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SKRS-Fansub/Folge 06/[FGT] SKRS - 06_insert.ass
FichteFoll 5c166e9695 Correct line endings to LF 
Somehow the previously extracted scripts had CRLF line endings. Usually
you want LF in the git repo and use autocrlf on Windows to normalize.
2019-02-01 01:51:32 +01:00

90 lines
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[Script Info]
; Script generated by Aegisub master r8903+1 g1042226, line0
; http://www.aegisub.org/
ScriptType: v4.00+
WrapStyle: 0
ScaledBorderAndShadow: yes
PlayResX: 1920
PlayResY: 1080
YCbCr Matrix: TV.709
[Aegisub Project Garbage]
Last Style Storage: Default
Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 06 [WEB 1080p AAC] [FDFF028E].mkv
Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 06 [WEB 1080p AAC] [FDFF028E].mkv
Video AR Mode: 4
Video AR Value: 1.777778
Video Zoom Percent: 0.437500
[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H0045221E,&HC0171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,60,1
Style: Alt,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H00391C54,&H96171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,50,1
Style: JapOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,8,15,15,50,1
Style: EngOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,0,0,100,100,0,0,1,4,0,2,15,15,50,1
Style: English,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,1,50,15,30,1
Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,9,15,50,30,1
Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
Style: Japanese,Arial,60,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,3,3,2,15,15,15,1
Style: Both,Dream Orphans,57,&H00F17FFF,&H000000FF,&H00FFFFFF,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
Style: Futaba,Dream Orphans,57,&H00FFFFFF,&H00782D0E,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
Style: Kaoru,Dream Orphans,57,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,9,50,50,30,1
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 1,0:17:43.34,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}When we were young, we swore to always be by each other's side{tlc: missing comma after introductory adverb clause :}
Dialogue: 2,0:17:43.34,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}When we were young, we swore to always be by each other's side{tlc: missing comma after introductory adverb clause :}
Dialogue: 3,0:17:43.34,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}When we were young, we swore to always be by each other's side{tlc: missing comma after introductory adverb clause :}
Dialogue: 1,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}How much time has passed since then?
Dialogue: 2,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}How much time has passed since then?
Dialogue: 3,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}How much time has passed since then?
Dialogue: 1,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I found myself charmed by that flower petal, yet
Dialogue: 2,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I found myself charmed by that flower petal, yet
Dialogue: 3,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I found myself charmed by that flower petal, yet
Dialogue: 1,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I felt like it would be forever out of reach{tlc: how about "it would be forever out of reach / beyond my reach"?}
Dialogue: 2,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I felt like it would be forever out of reach{tlc: how about "it would be forever out of reach / beyond my reach"?}
Dialogue: 3,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I felt like it would be forever out of reach{tlc: how about "it would be forever out of reach / beyond my reach"?}
Dialogue: 1,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}If you want to part ways, I will not stop you{tlc: "with me" perhaps redundant?}
Dialogue: 2,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}If you want to part ways, I will not stop you{tlc: "with me" perhaps redundant?}
Dialogue: 3,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}If you want to part ways, I will not stop you{tlc: "with me" perhaps redundant?}
Dialogue: 1,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}If you can't find happiness here, just go and bloom somewhere else
Dialogue: 2,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}If you can't find happiness here, just go and bloom somewhere else
Dialogue: 3,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}If you can't find happiness here, just go and bloom somewhere else
Dialogue: 1,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But the moment when you bloom in full
Dialogue: 2,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But the moment when you bloom in full
Dialogue: 3,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But the moment when you bloom in full
Dialogue: 1,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I want to be the first to witness
Dialogue: 2,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I want to be the first to witness
Dialogue: 3,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I want to be the first to witness
Dialogue: 1,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I thought you'd always you'd always be there to protect me without fail{tlc: "believed without a doubt" sounds a bit unnatural, how about just "I never doubted", possibly with "for a moment" or something to match the added intensity of 疑わずに | conversely, "be there for me", "be by my side", "be there to protect me", etc. might convey the tone of 守り抜く and the idea of Futaba leaving Cowruko}
Dialogue: 2,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I thought you'd always you'd always be there to protect me without fail{tlc: "believed without a doubt" sounds a bit unnatural, how about just "I never doubted", possibly with "for a moment" or something to match the added intensity of 疑わずに | conversely, "be there for me", "be by my side", "be there to protect me", etc. might convey the tone of 守り抜く and the idea of Futaba leaving Cowruko}
Dialogue: 3,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I thought you'd always you'd always be there to protect me without fail{tlc: "believed without a doubt" sounds a bit unnatural, how about just "I never doubted", possibly with "for a moment" or something to match the added intensity of 疑わずに | conversely, "be there for me", "be by my side", "be there to protect me", etc. might convey the tone of 守り抜く and the idea of Futaba leaving Cowruko}
Dialogue: 1,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But the caged bird was always longing for the blue sky{tlc: "caged bird" might sound better than "bird in the cage"}
Dialogue: 2,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But the caged bird was always longing for the blue sky{tlc: "caged bird" might sound better than "bird in the cage"}
Dialogue: 3,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But the caged bird was always longing for the blue sky{tlc: "caged bird" might sound better than "bird in the cage"}
Dialogue: 1,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}When did the chick learn to sing this gallantly?
Dialogue: 2,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}When did the chick learn to sing this gallantly?
Dialogue: 3,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}When did the chick learn to sing this gallantly?
Dialogue: 1,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Both flowers and wings sway as they take to the wind
Dialogue: 2,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Both flowers and wings sway as they take to the wind
Dialogue: 3,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Both flowers and wings sway as they take to the wind
Dialogue: 1,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Farewell, it's time for me to go, leaving you behind
Dialogue: 2,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Farewell, it's time for me to go, leaving you behind
Dialogue: 3,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Farewell, it's time for me to go, leaving you behind
Dialogue: 1,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Though I tear my heart in two, I go, keeping memories of the time we shared{tlc: "bear the pain to not forget" sounds a bit jumbled and "bear the pain" doesn't convey that it's a known consequence of her deliberate actions, maybe something like "Though I tear my heart in two, I go, keeping memories of the time we shared"}
Dialogue: 2,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Though I tear my heart in two, I go, keeping memories of the time we shared{tlc: "bear the pain to not forget" sounds a bit jumbled and "bear the pain" doesn't convey that it's a known consequence of her deliberate actions, maybe something like "Though I tear my heart in two, I go, keeping memories of the time we shared"}
Dialogue: 3,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Though I tear my heart in two, I go, keeping memories of the time we shared{tlc: "bear the pain to not forget" sounds a bit jumbled and "bear the pain" doesn't convey that it's a known consequence of her deliberate actions, maybe something like "Though I tear my heart in two, I go, keeping memories of the time we shared"}
Dialogue: 1,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}A stream may be divided by a boulder, but in its swift flow it will be united again
Dialogue: 2,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}A stream may be divided by a boulder, but in its swift flow it will be united again
Dialogue: 3,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}A stream may be divided by a boulder, but in its swift flow it will be united again
Dialogue: 1,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}So too will the flourishing paths we each set out on lead to a single straight path{tlc: pink path? wakarimasen}
Dialogue: 2,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}So too will the flourishing paths we each set out on lead to a single straight path{tlc: pink path? wakarimasen}
Dialogue: 3,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}So too will the flourishing paths we each set out on lead to a single straight path{tlc: pink path? wakarimasen}
Dialogue: 1,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}Let a flower bloom for the sake of a single person
Dialogue: 2,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Let a flower bloom for the sake of a single person
Dialogue: 3,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}Let a flower bloom for the sake of a single person
Dialogue: 1,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}For the entirety of our fleeting existence
Dialogue: 2,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}For the entirety of our fleeting existence
Dialogue: 3,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}For the entirety of our fleeting existence
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