:33.85,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6300,6350,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(505.5,25)}{\3c&H782D0E&}T{*\3c&H752C12&}h{*\3c&H722B16&}e {*\3c&H6D2A1F&}s{*\3c&H6B2A23&}h{*\3c&H682928&}i{*\3c&H66292C&}n{*\3c&H632830&}i{*\3c&H612735&}n{*\3c&H5E2739&}g {*\3c&H592642&}s{*\3c&H572546&}u{*\3c&H54254B&}n {*\3c&H4F2353&}i{*\3c&H4D2358&}s {*\3c&H482260&}l{*\3c&H452165&}i{*\3c&H432169&}g{*\3c&H40206D&}h{*\3c&H3E2072&}t{*\3c&H3B1F76&}i{*\3c&H391E7A&}n{*\3c&H361E7F&}g {*\3c&H311D88&}u{*\3c&H2F1C8C&}p {*\3c&H2A1B95&}t{*\3c&H271A99&}h{*\3c&H251A9D&}e {*\3c&H2019A6&}f{*\3c&H1D18AA&}i{*\3c&H1B18AF&}e{*\3c&H1817B3&}l{\3c&H1617B8&}d
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Dialogue: 3,0:19:33.85,0:19:37.90,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4000,4050,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(346,25)}{\3c&H782D0E&}L{*\3c&H742C14&}e{*\3c&H712B1B&}t{*\3c&H6D2B21&}'{*\3c&H692A27&}s {*\3c&H622834&}c{*\3c&H5F273A&}o{*\3c&H5B2640&}n{*\3c&H572647&}t{*\3c&H54254D&}i{*\3c&H502453&}n{*\3c&H4C235A&}u{*\3c&H492260&}e {*\3c&H42216C&}w{*\3c&H3E2073&}i{*\3c&H3A1F79&}t{*\3c&H371E7F&}h {*\3c&H2F1D8C&}t{*\3c&H2C1C92&}h{*\3c&H281B99&}e {*\3c&H2119A5&}g{*\3c&H1D19AB&}a{*\3c&H1A18B2&}m{\3c&H1617B8&}e
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Dialogue: 3,0:19:38.22,0:19:39.90,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1630,1680,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1770.5,25)}All right
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Dialogue: 3,0:19:39.90,0:19:40.83,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(880,930,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1768.5,25)}Here I go
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Dialogue: 3,0:19:40.83,0:19:41.91,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1030,1080,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(148.5,25)}I'm ready
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Dialogue: 3,0:19:41.91,0:19:43.12,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1160,1210,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(215,25)}Be gentle with me{tlc: "gentle on" doesn't sound right, "gentle with"? I don't think she's saying "go easy on me" but maybe "Don't be too hard on me"?}
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Dialogue: 3,0:19:43.12,0:19:44.91,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1740,1790,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1784,25)}However
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Dialogue: 3,0:19:45.45,0:19:48.42,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2920,2970,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1696,25)}I can't lose here
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