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SKRS-Fansub/Folge 03/[FGT] SKRS - 03_insert.ass
FichteFoll 5c166e9695 Correct line endings to LF 
Somehow the previously extracted scripts had CRLF line endings. Usually
you want LF in the git repo and use autocrlf on Windows to normalize.
2019-02-01 01:51:32 +01:00

114 lines
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[Script Info]
; Script generated by Aegisub master r8903+1 g1042226, line0
; http://www.aegisub.org/
Title: Default Aegisub file
ScriptType: v4.00+
WrapStyle: 0
ScaledBorderAndShadow: yes
PlayResX: 1920
PlayResY: 1080
YCbCr Matrix: TV.709
[Aegisub Project Garbage]
Last Style Storage: Default
Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 03 [WEB 1080p EAC3] [6693A4D0].mkv
Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 03 [WEB 1080p EAC3] [6693A4D0].mkv
Video AR Mode: 4
Video AR Value: 1.777778
Video Zoom Percent: 0.500000
Video Position: 35
[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H0045221E,&HC0171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,60,1
Style: Alt,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H00391C54,&H96171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,50,1
Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
Style: JapOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,8,15,15,50,1
Style: EngOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,2,15,15,50,1
Style: InsertEngDuo,Dream Orphans,80,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,10,10,30,1
Style: InsertEngTENDOMAYAFront,Dream Orphans,80,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,50,10,30,1
Style: InsertEngNitwitFront,Dream Orphans,80,&H00FFFFFF,&H00782D0E,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,50,50,30,1
Style: InsertEngNitwitBack,Dream Orphans,57,&H00FFFFFF,&H00782D0E,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
Style: InsertEngTENDOMAYABack,Dream Orphans,57,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,9,50,50,30,1
Style: English,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,1,50,15,30,1
Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,9,15,50,30,1
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 1,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}I too should be able to see{tlc: "I too should be able to see" / "No, you will not see" / "The view from the tower's peak"}
Dialogue: 2,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6}I too should be able to see
Dialogue: 3,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}I too should be able to see
Dialogue: 1,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}No, you will not see
Dialogue: 2,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}No, you will not see
Dialogue: 3,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}No, you will not see
Dialogue: 1,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}The view from the top of the tower
Dialogue: 2,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6\3c&H782D0E&}T{*\3c&H752C13&}h{*\3c&H722C18&}e {*\3c&H6C2A23&}v{*\3c&H692A28&}i{*\3c&H66292D&}e{*\3c&H632832&}w {*\3c&H5D273C&}f{*\3c&H5A2642&}r{*\3c&H572647&}o{*\3c&H54254C&}m {*\3c&H4E2456&}t{*\3c&H4B235B&}h{*\3c&H482260&}e {*\3c&H43216B&}t{*\3c&H402070&}o{*\3c&H3D2075&}p {*\3c&H371E7F&}o{*\3c&H341E84&}f {*\3c&H2E1C8F&}t{*\3c&H2B1C94&}h{*\3c&H281B99&}e {*\3c&H221AA3&}t{*\3c&H1F19A9&}o{*\3c&H1C18AE&}w{*\3c&H1918B3&}e{\3c&H1617B8&}r
Dialogue: 3,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}The view from the top of the tower
Dialogue: 1,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What lies hidden in your heart?
Dialogue: 2,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What lies hidden in your heart?
Dialogue: 3,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What lies hidden in your heart?
Dialogue: 1,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What do your shimmering eyes seek?
Dialogue: 2,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What do your shimmering eyes seek?
Dialogue: 3,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What do your shimmering eyes seek?
Dialogue: 1,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I may not be able to reach the star yet
Dialogue: 2,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I may not be able to reach the star yet
Dialogue: 3,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I may not be able to reach the star yet
Dialogue: 1,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But for the sake of my promise
Dialogue: 2,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But for the sake of my promise
Dialogue: 3,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But for the sake of my promise
Dialogue: 1,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I will run towards it relentlessly
Dialogue: 2,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I will run towards it relentlessly
Dialogue: 3,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I will run towards it relentlessly
Dialogue: 1,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}The call of the goddesses, the throne of the heavens
Dialogue: 2,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}The call of the goddesses, the throne of the heavens
Dialogue: 3,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}The call of the goddesses, the throne of the heavens
Dialogue: 1,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}Descending from high above
Dialogue: 2,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}Descending from high above
Dialogue: 3,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}Descending from high above
Dialogue: 1,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}Is one lone star
Dialogue: 2,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}Is one lone star
Dialogue: 3,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}Is one lone star
Dialogue: 1,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Climb up here if you believe you can{tlc: "if you believe you can" > "if your will can carry/propel you" or "if your spirit will last/endure" or "if you have the balls", something like that?}
Dialogue: 2,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Climb up here if you believe you can
Dialogue: 3,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Climb up here if you believe you can
Dialogue: 1,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Cut me down and show me your rage{tlc: "show me" > "reveal" or "unleash"?}
Dialogue: 2,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Cut me down and show me your rage
Dialogue: 3,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Cut me down and show me your rage
Dialogue: 1,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Don't be at the mercy
Dialogue: 2,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Don't be at the mercy
Dialogue: 3,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Don't be at the mercy
Dialogue: 1,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Of the beast that dwells within
Dialogue: 2,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Of the beast that dwells within
Dialogue: 3,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Of the beast that dwells within
Dialogue: 1,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Spare me your half-hearted resolve{tlc: "Cast off those reservations" / "And show me a fight with your true pride at stake" links back to previous lines about being held back, though it's more imperative than the Japanese lyrics, I dunno}
Dialogue: 2,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Spare me your half-hearted resolve
Dialogue: 3,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Spare me your half-hearted resolve
Dialogue: 1,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I want to see you fight with your pride on the line
Dialogue: 2,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I want to see you fight with your pride on the line
Dialogue: 3,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I want to see you fight with your pride on the line
Dialogue: 1,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 2,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 3,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Ever higher, ever brighter
Dialogue: 1,0:20:14.44,0:20:18.95,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Illuminate the horizon
Dialogue: 2,0:20:14.44,0:20:18.95,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Illuminate the horizon
Dialogue: 3,0:20:14.44,0:20:18.95,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Illuminate the horizon
Dialogue: 1,0:20:19.32,0:20:21.50,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}One step forward
Dialogue: 2,0:20:19.32,0:20:21.50,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}One step forward
Dialogue: 3,0:20:19.32,0:20:21.50,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}One step forward
Dialogue: 1,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}One step closer to my dream
Dialogue: 2,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}One step closer to my dream
Dialogue: 3,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}One step closer to my dream
Dialogue: 1,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}This is my pride
Dialogue: 2,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}This is my pride
Dialogue: 3,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}This is my pride
Dialogue: 1,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 2,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Ever higher, ever brighter
Dialogue: 3,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Ever higher, ever brighter
Dialogue: 1,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Towards unreachable heights
Dialogue: 2,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Towards unreachable heights
Dialogue: 3,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Towards unreachable heights
Dialogue: 1,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}For this is my pride
Dialogue: 2,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}For this is my pride
Dialogue: 3,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}For this is my pride
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