Chyuu-PAS batch changes

From https://nyaa.si/view/1100061.
2019-02-01 01:38:50 +01:00 · 2019-02-01 01:38:50 +01:00 · f2933ee063
parent ba7bf8f0ab
commit f2933ee063
17 changed files with 478 additions and 568 deletions
--- a/03/[FGT]
+++ b/03/[FGT]
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub 3.2.2
 ; http://www.aegisub.org/
 Title: Default Aegisub file
--- a/03_ED.ass
+++ b/03_ED.ass
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 Title: Default Aegisub file
@ -11,15 +11,12 @@ YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
 Last Style Storage: Default
-Audio File: kageki 03-finaltest02 (1) [E2BFBE86].mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 03 [WEB 1080p EAC3] [6693A4D0].mkv
-Video File: kageki 03-finaltest02 (1) [E2BFBE86].mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 03 [WEB 1080p EAC3] [6693A4D0].mkv
 Keyframes File: kageki03_keyframes.log
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 1.000000
+Video Zoom Percent: 0.500000
-Scroll Position: 5966
+Video Position: 35
 Active Line: 5968
 Video Position: 9154
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -38,6 +35,7 @@ Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H005757
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 Dialogue: 1,0:21:51.33,0:21:59.48,English,,0,0,0,fx,{\fad(100,100)\3c&HFFFFFF&\bord5\blur3\t(0,1176,\bord5\blur3)\t(1176,2352,\bord6\blur4)\t(2352,3528,\bord5\blur3)\t(3528,4704,\bord6\blur4)\t(4704,5880,\bord5\blur3)\t(5880,7056,\bord6\blur4)\t(7056,8232,\bord5\blur3)}I was always gazing at you
 Dialogue: 2,0:21:51.33,0:21:59.48,English,,0,0,0,fx,{\fad(100,100)\blur(2)}I was always gazing at you
 Dialogue: 1,0:21:51.33,0:21:59.48,Romaji,,0,0,0,fx,{\fad(100,100)\3c&HFFFFFF&\bord5\blur3\t(0,1285,\bord5\blur3)\t(1285,2570,\bord6\blur4)\t(2570,3855,\bord5\blur3)\t(3855,5140,\bord6\blur4)\t(5140,6425,\bord5\blur3)\t(6425,7710,\bord6\blur4)\t(7710,8995,\bord5\blur3)}watashi zutto anata wo miteta
@ -70,4 +68,3 @@ Dialogue: 1,0:23:01.20,0:23:09.13,English,,0,0,0,fx,{\fad(100,100)\3c&HFFFFFF&\b
 Dialogue: 2,0:23:01.20,0:23:09.13,English,,0,0,0,fx,{\fad(100,100)\blur(2)}Please notice me, oh fly me to the star
 Dialogue: 1,0:23:01.20,0:23:09.13,Romaji,,0,0,0,fx,{\fad(100,100)\3c&HFFFFFF&\bord5\blur3\t(0,1144,\bord5\blur3)\t(1144,2288,\bord6\blur4)\t(2288,3432,\bord5\blur3)\t(3432,4576,\bord6\blur4)\t(4576,5720,\bord5\blur3)\t(5720,6864,\bord6\blur4)\t(6864,8008,\bord5\blur3)}hikitai kara oh fly me to the star
 Dialogue: 2,0:23:01.20,0:23:09.13,Romaji,,0,0,0,fx,{\fad(100,100)\blur(2)}hikitai kara oh fly me to the star
--- a/03_insert.ass
+++ b/03_insert.ass
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 Title: Default Aegisub file
@ -11,15 +11,12 @@ YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
 Last Style Storage: Default
-Audio File: kageki 03-finaltest02 (1) [E2BFBE86].mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 03 [WEB 1080p EAC3] [6693A4D0].mkv
-Video File: kageki 03-finaltest02 (1) [E2BFBE86].mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 03 [WEB 1080p EAC3] [6693A4D0].mkv
 Keyframes File: kageki03_keyframes.log
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 1.000000
+Video Zoom Percent: 0.500000
-Scroll Position: 5966
+Video Position: 35
 Active Line: 5968
 Video Position: 9154
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -38,57 +35,58 @@ Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H005757
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
-Dialogue: 1,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}I should be able to see it too
+
-Dialogue: 2,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6}I should be able to see it too
+Dialogue: 1,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}I too should be able to see{tlc: "I too should be able to see" / "No, you will not see" / "The view from the tower's peak"}
-Dialogue: 3,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}I should be able to see it too
+Dialogue: 2,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6}I too should be able to see
-Dialogue: 1,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}No, you will not see it
+Dialogue: 3,0:16:57.51,0:17:03.26,InsertEngNitwitFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}I too should be able to see
-Dialogue: 2,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}No, you will not see it
+Dialogue: 1,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}No, you will not see
-Dialogue: 3,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}No, you will not see it
+Dialogue: 2,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}No, you will not see
 Dialogue: 3,0:17:03.39,0:17:09.12,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}No, you will not see
 Dialogue: 1,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}The view from the top of the tower
 Dialogue: 2,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6\3c&H782D0E&}T{*\3c&H752C13&}h{*\3c&H722C18&}e {*\3c&H6C2A23&}v{*\3c&H692A28&}i{*\3c&H66292D&}e{*\3c&H632832&}w {*\3c&H5D273C&}f{*\3c&H5A2642&}r{*\3c&H572647&}o{*\3c&H54254C&}m {*\3c&H4E2456&}t{*\3c&H4B235B&}h{*\3c&H482260&}e {*\3c&H43216B&}t{*\3c&H402070&}o{*\3c&H3D2075&}p {*\3c&H371E7F&}o{*\3c&H341E84&}f {*\3c&H2E1C8F&}t{*\3c&H2B1C94&}h{*\3c&H281B99&}e {*\3c&H221AA3&}t{*\3c&H1F19A9&}o{*\3c&H1C18AE&}w{*\3c&H1918B3&}e{\3c&H1617B8&}r
 Dialogue: 3,0:17:09.26,0:17:18.42,InsertEngDuo,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}The view from the top of the tower
 Dialogue: 1,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What lies hidden in your heart?
 Dialogue: 2,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What lies hidden in your heart?
 Dialogue: 3,0:17:20.17,0:17:25.16,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What lies hidden in your heart?
-Dialogue: 1,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What do your shimmering eyes see?
+Dialogue: 1,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}What do your shimmering eyes seek?
-Dialogue: 2,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What do your shimmering eyes see?
+Dialogue: 2,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}What do your shimmering eyes seek?
-Dialogue: 3,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What do your shimmering eyes see?
+Dialogue: 3,0:17:25.33,0:17:29.78,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}What do your shimmering eyes seek?
-Dialogue: 1,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}No matter how unreachable the star is
+Dialogue: 1,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I may not be able to reach the star yet
-Dialogue: 2,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}No matter how unreachable the star is
+Dialogue: 2,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I may not be able to reach the star yet
-Dialogue: 3,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}No matter how unreachable the star is
+Dialogue: 3,0:17:30.04,0:17:34.89,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I may not be able to reach the star yet
-Dialogue: 1,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}For the sake of my promise
+Dialogue: 1,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But for the sake of my promise
-Dialogue: 2,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}For the sake of my promise
+Dialogue: 2,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But for the sake of my promise
-Dialogue: 3,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}For the sake of my promise
+Dialogue: 3,0:17:35.05,0:17:38.69,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But for the sake of my promise
 Dialogue: 1,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I will run towards it relentlessly
 Dialogue: 2,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I will run towards it relentlessly
 Dialogue: 3,0:17:38.93,0:17:44.63,InsertEngNitwitBack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I will run towards it relentlessly
 Dialogue: 1,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}The call of the goddesses, the throne of the heavens
 Dialogue: 2,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}The call of the goddesses, the throne of the heavens
 Dialogue: 3,0:18:33.28,0:18:39.86,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}The call of the goddesses, the throne of the heavens
-Dialogue: 1,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}The number of stars descending
+Dialogue: 1,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}Descending from high above
-Dialogue: 2,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}The number of stars descending
+Dialogue: 2,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}Descending from high above
-Dialogue: 3,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}The number of stars descending
+Dialogue: 3,0:18:40.15,0:18:45.75,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}Descending from high above
-Dialogue: 1,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}Is but one
+Dialogue: 1,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}Is one lone star
-Dialogue: 2,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}Is but one
+Dialogue: 2,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}Is one lone star
-Dialogue: 3,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}Is but one
+Dialogue: 3,0:18:46.01,0:18:50.34,InsertEngTENDOMAYAFront,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}Is one lone star
-Dialogue: 1,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Climb up here if you believe you can
+Dialogue: 1,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Climb up here if you believe you can{tlc: "if you believe you can" > "if your will can carry/propel you" or "if your spirit will last/endure" or "if you have the balls", something like that?}
 Dialogue: 2,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Climb up here if you believe you can
 Dialogue: 3,0:19:10.99,0:19:15.68,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Climb up here if you believe you can
-Dialogue: 1,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Cut me down and behold the light
+Dialogue: 1,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Cut me down and show me your rage{tlc: "show me" > "reveal" or "unleash"?}
-Dialogue: 2,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Cut me down and behold the light
+Dialogue: 2,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Cut me down and show me your rage
-Dialogue: 3,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Cut me down and behold the light
+Dialogue: 3,0:19:15.92,0:19:19.91,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Cut me down and show me your rage
-Dialogue: 1,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}A cloud once hung over my heart
+Dialogue: 1,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Don't be at the mercy
-Dialogue: 2,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}A cloud once hung over my heart
+Dialogue: 2,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Don't be at the mercy
-Dialogue: 3,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}A cloud once hung over my heart
+Dialogue: 3,0:19:20.07,0:19:24.78,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Don't be at the mercy
-Dialogue: 1,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}But now in its place a flower blooms
+Dialogue: 1,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Of the beast that dwells within
-Dialogue: 2,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}But now in its place a flower blooms
+Dialogue: 2,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Of the beast that dwells within
-Dialogue: 3,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}But now in its place a flower blooms
+Dialogue: 3,0:19:25.08,0:19:28.92,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Of the beast that dwells within
-Dialogue: 1,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Spare me your half-hearted resolve
+Dialogue: 1,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Spare me your half-hearted resolve{tlc: "Cast off those reservations" / "And show me a fight with your true pride at stake" links back to previous lines about being held back, though it's more imperative than the Japanese lyrics, I dunno}
 Dialogue: 2,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Spare me your half-hearted resolve
 Dialogue: 3,0:19:29.08,0:19:33.49,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Spare me your half-hearted resolve
-Dialogue: 1,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I want to see you hold your head up with pride
+Dialogue: 1,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I want to see you fight with your pride on the line
-Dialogue: 2,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I want to see you hold your head up with pride
+Dialogue: 2,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I want to see you fight with your pride on the line
-Dialogue: 3,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I want to see you hold your head up with pride
+Dialogue: 3,0:19:33.63,0:19:44.46,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I want to see you fight with your pride on the line
 Dialogue: 1,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Ever higher, ever brighter
 Dialogue: 2,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Ever higher, ever brighter
 Dialogue: 3,0:20:09.89,0:20:14.34,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Ever higher, ever brighter
@ -101,16 +99,15 @@ Dialogue: 3,0:20:19.32,0:20:21.50,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100
 Dialogue: 1,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}One step closer to my dream
 Dialogue: 2,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}One step closer to my dream
 Dialogue: 3,0:20:21.64,0:20:24.71,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}One step closer to my dream
-Dialogue: 1,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}That is my pride
+Dialogue: 1,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}This is my pride
-Dialogue: 2,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}That is my pride
+Dialogue: 2,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}This is my pride
-Dialogue: 3,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}That is my pride
+Dialogue: 3,0:20:24.79,0:20:27.96,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}This is my pride
 Dialogue: 1,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Ever higher, ever brighter
 Dialogue: 2,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Ever higher, ever brighter
 Dialogue: 3,0:20:28.01,0:20:32.47,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Ever higher, ever brighter
 Dialogue: 1,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Towards unreachable heights
 Dialogue: 2,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Towards unreachable heights
 Dialogue: 3,0:20:32.55,0:20:37.28,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Towards unreachable heights
-Dialogue: 1,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}That is what I pride myself on
+Dialogue: 1,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}For this is my pride
-Dialogue: 2,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}That is what I pride myself on
+Dialogue: 2,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}For this is my pride
-Dialogue: 3,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}That is what I pride myself on
+Dialogue: 3,0:20:37.42,0:20:44.54,InsertEngTENDOMAYABack,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}For this is my pride
--- a/04/[FGT]
+++ b/04/[FGT]
@ -1,5 +1,5 @@
-[Script Info]
+[Script Info]
-; Script generated by Aegisub Master r8902, line0
+; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 Title: Default Aegisub file
 ScriptType: v4.00+
@ -11,15 +11,12 @@ YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
 Last Style Storage: Aikatsu 1
-Audio File: kageki 04-finaltest02 (1) [BEB37086].mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 04 [WEB 1080p EAC3] [883466E8].mkv
-Video File: kageki 04-finaltest02 (1) [BEB37086].mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 04 [WEB 1080p EAC3] [883466E8].mkv
 Keyframes File: kageki04_keyframes.log
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 0.575000
+Video Zoom Percent: 0.500000
-Scroll Position: 1525
+Video Position: 2591
 Active Line: 1532
 Video Position: 4490
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -33,6 +30,20 @@ Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 Comment: 0,0:00:00.00,0:00:00.02,Default,,0,0,0,,Intro
 Comment: 10,0:01:11.28,0:01:13.74,Default,,0,0,0,,{\i1}to that shining star, together!
 Comment: 0,0:01:39.99,0:01:40.03,Default,,0,0,0,,Opening
 Comment: 0,0:01:51.38,0:01:51.42,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:03:09.79,0:03:09.83,Default,,0,0,0,,Part A
 Comment: 0,0:07:55.53,0:07:55.83,Tenebris-signs,,0,0,0,,{\pos(10766.8,-1303.05)\org(-5197.87,11044.8)\frz22.47\fry0.09\frx0.56\fnRoboto\fs72\c&H826B5B&\blur0.9}Why did you lose?
 Comment: 0,0:08:52.80,0:08:52.84,Default,,0,0,0,,Part B
 Comment: 10,0:11:35.38,0:11:38.71,Default,,0,0,0,,That's just how it was at the Royal Academy of Theatre.
 Comment: 10,0:17:25.65,0:17:29.12,Default,,0,0,0,,"To whomever puts on the brightest-shining revue,
 Comment: 10,0:19:11.72,0:19:13.44,Default,,0,0,0,,It's her chronic stage fright.
 Comment: 0,0:22:29.82,0:22:29.87,Default,,0,0,0,,Ending
 Comment: 10,0:22:29.82,0:22:29.87,Default,,0,0,0,,ED First Frame
 Comment: 0,0:23:59.79,0:23:59.83,Default,,0,0,0,,Preview
 Dialogue: 10,0:00:08.43,0:00:09.66,Default,,0,0,0,,{\i1}Starlight.
 Dialogue: 10,0:00:10.36,0:00:14.82,Default,,0,0,0,,{\i1}This is the story of goddesses guided by the light of the stars.
 Dialogue: 10,0:00:16.38,0:00:18.85,Default,,0,0,0,,{\i1}They collide and clash.
@ -46,8 +57,8 @@ Dialogue: 10,0:00:54.03,0:00:56.48,Default,,0,0,0,,{\i1}The story of those eight
 Dialogue: 10,0:00:56.48,0:00:59.31,Default,,0,0,0,,{\i1}hopelessly captivates us.
 Dialogue: 10,0:01:00.56,0:01:02.91,Default,,0,0,0,,{\i1}The song of those eight girls
 Dialogue: 10,0:01:02.91,0:01:05.50,Default,,0,0,0,,{\i1}hopelessly stirs us.
-Dialogue: 10,0:01:08.31,0:01:11.28,Default,,0,0,0,,{\i1}Let us go to that stage,
+Dialogue: 10,0:01:08.31,0:01:11.28,Default,,0,0,0,,{\i1}Let us go to that stage.
-Dialogue: 10,0:01:11.28,0:01:13.74,Default,,0,0,0,,{\i1}to that shining star, together!{see, makes sense now}
+Dialogue: 10,0:01:11.28,0:01:13.74,Default,,0,0,0,,{\i1}To become shining stars together!
 Dialogue: 10,0:01:23.82,0:01:24.43,Default,,0,0,0,,Idiot.
 Dialogue: 10,0:01:24.43,0:01:25.59,Default,,0,0,0,,Why?!
 Dialogue: 10,0:01:28.64,0:01:30.23,Default,,0,0,0,,Karen-chan?
@ -175,7 +186,7 @@ Dialogue: 10,0:11:21.26,0:11:22.82,Default,,0,0,0,,The promise we made.
 Dialogue: 10,0:11:23.93,0:11:28.84,Default,,0,0,0,,That promise is the very reason I entered Seisho Music Academy. {@@ I'd nix "the", it's not needed. Seisho Music is the name, not an adjective}
 Dialogue: 10,0:11:30.70,0:11:32.21,Default,,0,0,0,,Yes, it was difficult,
 Dialogue: 10,0:11:32.84,0:11:35.38,Default,,0,0,0,,but I never thought it was painful.
-Dialogue: 10,0:11:35.38,0:11:38.71,Default,,0,0,0,,That's just how it was at the Royal Academy of Theatre. {@@ would say "was"}
+Dialogue: 10,0:11:35.38,0:11:38.71,Default,,0,0,0,,That's just how it was at the Royal Academy of Theatrical Actors.
 Dialogue: 10,0:11:38.71,0:11:41.82,Default,,0,0,0,,Um, was it dollars? Marks?{I assume she's talking about the penalty/fine/punishment/whatever we decided to call it?}
 Dialogue: 10,0:11:41.82,0:11:42.72,Default,,0,0,0,,No, that's not right...
 Dialogue: 10,0:11:42.72,0:11:44.35,Default,,0,0,0,,Pesos?
@ -262,7 +273,7 @@ Dialogue: 10,0:17:10.75,0:17:14.37,Default,,0,0,0,,But only one person can pass
 Dialogue: 10,0:17:14.93,0:17:17.36,Default,,0,0,0,,At some point we'll also have to... {@@}
 Dialogue: 10,0:17:17.36,0:17:19.85,Default,,0,0,0,,In that case, we just need to pass together!
 Dialogue: 10,0:17:21.22,0:17:25.65,Default,,0,0,0,,The giraffe never said anything about only {\i1}one{\i0} girl being able to pass.
-Dialogue: 10,0:17:25.65,0:17:29.12,Default,,0,0,0,,"To whomever puts on the brightest-shining revue,{"person" can be interpreted as both one person or multiple... no idea how to solve this, may need to go back and change ep 1 + include a note somewhere}{fuck japanese ambiguity}
+Dialogue: 10,0:17:25.65,0:17:29.12,Default,,0,0,0,,"To whoever puts on the brightest-shining revue,
 Dialogue: 10,0:17:29.12,0:17:30.64,Default,,0,0,0,,blah blah, one thing or other."
 Dialogue: 10,0:17:31.56,0:17:34.15,Default,,0,0,0,,We'd never get that kind of special treatment!
 Dialogue: 10,0:17:39.88,0:17:41.41,Default,,0,0,0,,Don't worry.
@ -283,7 +294,7 @@ Dialogue: 10,0:18:59.73,0:19:01.24,Default,,0,0,0,,Next! Roll-call!
 Dialogue: 10,0:19:02.66,0:19:04.99,Default,,0,0,0,,Oh no! Saijo-san!
 Dialogue: 10,0:19:05.85,0:19:09.26,Default,,0,0,0,,{\an8}The weather is nice today.
 Dialogue: 10,0:19:09.69,0:19:11.72,Default,,0,0,0,,What's wrong?
-Dialogue: 10,0:19:11.72,0:19:13.44,Default,,0,0,0,,It's her chronic stage fright.{or more generally, being nervous/anxious in front of people}
+Dialogue: 10,0:19:11.72,0:19:13.44,Default,,0,0,0,,It's her chronic social phobia.
 Dialogue: 10,0:19:13.44,0:19:14.25,Default,,0,0,0,,What?
 Dialogue: 10,0:19:14.63,0:19:18.76,Default,,0,0,0,,{\an8}Always a Parisian...
 Dialogue: 10,0:19:19.76,0:19:22.83,Default,,0,0,0,,{\an8}I'm doing something...
@ -344,38 +355,3 @@ Dialogue: 10,0:22:18.57,0:22:20.10,Default,,0,0,0,,Banana?!
 Dialogue: 10,0:22:20.10,0:22:20.81,Default,,0,0,0,,Banana...
 Dialogue: 10,0:24:00.46,0:24:03.26,Default,,0,0,0,,Girls' Musical Revue Starlight.
 Dialogue: 10,0:24:03.26,0:24:04.63,Default,,0,0,0,,I understand.
 Comment: 0,0:00:00.00,0:00:00.02,Default,,0,0,0,,Intro
 Comment: 0,0:01:39.99,0:01:40.03,Default,,0,0,0,,Opening
 Comment: 0,0:01:51.38,0:01:51.42,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:03:09.79,0:03:09.83,Default,,0,0,0,,Part A
 Comment: 10,0:04:01.36,0:04:03.67,Default,,0,0,0,,{\an8}I don't understand if you don't speak in Japanese. {@@ usually it's can't}
 Comment: 10,0:04:57.08,0:04:58.73,Default,,0,0,0,,You know we have a curfew after 6, right?
 Comment: 10,0:05:08.73,0:05:09.64,Default,,0,0,0,,Gah!
 Comment: 10,0:07:10.45,0:07:11.17,Default,,0,0,0,,What?
 Comment: 10,0:07:21.50,0:07:24.00,Default,,0,0,0,,Huh? What?!{Hikari's so mad. lmao}
 Comment: 0,0:07:55.53,0:07:55.83,Tenebris-signs,,0,0,0,,{\pos(10766.8,-1303.05)\org(-5197.87,11044.8)\frz22.47\fry0.09\frx0.56\fnRoboto\fs72\c&H826B5B&\blur0.9}Why did you lose?
 Comment: 10,0:08:06.38,0:08:07.61,Default,,0,0,0,,Wha—!
 Comment: 0,0:08:52.80,0:08:52.84,Default,,0,0,0,,Part B
 Comment: 10,0:09:02.03,0:09:04.81,Default,,0,0,0,,If the teachers find out you're really gonna get it.
 Comment: 10,0:10:03.39,0:10:05.38,Default,,0,0,0,,Jeez.
 Comment: 10,0:11:23.93,0:11:28.84,Default,,0,0,0,,That promise is the very reason I entered the Seisho Music Academy. {@@ I'd nix "the", it's not needed. Seisho Music is the name, not an adjective}
 Comment: 10,0:11:35.38,0:11:38.71,Default,,0,0,0,,That's just how it is at the Royal Academy of Theatre. {@@ would say "was"}
 Comment: 10,0:12:16.25,0:12:19.00,Default,,0,0,0,,So they only exist in Japan. {@@ the あれ here is not of surprise, but of subject marking}
 Comment: 10,0:12:16.25,0:12:19.00,Default,,0,0,0,,Huh, they only exist in Japan?
 Comment: 10,0:14:06.06,0:14:07.61,Default,,0,0,0,,The place we made that promise.{tlc}{@@ while correct, too wordy for my taste "The place of our promise"}
 Comment: 10,0:16:32.60,0:16:33.20,Default,,0,0,0,,Huh?
 Comment: 10,0:17:14.93,0:17:17.36,Default,,0,0,0,,At some point we will also have to...
 Comment: 10,0:17:19.85,0:17:21.22,Default,,0,0,0,,What?
 Comment: 10,0:19:02.66,0:19:04.99,Default,,0,0,0,,{@@ technically missing sign}
 Comment: 10,0:20:21.49,0:20:24.16,Default,,0,0,0,,Jeez, you two!
 Comment: 10,0:20:51.43,0:20:53.23,Default,,0,0,0,,Jeez...
 Comment: 10,0:20:57.97,0:21:00.61,Default,,0,0,0,,That goes for the everyone who covered for them too.
 Comment: 10,0:21:16.35,0:21:20.69,Default,,0,0,0,,It's said that many before us couldn't handle it, and they were expelled from the academy.{myaa - she doesn't say explicitly that they were expelled, just that they left the academy}
 Comment: 10,0:21:28.24,0:21:29.14,Default,,0,0,0,,Jeez... {@@ real overuse of this word}
 Comment: 0,0:22:29.82,0:22:29.87,Default,,0,0,0,,Ending
 Comment: 10,0:22:29.82,0:22:29.87,Default,,0,0,0,,ED First Frame
 Comment: 0,0:23:59.79,0:23:59.83,Default,,0,0,0,,Preview
 [Aegisub Extradata]
 Data: 5,a-mo,e{"uuid"#3A"bb60286d-fe08-46e2-babd-3bea83c0e902"#2C"originalText"#3A"{\\fry0.09\\frx0.56\\fax.5\\fscx103\\fscy89\\fnRoboto\\fs37\\c&H826B5B&\\blur0.9\\pos(1071.309#2C89.841)\\frz13.69}Why did you lose?"}
--- a/04_insert.ass
+++ b/04_insert.ass
@ -1,5 +1,5 @@
-[Script Info]
+[Script Info]
-; Script generated by Aegisub Master r8902, line0
+; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 Title: Default Aegisub file
 ScriptType: v4.00+
@ -11,15 +11,12 @@ YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
 Last Style Storage: Aikatsu 1
-Audio File: kageki 04-finaltest02 (1) [BEB37086].mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 04 [WEB 1080p EAC3] [883466E8].mkv
-Video File: kageki 04-finaltest02 (1) [BEB37086].mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 04 [WEB 1080p EAC3] [883466E8].mkv
 Keyframes File: kageki04_keyframes.log
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 0.575000
+Video Zoom Percent: 0.500000
-Scroll Position: 1525
+Video Position: 2591
 Active Line: 1532
 Video Position: 4490
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -34,6 +31,3 @@ Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 [Aegisub Extradata]
 Data: 5,a-mo,e{"uuid"#3A"bb60286d-fe08-46e2-babd-3bea83c0e902"#2C"originalText"#3A"{\\fry0.09\\frx0.56\\fax.5\\fscx103\\fscy89\\fnRoboto\\fs37\\c&H826B5B&\\blur0.9\\pos(1071.309#2C89.841)\\frz13.69}Why did you lose?"}
--- a/05/[FGT]
+++ b/05/[FGT]
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 ScriptType: v4.00+
@ -10,14 +10,12 @@ YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
 Last Style Storage: Default
-Audio File: kageki 05-finaltest01 (1).mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 05v2 [WEB 1080p EAC3] [860821DE].mkv
-Video File: kageki 05-finaltest01 (1).mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 05v2 [WEB 1080p EAC3] [860821DE].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 0.742188
+Video Zoom Percent: 0.500000
-Scroll Position: 5136
+Video Position: 18338
 Active Line: 5154
 Video Position: 28689
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -35,6 +33,24 @@ Style: Hybrid-signs,Arrus BT,60,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 Comment: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Intro
 Comment: 0,0:02:19.99,0:02:20.03,Default,,0,0,0,,Opening
 Comment: 0,0:02:31.38,0:02:31.42,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:03:49.83,0:03:49.87,Default,,0,0,0,,Part A
 Comment: 10,0:06:15.52,0:06:17.90,Default,,0,0,0,,She's the oldest sister of her six siblings.
 Comment: 0,0:12:44.82,0:12:47.83,Tenebris-signs,,0,0,0,,{\blur7\pos(960,708)\fsp0\fs40\fnLinux Libertine Slanted\c&HECEBEB&\alpha&H90&}And it shall be bestowed upon you,
 Comment: 0,0:12:44.82,0:12:47.83,Tenebris-signs,,0,0,0,,{\blur7\pos(960,748)\fsp0\fs40\fnLinux Libertine Slanted\c&HECEBEB&\alpha&H90&}the Star which you have longed for—
 Comment: 1,0:12:44.82,0:12:47.83,Tenebris-signs,,0,0,0,,{\blur1\pos(960,708)\fsp0\fs40\fnLinux Libertine Slanted\c&HECEBEB&}And it shall be bestowed upon you,
 Comment: 1,0:12:44.82,0:12:47.83,Tenebris-signs,,0,0,0,,{\blur1\pos(960,748)\fsp0\fs40\fnLinux Libertine Slanted\c&HECEBEB&}the Star which you have longed for—
 Comment: 0,0:12:47.83,0:12:47.87,Default,,0,0,0,,Part B
 Comment: 10,0:14:52.21,0:14:55.57,Default,,0,0,0,,You light me up with your shine,
 Comment: 10,0:21:49.38,0:21:52.16,Default,,0,0,0,,{\i1}Everyone else's shine was so blinding
 Comment: 0,0:22:29.87,0:22:29.91,Default,,0,0,0,,Ending
 Comment: 0,0:22:29.87,0:22:29.91,Default,,0,0,0,,First frame ED
 Comment: 0,0:23:59.83,0:24:04.67,Tenebris-signs,,0,0,0,,{\fnBook Antiqua\an4\c&HB980B3&\bord0\blur0.7\fsp9\fscy110\fs80\pos(74,824)\alpha&H35&\clip(72,790,1096,874)}Two Flowers on the Stage
 Comment: 0,0:23:59.83,0:24:04.67,Tenebris-signs,,0,0,0,,{\fnBook Antiqua\an4\c&H9C95F1&\bord0\blur0.7\fsp9\fscy110\fs80\pos(74,824)\alpha&H35&\clip(72,790,1096,874)}Two Flowers on the Stage
 Comment: 0,0:23:59.83,0:23:59.87,Default,,0,0,0,,Preview
 Dialogue: 10,0:00:09.31,0:00:13.61,Default,,0,0,0,,Let's go, to pluck that star together!
 Dialogue: 10,0:00:22.63,0:00:23.70,Default,,0,0,0,,Don't worry.
 Dialogue: 10,0:00:24.76,0:00:26.38,Default,,0,0,0,,We're all with you. {@@even if it's not tsuiteiku}
@ -102,7 +118,7 @@ Dialogue: 10,0:06:03.73,0:06:05.26,Default,,0,0,0,,Here she is.
 Dialogue: 10,0:06:05.26,0:06:09.27,Default,,0,0,0,,In her third year at Kitachian Middle School, it's Tsuyuzaki Mahiru-san!
 Dialogue: 10,0:06:09.27,0:06:10.47,Default,,0,0,0,,Y-Yes!
 Dialogue: 10,0:06:12.53,0:06:15.52,Default,,0,0,0,,Mahiru-san is the eldest daughter at Tsuyuzaki Farm.
-Dialogue: 10,0:06:15.52,0:06:17.90,Default,,0,0,0,,She's the oldest sister of her six siblings. {@@ either older sister of five, or oldest of six}{myaa - oops, misinterpreted this line. this still sounds off though ("her six siblings" sounds like they're 7 in total)}
+Dialogue: 10,0:06:15.52,0:06:17.90,Default,,0,0,0,,She has five younger siblings.
 Dialogue: 10,0:06:17.90,0:06:21.33,Default,,0,0,0,,By the encouragement of her musical and play loving grandmother,
 Dialogue: 10,0:06:21.33,0:06:23.52,Default,,0,0,0,,she took up choir singing at the age of 4,
 Dialogue: 10,0:06:23.52,0:06:26.39,Default,,0,0,0,,and at 6 she started baton twirling,
@ -128,7 +144,7 @@ Dialogue: 10,0:07:27.01,0:07:29.34,Default,,0,0,0,,What will become of Claire's
 Dialogue: 10,0:07:29.89,0:07:32.14,Default,,0,0,0,,{\an8}Those memories we share...{that memory?}{@@ think it's okay}
 Dialogue: 10,0:07:30.54,0:07:32.10,Default,,0,0,0,,{\i1}Grandma.
 Dialogue: 10,0:07:32.10,0:07:35.93,Default,,0,0,0,,{\i1}The Seisho Music Academy is an amazing place. {@@ same as last ep, you don't really need the "The"}
-Dialogue: 10,0:07:32.55,0:07:34.85,Default,,0,0,0,,{\an8}Will they never come back?
+Dialogue: 10,0:07:32.55,0:07:34.85,Default,,0,0,0,,{\an8}Will they never come back?{batch}
 Dialogue: 10,0:07:37.65,0:07:40.60,Default,,0,0,0,,{\i1}Everyone's so good, they all have flair,{/they're brilliant/showy/magnificent}{@@ this is kind of unique and interesting}
 Dialogue: 10,0:07:40.60,0:07:42.60,Default,,0,0,0,,{\i1}and they're all shining.
 Dialogue: 10,0:07:42.60,0:07:45.02,Default,,0,0,0,,{\i1}In comparison to them, I'm...
@ -195,8 +211,8 @@ Dialogue: 10,0:12:12.79,0:12:17.97,Default,,0,0,0,,You're good at singing, can a
 Dialogue: 10,0:12:17.97,0:12:20.01,Default,,0,0,0,,I don't have anything.
 Dialogue: 10,0:12:20.01,0:12:21.93,Default,,0,0,0,,Karen-chan is all I have!
 Dialogue: 10,0:12:22.66,0:12:24.25,Default,,0,0,0,,Don't take Karen-chan...
-Dialogue: 10,0:12:25.17,0:12:27.83,Default,,0,0,0,,Don't steal my glimmer from me! {@@ whoops, was supposed to parallel Giraffe's speech}
+Dialogue: 10,0:12:25.17,0:12:27.83,Default,,0,0,0,,Don't steal my glimmer from me!
-Dialogue: 10,0:12:31.21,0:12:34.80,Default,,0,0,0,,Don't use the word "steal" lightly. {@@ I get the feeling it's more like this}
+Dialogue: 10,0:12:31.21,0:12:34.80,Default,,0,0,0,,Don't use the word "steal" lightly.
 Dialogue: 10,0:12:44.82,0:12:46.14,Default,,0,0,0,,That's right.
 Dialogue: 10,0:12:52.59,0:12:57.08,Default,,0,0,0,,This blazingly violent jealousy{(キリン)燃えさかるような\N嫉妬の激情は}
 Dialogue: 10,0:12:57.08,0:13:00.43,Default,,0,0,0,,is a sweet happiness that holds the girl captive.{少女をかどわかす 甘い悦び}
@ -228,7 +244,7 @@ Dialogue: 10,0:14:40.05,0:14:43.11,Default,,0,0,0,,Mahiru-chan, um...
 Dialogue: 10,0:14:43.11,0:14:45.44,Default,,0,0,0,,This is what I see.
 Dialogue: 10,0:14:46.11,0:14:48.40,Default,,0,0,0,,What I desire.
 Dialogue: 10,0:14:48.40,0:14:51.08,Default,,0,0,0,,What I don't have.
-Dialogue: 10,0:14:52.21,0:14:55.57,Default,,0,0,0,,You light me up with your shine,
+Dialogue: 10,0:14:52.21,0:14:55.57,Default,,0,0,0,,You light me up with your glimmer,
 Dialogue: 10,0:14:55.57,0:14:57.96,Default,,0,0,0,,which is why I was able to get this far.
 Dialogue: 10,0:14:58.47,0:15:01.14,Default,,0,0,0,,You promised that day, remember?
 Dialogue: 10,0:15:01.14,0:15:03.71,Default,,0,0,0,,You said you'd always be with me.
@ -320,7 +336,7 @@ Dialogue: 10,0:21:36.90,0:21:41.07,Default,,0,0,0,,{\i1}That's it for this broad
 Dialogue: 10,0:21:41.07,0:21:42.51,Default,,0,0,0,,{\i1}They're right...
 Dialogue: 10,0:21:42.51,0:21:45.90,Default,,0,0,0,,{\i1}I really am shining.{I can't think of a way to deal with the "I" being after the pause}
 Dialogue: 10,0:21:47.85,0:21:48.66,Default,,0,0,0,,{\i1}And yet...
-Dialogue: 10,0:21:49.38,0:21:52.16,Default,,0,0,0,,{\i1}Everyone else's shine was so blinding
+Dialogue: 10,0:21:49.38,0:21:52.16,Default,,0,0,0,,{\i1}Everyone else's glimmer was so blinding
 Dialogue: 10,0:21:52.16,0:21:55.66,Default,,0,0,0,,{\i1}that I went and lost confidence and became a coward all on my own.
 Dialogue: 10,0:21:56.46,0:21:59.42,Default,,0,0,0,,{\i1}If I think about wanting to make the people dear to me happy,
 Dialogue: 10,0:22:00.17,0:22:02.01,Default,,0,0,0,,{\i1}I can shine as much as I want.
@ -332,77 +348,3 @@ Dialogue: 10,0:22:17.09,0:22:19.11,Default,,0,0,0,,{\i1}Even without relying on
 Dialogue: 10,0:22:24.92,0:22:26.03,Default,,0,0,0,,{\i1}I will...
 Dialogue: 10,0:24:00.53,0:24:02.90,Default,,0,0,0,,Girls' Musical Revue Starlight.
 Dialogue: 10,0:24:02.90,0:24:04.63,Default,,0,0,0,,I understand!
 Comment: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Intro
 Comment: 10,0:00:24.76,0:00:26.38,Default,,0,0,0,,We're all together.
 Comment: 0,0:02:19.99,0:02:20.03,Default,,0,0,0,,Opening
 Comment: 0,0:02:31.38,0:02:31.42,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:03:49.83,0:03:49.87,Default,,0,0,0,,Part A
 Comment: 10,0:04:01.26,0:04:03.49,Default,,0,0,0,,Use your joints and waist!{joints -> knees & ankles?}
 Comment: 10,0:04:38.47,0:04:40.52,Default,,0,0,0,,We can't afford to let our guards down.
 Comment: 10,0:04:40.52,0:04:43.80,Default,,0,0,0,,What? Karen is? It's Karen we're talking about!
 Comment: 10,0:04:45.05,0:04:46.05,Default,,0,0,0,,What's that supposed to mean?
 Comment: 10,0:05:42.98,0:05:44.33,Default,,0,0,0,,{\i1}From Grandma.
 Comment: 10,0:05:49.68,0:05:53.99,Default,,0,0,0,,This is {\i1}Packed With Good Stuff TV{\i0}, \Nbringing you wonderful news from near you. {@@ when there's both TV and reality at the same time, you can italicize it all. however, this is presented as if it's happening in real time with no interruptions. the italics just get in the way}
 Comment: 10,0:05:53.99,0:05:57.75,Default,,0,0,0,,Can you believe it; someone from this very town has successfully applied
 Comment: 10,0:06:15.52,0:06:17.90,Default,,0,0,0,,She's the older sister of her six siblings.
 Comment: 10,0:06:17.90,0:06:21.33,Default,,0,0,0,,On encouragement of her musical and play loving grandmother,
 Comment: 10,0:06:45.38,0:06:49.80,Default,,0,0,0,,I hear that applying to Seisho Music Academy was also on your grandmother's behest.
 Comment: 10,0:06:55.68,0:06:59.97,Default,,0,0,0,,In April you will be taking a new step forward in Tokyo.{this feels to literal...}
 Comment: 10,0:07:32.55,0:07:34.85,Default,,0,0,0,,{\an8}Are they never coming back?
 Comment: 10,0:07:42.60,0:07:45.02,Default,,0,0,0,,{\i1}And in comparison, I'm...
 Comment: 10,0:08:16.67,0:08:18.39,Default,,0,0,0,,{\an8}Just a bit more.{もうちょっといい？？}
 Comment: 10,0:08:53.20,0:08:55.80,Default,,0,0,0,,Just because we're doing the same Starlight for three years...
 Comment: 10,0:09:12.61,0:09:17.51,Default,,0,0,0,,If you'll be studying backstage work, you better learn to always attempt something new.
 Comment: 10,0:10:24.21,0:10:26.49,Default,,0,0,0,,All right, that's enough.
 Comment: 10,0:10:47.81,0:10:49.86,Default,,0,0,0,,{omg mahiru stop}
 Comment: 10,0:11:04.23,0:11:07.68,Default,,0,0,0,,When we get back, let's cook Mahiru-chan's potatoes.
 Comment: 10,0:11:07.68,0:11:10.53,Default,,0,0,0,,All right, that's something to look forward to!
 Comment: 10,0:11:11.46,0:11:17.01,Alt,,0,0,0,,Potatoes, potatoes, potatoes, potatoes, potatoes...
 Comment: 10,0:12:05.12,0:12:09.92,Default,,0,0,0,,Ever since you came, both our room, and me, and Karen-chan has been...
 Comment: 10,0:12:22.66,0:12:24.25,Default,,0,0,0,,Don't take Karen-chan.
 Comment: 10,0:12:31.21,0:12:34.80,Default,,0,0,0,,Don't talk about stealing as if it's that simple.
 Comment: 0,0:12:44.82,0:12:47.83,Tenebris-signs,,0,0,0,,{\blur7\pos(960,708)\fsp0\fs40\fnLinux Libertine Slanted\c&HECEBEB&\alpha&H90&}And it shall be bestowed upon you,
 Comment: 0,0:12:44.82,0:12:47.83,Tenebris-signs,,0,0,0,,{\blur7\pos(960,748)\fsp0\fs40\fnLinux Libertine Slanted\c&HECEBEB&\alpha&H90&}the Star which you have longed for—
 Comment: 1,0:12:44.82,0:12:47.83,Tenebris-signs,,0,0,0,,{\blur1\pos(960,708)\fsp0\fs40\fnLinux Libertine Slanted\c&HECEBEB&}And it shall be bestowed upon you,
 Comment: 1,0:12:44.82,0:12:47.83,Tenebris-signs,,0,0,0,,{\blur1\pos(960,748)\fsp0\fs40\fnLinux Libertine Slanted\c&HECEBEB&}the Star which you have longed for—
 Comment: 0,0:12:47.83,0:12:47.87,Default,,0,0,0,,Part B
 Comment: 10,0:13:25.30,0:13:27.87,Default,,0,0,0,,but I love seeing you as you shine even more.
 Comment: 10,0:15:24.01,0:15:24.38,Default,,0,0,0,,えっ!?
 Comment: 10,0:15:26.83,0:15:27.19,Default,,0,0,0,,えっ!?
 Comment: 10,0:16:00.23,0:16:02.14,Default,,0,0,0,,It won't hurt.
 Comment: 10,0:16:24.56,0:16:27.01,Default,,0,0,0,,You really can't left your guard down even for a second.
 Comment: 10,0:18:51.47,0:18:54.07,Default,,0,0,0,,And the way you dance like the sun.
 Comment: 10,0:18:54.61,0:18:56.33,Default,,0,0,0,,Your kind...
 Comment: 10,0:18:56.33,0:18:58.48,Default,,0,0,0,,rad... rad...
 Comment: 10,0:19:01.21,0:19:03.49,Default,,0,0,0,,Your radiant acting is great to watch!
 Comment: 10,0:19:09.29,0:19:12.45,Default,,0,0,0,,You have something you want to be, that's why you came here, right?
 Comment: 10,0:19:12.45,0:19:16.20,Default,,0,0,0,,You want to become a star, that's why you're participating in these auditions, right?
 Comment: 10,0:20:39.84,0:20:43.53,Default,,0,0,0,,Preparing them was really worthwhile this year too.
 Comment: 10,0:21:02.30,0:21:06.32,Default,,0,0,0,,{\an8\i1}In April you will be taking a new step forward in Tokyo.{this feels to literal...}
 Comment: 10,0:21:36.90,0:21:41.07,Default,,0,0,0,,{\i1}This is it for this broadcast from Kitachian Middle School. Thank you for watching!
 Comment: 10,0:21:40.09,0:21:41.11,Default,,0,0,0,,
 Comment: 0,0:22:29.87,0:22:29.91,Default,,0,0,0,,Ending
 Comment: 0,0:22:29.87,0:22:29.91,Default,,0,0,0,,First frame ED
 Comment: 0,0:23:59.83,0:23:59.87,Default,,0,0,0,,Preview
 Comment: 0,0:23:59.83,0:24:04.67,Tenebris-signs,,0,0,0,,{\fnBook Antiqua\an4\c&HB980B3&\bord0\blur0.7\fsp12\fscy110\fs80\pos(74,824)\alpha&H35&\clip(72,790,1096,874)}The Two in the Spotlight
 Comment: 0,0:23:59.83,0:24:04.67,Tenebris-signs,,0,0,0,,{\fnBook Antiqua\an4\c&H9C95F1&\bord0\blur0.7\fsp12\fscy110\fs80\pos(74,824)\alpha&H35&\clip(72,790,1096,874)}The Two in the Spotlight
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 Data: 16,a-mo,e{"uuid"#3A"a82c17f7-35fa-483d-87e8-61d7a1e4df2d"#2C"originalText"#3A"{\\alpha&HC1&\\an2\\fs120\\blur12\\c&HF7F7F7&\\i1\\pos(960#2C619.55)}And it shall be bestowed upon you#2C"}
--- a/05_insert.ass
+++ b/05_insert.ass
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 ScriptType: v4.00+
@ -10,14 +10,12 @@ YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
 Last Style Storage: Default
-Audio File: kageki 05-finaltest01 (1).mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 05v2 [WEB 1080p EAC3] [860821DE].mkv
-Video File: kageki 05-finaltest01 (1).mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 05v2 [WEB 1080p EAC3] [860821DE].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 0.742188
+Video Zoom Percent: 0.500000
-Scroll Position: 5136
+Video Position: 18338
 Active Line: 5154
 Video Position: 28689
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -35,64 +33,45 @@ Style: Hybrid-signs,Arrus BT,60,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
-Dialogue: 3,0:15:11.02,0:15:12.32,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1200,1300,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(133,25)}Hold up
+
 Dialogue: 3,0:15:11.02,0:15:12.32,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1200,1300,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(133,25)}Hold on
 Dialogue: 3,0:15:13.46,0:15:14.93,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1420,1470,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(161.5,25)}Just a bit
 Dialogue: 3,0:15:31.86,0:15:34.77,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2860,2910,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(258.5,25)}Don't look that way
-Dialogue: 3,0:15:34.77,0:15:37.16,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2340,2390,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(254.5,25)}Don't go over there
+Dialogue: 3,0:15:34.77,0:15:37.16,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2340,2390,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(254.5,25)}At least let me play{tlc: 敬遠 is a baseball term for giving the batter a walk, maybe "Al least let me swing", "Let me step up to the plate" or "Don't throw the game" or something}
 Dialogue: 3,0:15:37.16,0:15:41.99,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4780,4830,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(547.5,25)}Won't you look straight at me and no one else?
-Dialogue: 3,0:15:41.99,0:15:46.72,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4680,4730,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(371.5,25)}Stay just like you are forever
+Dialogue: 3,0:15:41.99,0:15:46.72,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4680,4730,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(371.5,25)}Please stay just like you are forever{tlc: Mahiru's lyrics has a fair bit of non-assertive ね going on, maybe ", okay?" on the end of this line}
 Dialogue: 3,0:15:46.72,0:15:49.56,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2790,2840,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(383.5,25)}I'll never forget about that day
 Dialogue: 3,0:15:49.56,0:15:54.86,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(5250,5300,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(719,25)}Don't you remember the miracle pitch of love you threw my way?
 Dialogue: 3,0:15:55.54,0:15:59.34,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3750,3800,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(329,25)}Round and round in a duet
-Dialogue: 3,0:15:59.34,0:16:02.14,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2750,2800,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(383,25)}We'll dance until we can't stand
+Dialogue: 3,0:15:59.34,0:16:02.14,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2750,2800,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(383,25)}We'll dance until our feet give out{tlc: "until we can't stand" > "'till we can no longer stand" or "until our feet give out" or another more colourful description of being danced out}
 Dialogue: 3,0:16:02.64,0:16:06.27,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3580,3630,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(556.5,25)}The night is over and the day is breaking bright
-Dialogue: 3,0:16:06.27,0:16:12.78,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6460,6510,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(600,25)}A swing and a miss doesn't mark the end of the game
+Dialogue: 3,0:16:06.27,0:16:12.78,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6460,6510,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(600,25)}A swing and a miss doesn't mean the game is over{tlc: "doesn't mean it's game over", "doesn't mean the game's over"?}
 Dialogue: 3,0:16:12.78,0:16:17.25,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4420,4470,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(242,25)}That's our destiny
-Dialogue: 3,0:17:25.80,0:17:28.27,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2420,2470,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1745.5,25)}I'm running
+Dialogue: 3,0:17:25.80,0:17:28.27,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2420,2470,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1745.5,25)}I'm running straight
-Dialogue: 3,0:17:28.27,0:17:30.87,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2550,2600,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1714,25)}Straight ahead
+Dialogue: 3,0:17:28.27,0:17:30.87,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2550,2600,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1714,25)}Like a fastball{ストレート would be another baseball reference/pun, prefereable to work it in there somehow, maybe "I'm running straight / like a fastball"}
-Dialogue: 3,0:17:30.87,0:17:35.40,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4480,4530,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1416,25)}I'm sure it will lead straight to tomorrow
+Dialogue: 3,0:17:30.87,0:17:35.40,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4480,4530,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1416,25)}I'm sure we'll end up as twin stars in the sky{some random person on twitter theorized that this represents flora and claire}
 Dialogue: 3,0:17:35.40,0:17:40.37,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4920,4970,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1515,25)}I'll continue the dream I once had
 Dialogue: 3,0:17:40.37,0:17:43.06,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2640,2690,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1536.5,25)}I'll never forget about that day
 Dialogue: 3,0:17:43.06,0:17:48.31,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(5200,5250,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1237,25)}When I close my eyes it's all set in motion, I'm being reborn
 Dialogue: 3,0:17:49.25,0:17:52.97,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3670,3720,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1557.5,25)}Round and round on the stage
-Dialogue: 3,0:17:52.97,0:17:56.33,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3310,3360,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(495,25)}We'll put our feelings into song and fight
+Dialogue: 3,0:17:52.97,0:17:56.33,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3310,3360,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(495,25)}We'll go all out and fight
 Dialogue: 3,0:17:56.33,0:18:00.04,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3660,3710,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1415.5,25)}We've never done something like this before
 Dialogue: 3,0:18:00.04,0:18:02.91,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2820,2870,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(380,25)}Who made you change like this?
 Dialogue: 3,0:18:02.91,0:18:06.29,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3330,3380,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1559.5,25)}It's because I made a promise
 Dialogue: 3,0:18:06.29,0:18:10.69,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4350,4400,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(354,25)}What promise, and with who?
 Dialogue: 3,0:18:11.79,0:18:15.44,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3600,3650,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(333,25)}Look at me and no one else
-Dialogue: 3,0:18:15.44,0:18:18.68,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3190,3240,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(340,25)}See, even those small lights
+Dialogue: 3,0:18:15.44,0:18:18.68,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3190,3240,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(340,25)}See, those small lights
 Dialogue: 3,0:18:18.68,0:18:22.59,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3860,3910,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(497,25)}Will disappear along with the light of day
 Dialogue: 3,0:18:22.59,0:18:28.70,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6060,6110,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(458.5,25)}Without you I'll lose everything I have
-Dialogue: 3,0:18:28.70,0:18:33.46,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4710,4760,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(358,25)}I'm not letting this game end
+Dialogue: 3,0:18:28.70,0:18:33.46,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4710,4760,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(358,25)}Don't make this game end
 Dialogue: 3,0:19:16.60,0:19:20.45,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3800,3850,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(329,25)}{\3c&H782D0E&}R{*\3c&H742C15&}o{*\3c&H702B1C&}u{*\3c&H6C2A23&}n{*\3c&H68292A&}d {*\3c&H602838&}a{*\3c&H5B2740&}n{*\3c&H572647&}d {*\3c&H4F2455&}r{*\3c&H4B235C&}o{*\3c&H472263&}u{*\3c&H43216A&}n{*\3c&H3F2071&}d {*\3c&H371E7F&}i{*\3c&H331D86&}n {*\3c&H2A1C95&}a {*\3c&H221AA3&}d{*\3c&H1E19AA&}u{*\3c&H1A18B1&}e{\3c&H1617B8&}t
 Dialogue: 3,0:19:20.45,0:19:23.80,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3300,3350,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(383,25)}{\3c&H782D0E&}W{*\3c&H752C13&}e{*\3c&H722C19&}'{*\3c&H6F2B1E&}l{*\3c&H6B2A24&}l {*\3c&H65292F&}d{*\3c&H622834&}a{*\3c&H5F273A&}n{*\3c&H5C273F&}c{*\3c&H582645&}e {*\3c&H522450&}u{*\3c&H4F2455&}n{*\3c&H4C235B&}t{*\3c&H492260&}i{*\3c&H452266&}l {*\3c&H3F2071&}w{*\3c&H3C2076&}e {*\3c&H361E81&}c{*\3c&H321D87&}a{*\3c&H2F1D8C&}n{*\3c&H2C1C92&}'{*\3c&H291B97&}t {*\3c&H231AA2&}s{*\3c&H1F19A8&}t{*\3c&H1C18AD&}a{*\3c&H1918B3&}n{\3c&H1617B8&}d
 Dialogue: 3,0:19:23.80,0:19:27.50,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(3650,3700,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(556.5,25)}{\3c&H782D0E&}T{*\3c&H762D12&}h{*\3c&H742C15&}e {*\3c&H702B1C&}n{*\3c&H6E2B20&}i{*\3c&H6B2A24&}g{*\3c&H692A27&}h{*\3c&H67292B&}t {*\3c&H632832&}i{*\3c&H612836&}s {*\3c&H5D273D&}o{*\3c&H5B2641&}v{*\3c&H592644&}e{*\3c&H572648&}r {*\3c&H52254F&}a{*\3c&H502453&}n{*\3c&H4E2456&}d {*\3c&H4A235E&}t{*\3c&H482261&}h{*\3c&H462265&}e {*\3c&H42216C&}d{*\3c&H402070&}a{*\3c&H3E2073&}y {*\3c&H391F7B&}i{*\3c&H371E7E&}s {*\3c&H331E85&}b{*\3c&H311D89&}r{*\3c&H2F1D8D&}e{*\3c&H2D1C90&}a{*\3c&H2B1C94&}k{*\3c&H291B97&}i{*\3c&H271B9B&}n{*\3c&H251A9F&}g {*\3c&H2019A6&}b{*\3c&H1E19AA&}r{*\3c&H1C18AD&}i{*\3c&H1A18B1&}g{*\3c&H1817B4&}h{\3c&H1617B8&}t
-Dialogue: 3,0:19:27.50,0:19:33.85,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6300,6350,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(505.5,25)}{\3c&H782D0E&}T{*\3c&H762C12&}h{*\3c&H732C16&}e {*\3c&H6F2B1E&}s{*\3c&H6C2A22&}h{*\3c&H6A2A26&}i{*\3c&H68292A&}n{*\3c&H65292E&}i{*\3c&H632832&}n{*\3c&H612836&}g {*\3c&H5C273F&}s{*\3c&H5A2643&}u{*\3c&H572647&}n {*\3c&H53254F&}i{*\3c&H502453&}s {*\3c&H4C235B&}r{*\3c&H49235F&}u{*\3c&H472263&}n{*\3c&H452167&}n{*\3c&H42216B&}i{*\3c&H40206F&}n{*\3c&H3E2073&}g {*\3c&H391F7B&}a{*\3c&H371E7F&}c{*\3c&H341E83&}r{*\3c&H321D87&}o{*\3c&H301D8B&}s{*\3c&H2D1C90&}s {*\3c&H291B98&}t{*\3c&H261B9C&}h{*\3c&H241AA0&}e {*\3c&H1F19A8&}f{*\3c&H1D19AC&}i{*\3c&H1B18B0&}e{*\3c&H1818B4&}l{\3c&H1617B8&}d
+Dialogue: 3,0:19:27.50,0:19:33.85,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(6300,6350,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(505.5,25)}{\3c&H782D0E&}T{*\3c&H752C12&}h{*\3c&H722B16&}e {*\3c&H6D2A1F&}s{*\3c&H6B2A23&}h{*\3c&H682928&}i{*\3c&H66292C&}n{*\3c&H632830&}i{*\3c&H612735&}n{*\3c&H5E2739&}g {*\3c&H592642&}s{*\3c&H572546&}u{*\3c&H54254B&}n {*\3c&H4F2353&}i{*\3c&H4D2358&}s {*\3c&H482260&}l{*\3c&H452165&}i{*\3c&H432169&}g{*\3c&H40206D&}h{*\3c&H3E2072&}t{*\3c&H3B1F76&}i{*\3c&H391E7A&}n{*\3c&H361E7F&}g {*\3c&H311D88&}u{*\3c&H2F1C8C&}p {*\3c&H2A1B95&}t{*\3c&H271A99&}h{*\3c&H251A9D&}e {*\3c&H2019A6&}f{*\3c&H1D18AA&}i{*\3c&H1B18AF&}e{*\3c&H1817B3&}l{\3c&H1617B8&}d
 Dialogue: 3,0:19:33.85,0:19:37.90,InsertEngDuo,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(4000,4050,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(346,25)}{\3c&H782D0E&}L{*\3c&H742C14&}e{*\3c&H712B1B&}t{*\3c&H6D2B21&}'{*\3c&H692A27&}s {*\3c&H622834&}c{*\3c&H5F273A&}o{*\3c&H5B2640&}n{*\3c&H572647&}t{*\3c&H54254D&}i{*\3c&H502453&}n{*\3c&H4C235A&}u{*\3c&H492260&}e {*\3c&H42216C&}w{*\3c&H3E2073&}i{*\3c&H3A1F79&}t{*\3c&H371E7F&}h {*\3c&H2F1D8C&}t{*\3c&H2C1C92&}h{*\3c&H281B99&}e {*\3c&H2119A5&}g{*\3c&H1D19AB&}a{*\3c&H1A18B2&}m{\3c&H1617B8&}e
 Dialogue: 3,0:19:38.22,0:19:39.90,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1630,1680,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1770.5,25)}All right
 Dialogue: 3,0:19:39.90,0:19:40.83,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(880,930,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1768.5,25)}Here I go
 Dialogue: 3,0:19:40.83,0:19:41.91,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1030,1080,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(148.5,25)}I'm ready
-Dialogue: 3,0:19:41.91,0:19:43.12,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1160,1210,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(215,25)}Be gentle on me
+Dialogue: 3,0:19:41.91,0:19:43.12,InsertEngMahiru,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1160,1210,\frx-90)\be.6\c&H00FFFFFF&\pos(55,30)\org(215,25)}Be gentle with me{tlc: "gentle on" doesn't sound right, "gentle with"? I don't think she's saying "go easy on me" but maybe "Don't be too hard on me"?}
 Dialogue: 3,0:19:43.12,0:19:44.91,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(1740,1790,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1784,25)}However
 Dialogue: 3,0:19:45.45,0:19:48.42,InsertEngKaren,,0,0,0,,{\frx-90\t(0,100,\frx0)\t(2920,2970,\frx-90)\be.6\c&H00FFFFFF&\pos(1865,30)\org(1696,25)}I can't lose here
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 Data: 13,a-mo,e{"uuid"#3A"27e8c6ea-17d1-4839-9b74-8cc680339d56"#2C"originalText"#3A"{\\an2\\fs120\\blur1.5\\c&HF7F7F7&\\i1\\pos(960#2C779.55)}the Star which you have longed for #E2#80#94"}
 Data: 14,a-mo,e{"uuid"#3A"69c53501-1570-472a-928e-879922c9b564"#2C"originalText"#3A"{\\alpha&HC1&\\an2\\fs120\\blur12\\c&HF7F7F7&\\i1\\pos(960#2C779.55)}the Star which you have longed for #E2#80#94"}
 Data: 15,a-mo,e{"uuid"#3A"3052d43f-317b-4df3-9e86-e090e3c8144d"#2C"originalText"#3A"{\\an2\\fs120\\blur1.5\\c&HF7F7F7&\\i1\\pos(960#2C619.55)}And it shall be bestowed upon you#2C"}
 Data: 16,a-mo,e{"uuid"#3A"a82c17f7-35fa-483d-87e8-61d7a1e4df2d"#2C"originalText"#3A"{\\alpha&HC1&\\an2\\fs120\\blur12\\c&HF7F7F7&\\i1\\pos(960#2C619.55)}And it shall be bestowed upon you#2C"}
--- a/06/[FGT]
+++ b/06/[FGT]
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 ScriptType: v4.00+
@ -10,14 +10,11 @@ YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
 Last Style Storage: Default
-Audio File: kageki 06-finaltest01 (1).mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 06 [WEB 1080p AAC] [FDFF028E].mkv
-Video File: kageki 06-finaltest01 (1).mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 06 [WEB 1080p AAC] [FDFF028E].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 0.625000
+Video Zoom Percent: 0.437500
 Scroll Position: 7732
 Active Line: 7746
 Video Position: 29209
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -35,6 +32,21 @@ Style: Kaoru,Dream Orphans,57,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 Comment: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Intro
 Comment: 0,0:02:31.00,0:02:31.04,Default,,0,0,0,,Opening
 Comment: 0,0:02:42.39,0:02:42.43,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:04:00.80,0:04:00.84,Default,,0,0,0,,Part A
 Comment: 10,0:05:41.90,0:05:45.49,Default,,0,0,0,,Hello, I'm the B class' director, Masai.
 Comment: 10,0:05:45.49,0:05:47.27,Default,,0,0,0,,I'm the playwright, Amamiya.
 Comment: 10,0:08:35.17,0:08:36.90,Default,,0,0,0,,Just like the B class was saying,
 Comment: 0,0:10:57.80,0:10:57.84,Default,,0,0,0,,Part B
 Comment: 0,0:22:13.71,0:22:13.75,English,,0,0,0,,ED First Frame
 Comment: 0,0:22:13.81,0:22:13.85,Default,,0,0,0,,Ending
 Comment: 0,0:23:43.81,0:23:43.86,Default,,0,0,0,,Outro
 Comment: 10,0:23:48.18,0:23:51.53,Default,,0,0,0,,What's going wrong with the \Nperformances this time around?
 Comment: 10,0:23:52.47,0:23:54.48,Default,,0,0,0,,They're all full of new things.
 Comment: 0,0:23:59.79,0:23:59.83,Default,,0,0,0,,Preview
 Dialogue: 10,0:00:02.98,0:00:05.98,Default,,0,0,0,,Kaoruko! Kaoruko!
 Dialogue: 10,0:00:06.48,0:00:08.50,Default,,0,0,0,,Miss Kaoruko!{I'll cut you if you go with Kaoruko-ojousan here}
 Dialogue: 10,0:00:08.50,0:00:10.49,Default,,0,0,0,,Isurugi-han, did you find her?
@ -114,8 +126,8 @@ Dialogue: 10,0:05:27.55,0:05:29.86,Default,,0,0,0,,The two of us better stay foc
 Dialogue: 10,0:05:31.35,0:05:32.01,Default,,0,0,0,,Pardon?
 Dialogue: 10,0:05:36.66,0:05:39.40,Default,,0,0,0,,Futaba-han, about your tap dancing just now...
 Dialogue: 10,0:05:40.09,0:05:41.90,Default,,0,0,0,,Okay, listen up.
-Dialogue: 10,0:05:41.90,0:05:45.49,Default,,0,0,0,,Hello, I'm the B class' director, Masai.
+Dialogue: 10,0:05:41.90,0:05:45.49,Default,,0,0,0,,Hello, I'm the director from class B, Masai.
-Dialogue: 10,0:05:45.49,0:05:47.27,Default,,0,0,0,,I'm the playwright, Amamiya.
+Dialogue: 10,0:05:45.49,0:05:47.27,Default,,0,0,0,,I'm the playwright, Amemiya.
 Dialogue: 10,0:05:47.94,0:05:50.03,Default,,0,0,0,,I'm the playwright trainee, Daiba.
 Dialogue: 10,0:05:50.03,0:05:56.04,Default,,0,0,0,,So, the production for the 100th Seisho Festival is about to begin in earnest.
 Dialogue: 10,0:05:56.04,0:06:01.04,Default,,0,0,0,,For us in the 99th generation, \Nthis will be our second Starlight.
@ -157,7 +169,7 @@ Dialogue: 10,0:08:22.14,0:08:24.31,Default,,0,0,0,,I wanted to become way better
 Dialogue: 10,0:08:24.73,0:08:28.19,Default,,0,0,0,,And then you stole the goddess role from me!
 Dialogue: 10,0:08:28.19,0:08:29.92,Default,,0,0,0,,Hold on, Kaoruko.
 Dialogue: 10,0:08:30.63,0:08:34.70,Default,,0,0,0,,You know, you don't understand a thing.
-Dialogue: 10,0:08:35.17,0:08:36.90,Default,,0,0,0,,Just like the B class was saying,
+Dialogue: 10,0:08:35.17,0:08:36.90,Default,,0,0,0,,Just like class B was saying,
 Dialogue: 10,0:08:36.90,0:08:38.20,Default,,0,0,0,,you're not up to par!
 Dialogue: 10,0:08:38.20,0:08:40.45,Default,,0,0,0,,Wh-What was that?!
 Dialogue: 10,0:08:40.97,0:08:42.82,Default,,0,0,0,,I got this role.
@ -257,7 +269,7 @@ Dialogue: 10,0:14:34.93,0:14:38.94,Default,,0,0,0,,{\i1}you have a sense of duty
 Dialogue: 10,0:14:46.27,0:14:47.80,Default,,0,0,0,,Those chasing from behind...
 Dialogue: 10,0:14:50.52,0:14:52.74,Default,,0,0,0,,Is that Futaba-han?
 Dialogue: 10,0:14:57.74,0:15:01.21,Default,,0,0,0,,But she's not chasing after me at all.
-Dialogue: 10,0:15:02.24,0:15:06.21,Default,,0,0,0,,Thank you for riding the Shinkansen.
+Dialogue: 10,0:15:02.24,0:15:06.21,Default,,0,0,0,,{\i1}Thank you for riding the Shinkansen.
 Dialogue: 10,0:15:07.01,0:15:14.58,Default,,0,0,0,,{\i1}The train on platform 19 will depart at 12:13.
 Dialogue: 10,0:15:14.58,0:15:20.03,Default,,0,0,0,,{\i1}It's the Nozomi 1341, bound for Shin-Osaka.
 Dialogue: 10,0:15:20.03,0:15:21.23,Default,,0,0,0,,Why?
@ -343,22 +355,8 @@ Dialogue: 10,0:21:14.85,0:21:16.61,Default,,0,0,0,,and show you up.
 Dialogue: 10,0:21:57.51,0:22:01.36,Default,,0,0,0,,Futaba-han, we've got to become \Nthe best in the world together, yeah?
 Dialogue: 10,0:22:01.36,0:22:04.19,Default,,0,0,0,,I'll pay the taxi fare once I've made it in the world!
 Dialogue: 10,0:22:05.18,0:22:07.35,Default,,0,0,0,,I guess I don't have a choice!
-Dialogue: 10,0:23:48.18,0:23:51.53,Default,,0,0,0,,What's going wrong with the \Nperformances this time around?
+Dialogue: 10,0:23:48.18,0:23:51.53,Default,,0,0,0,,What's going wrong with the \Nperformance this time around?
-Dialogue: 10,0:23:52.47,0:23:54.48,Default,,0,0,0,,They're all full of new things.
+Dialogue: 10,0:23:52.47,0:23:54.48,Default,,0,0,0,,It's nothing but new things.
 Dialogue: 10,0:23:55.41,0:23:58.59,Default,,0,0,0,,It really is best to stick to the script.{@@ this is the single scariest moment in the whole series so far}
 Dialogue: 10,0:24:00.34,0:24:02.79,Default,,0,0,0,,Girls' Musical Revue Starlight.
 Dialogue: 10,0:24:02.79,0:24:05.69,Default,,0,0,0,,I understand.
 Comment: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Intro
 Comment: 0,0:02:31.00,0:02:31.04,Default,,0,0,0,,Opening
 Comment: 0,0:02:42.39,0:02:42.43,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:04:00.80,0:04:00.84,Default,,0,0,0,,Part A
 Comment: 0,0:10:57.80,0:10:57.84,Default,,0,0,0,,Part B
 Comment: 10,0:15:44.24,0:15:48.70,Default,,0,0,0,,I figured I'd find you crying about it being to late to go back right about now.
 Comment: 10,0:16:57.09,0:16:59.08,Default,,0,0,0,,Today is the fourth day of auditions.
 Comment: 10,0:18:31.65,0:18:35.96,Default,,0,0,0,,That's why I've been chasing after you all this time.
 Comment: 0,0:22:13.71,0:22:13.75,English,,0,0,0,,ED First Frame
 Comment: 0,0:22:13.81,0:22:13.85,Default,,0,0,0,,Ending
 Comment: 0,0:23:43.81,0:23:43.86,Default,,0,0,0,,Outro
 Comment: 10,0:23:48.18,0:23:51.53,Default,,0,0,0,,What went wrong with the \Nperformance this time around?
 Comment: 10,0:23:52.47,0:23:54.48,Default,,0,0,0,,It was full of new experiences.
 Comment: 0,0:23:59.79,0:23:59.83,Default,,0,0,0,,Preview
--- a/06_insert.ass
+++ b/06_insert.ass
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 ScriptType: v4.00+
@ -10,14 +10,11 @@ YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
 Last Style Storage: Default
-Audio File: kageki 06-finaltest01 (1).mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 06 [WEB 1080p AAC] [FDFF028E].mkv
-Video File: kageki 06-finaltest01 (1).mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 06 [WEB 1080p AAC] [FDFF028E].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 0.625000
+Video Zoom Percent: 0.437500
 Scroll Position: 7732
 Active Line: 7746
 Video Position: 29209
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -35,58 +32,58 @@ Style: Kaoru,Dream Orphans,57,&H00FFFFFF,&H000000FF,&H00782D0E,&H00000000,-1,-1,
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
-Dialogue: 1,0:17:42.74,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}When we were young we swore to always be by each other's side
+
-Dialogue: 2,0:17:42.74,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}When we were young we swore to always be by each other's side
+Dialogue: 1,0:17:43.34,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}When we were young, we swore to always be by each other's side{tlc: missing comma after introductory adverb clause :}
-Dialogue: 3,0:17:42.74,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}When we were young we swore to always be by each other's side
+Dialogue: 2,0:17:43.34,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}When we were young, we swore to always be by each other's side{tlc: missing comma after introductory adverb clause :}
 Dialogue: 3,0:17:43.34,0:17:50.38,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}When we were young, we swore to always be by each other's side{tlc: missing comma after introductory adverb clause :}
 Dialogue: 1,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}How much time has passed since then?
 Dialogue: 2,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}How much time has passed since then?
 Dialogue: 3,0:17:50.38,0:17:57.88,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}How much time has passed since then?
-Dialogue: 1,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}The flower petal I saw that day blinded me
+Dialogue: 1,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I found myself charmed by that flower petal, yet
-Dialogue: 2,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}The flower petal I saw that day blinded me
+Dialogue: 2,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I found myself charmed by that flower petal, yet
-Dialogue: 3,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}The flower petal I saw that day blinded me
+Dialogue: 3,0:17:57.88,0:18:05.34,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I found myself charmed by that flower petal, yet
-Dialogue: 1,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I felt like I would never be able to reach it
+Dialogue: 1,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I felt like it would be forever out of reach{tlc: how about "it would be forever out of reach / beyond my reach"?}
-Dialogue: 2,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I felt like I would never be able to reach it
+Dialogue: 2,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I felt like it would be forever out of reach{tlc: how about "it would be forever out of reach / beyond my reach"?}
-Dialogue: 3,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I felt like I would never be able to reach it
+Dialogue: 3,0:18:05.34,0:18:13.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I felt like it would be forever out of reach{tlc: how about "it would be forever out of reach / beyond my reach"?}
-Dialogue: 1,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}If happiness cannot be found in this place
+Dialogue: 1,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}If you want to part ways, I will not stop you{tlc: "with me" perhaps redundant?}
-Dialogue: 2,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}If happiness cannot be found in this place
+Dialogue: 2,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}If you want to part ways, I will not stop you{tlc: "with me" perhaps redundant?}
-Dialogue: 3,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}If happiness cannot be found in this place
+Dialogue: 3,0:18:13.22,0:18:20.68,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}If you want to part ways, I will not stop you{tlc: "with me" perhaps redundant?}
-Dialogue: 1,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Then it's time to leave for where the flowers bloom
+Dialogue: 1,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}If you can't find happiness here, just go and bloom somewhere else
-Dialogue: 2,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Then it's time to leave for where the flowers bloom
+Dialogue: 2,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}If you can't find happiness here, just go and bloom somewhere else
-Dialogue: 3,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Then it's time to leave for where the flowers bloom
+Dialogue: 3,0:18:20.68,0:18:28.12,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}If you can't find happiness here, just go and bloom somewhere else
-Dialogue: 1,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Until the moment when you bloom in full
+Dialogue: 1,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But the moment when you bloom in full
-Dialogue: 2,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Until the moment when you bloom in full
+Dialogue: 2,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But the moment when you bloom in full
-Dialogue: 3,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Until the moment when you bloom in full
+Dialogue: 3,0:18:28.12,0:18:35.40,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But the moment when you bloom in full
-Dialogue: 1,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I want to watch you from your side
+Dialogue: 1,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I want to be the first to witness
-Dialogue: 2,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I want to watch you from your side
+Dialogue: 2,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I want to be the first to witness
-Dialogue: 3,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I want to watch you from your side
+Dialogue: 3,0:18:35.40,0:18:41.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I want to be the first to witness
-Dialogue: 1,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I believed without a doubt that we'd always be together
+Dialogue: 1,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I thought you'd always you'd always be there to protect me without fail{tlc: "believed without a doubt" sounds a bit unnatural, how about just "I never doubted", possibly with "for a moment" or something to match the added intensity of 疑わずに | conversely, "be there for me", "be by my side", "be there to protect me", etc. might convey the tone of 守り抜く and the idea of Futaba leaving Cowruko}
-Dialogue: 2,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I believed without a doubt that we'd always be together
+Dialogue: 2,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I thought you'd always you'd always be there to protect me without fail{tlc: "believed without a doubt" sounds a bit unnatural, how about just "I never doubted", possibly with "for a moment" or something to match the added intensity of 疑わずに | conversely, "be there for me", "be by my side", "be there to protect me", etc. might convey the tone of 守り抜く and the idea of Futaba leaving Cowruko}
-Dialogue: 3,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I believed without a doubt that we'd always be together
+Dialogue: 3,0:19:07.31,0:19:14.66,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I thought you'd always you'd always be there to protect me without fail{tlc: "believed without a doubt" sounds a bit unnatural, how about just "I never doubted", possibly with "for a moment" or something to match the added intensity of 疑わずに | conversely, "be there for me", "be by my side", "be there to protect me", etc. might convey the tone of 守り抜く and the idea of Futaba leaving Cowruko}
-Dialogue: 1,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But the bird in the cage was always longing for the blue sky
+Dialogue: 1,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But the caged bird was always longing for the blue sky{tlc: "caged bird" might sound better than "bird in the cage"}
-Dialogue: 2,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But the bird in the cage was always longing for the blue sky
+Dialogue: 2,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But the caged bird was always longing for the blue sky{tlc: "caged bird" might sound better than "bird in the cage"}
-Dialogue: 3,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But the bird in the cage was always longing for the blue sky
+Dialogue: 3,0:19:14.66,0:19:22.06,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But the caged bird was always longing for the blue sky{tlc: "caged bird" might sound better than "bird in the cage"}
 Dialogue: 1,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}When did the chick learn to sing this gallantly?
 Dialogue: 2,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}When did the chick learn to sing this gallantly?
 Dialogue: 3,0:19:22.06,0:19:29.44,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}When did the chick learn to sing this gallantly?
-Dialogue: 1,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Both flowers and wings are swayed by song and take to the wind
+Dialogue: 1,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Both flowers and wings sway as they take to the wind
-Dialogue: 2,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Both flowers and wings are swayed by song and take to the wind
+Dialogue: 2,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Both flowers and wings sway as they take to the wind
-Dialogue: 3,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Both flowers and wings are swayed by song and take to the wind
+Dialogue: 3,0:19:29.44,0:19:37.03,Futaba,Futaba,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Both flowers and wings sway as they take to the wind
-Dialogue: 1,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Farewell, I am going now, leaving you behind
+Dialogue: 1,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Farewell, it's time for me to go, leaving you behind
-Dialogue: 2,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Farewell, I am going now, leaving you behind
+Dialogue: 2,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Farewell, it's time for me to go, leaving you behind
-Dialogue: 3,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Farewell, I am going now, leaving you behind
+Dialogue: 3,0:19:37.58,0:19:45.02,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Farewell, it's time for me to go, leaving you behind
-Dialogue: 1,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}I will gouge out my heart so that I can forget it all
+Dialogue: 1,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Though I tear my heart in two, I go, keeping memories of the time we shared{tlc: "bear the pain to not forget" sounds a bit jumbled and "bear the pain" doesn't convey that it's a known consequence of her deliberate actions, maybe something like "Though I tear my heart in two, I go, keeping memories of the time we shared"}
-Dialogue: 2,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}I will gouge out my heart so that I can forget it all
+Dialogue: 2,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Though I tear my heart in two, I go, keeping memories of the time we shared{tlc: "bear the pain to not forget" sounds a bit jumbled and "bear the pain" doesn't convey that it's a known consequence of her deliberate actions, maybe something like "Though I tear my heart in two, I go, keeping memories of the time we shared"}
-Dialogue: 3,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I will gouge out my heart so that I can forget it all
+Dialogue: 3,0:19:45.02,0:19:53.22,Kaoru,Kaoru,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Though I tear my heart in two, I go, keeping memories of the time we shared{tlc: "bear the pain to not forget" sounds a bit jumbled and "bear the pain" doesn't convey that it's a known consequence of her deliberate actions, maybe something like "Though I tear my heart in two, I go, keeping memories of the time we shared"}
 Dialogue: 1,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}A stream may be divided by a boulder, but in its swift flow it will be united again
 Dialogue: 2,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}A stream may be divided by a boulder, but in its swift flow it will be united again
 Dialogue: 3,0:20:17.89,0:20:25.27,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}A stream may be divided by a boulder, but in its swift flow it will be united again
-Dialogue: 1,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}So too will the pink paths we each set out on lead to a single straight path
+Dialogue: 1,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}So too will the flourishing paths we each set out on lead to a single straight path{tlc: pink path? wakarimasen}
-Dialogue: 2,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}So too will the pink paths we each set out on lead to a single straight path
+Dialogue: 2,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}So too will the flourishing paths we each set out on lead to a single straight path{tlc: pink path? wakarimasen}
-Dialogue: 3,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}So too will the pink paths we each set out on lead to a single straight path
+Dialogue: 3,0:20:25.27,0:20:32.66,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}So too will the flourishing paths we each set out on lead to a single straight path{tlc: pink path? wakarimasen}
 Dialogue: 1,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}Let a flower bloom for the sake of a single person
 Dialogue: 2,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Let a flower bloom for the sake of a single person
 Dialogue: 3,0:20:32.66,0:20:39.95,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}Let a flower bloom for the sake of a single person
 Dialogue: 1,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\c&H00F17FFF&\3c&H00F17FFF&\bord4.5\pos(50,30)\be.6}For the entirety of our fleeting existence
 Dialogue: 2,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}For the entirety of our fleeting existence
 Dialogue: 3,0:20:39.95,0:20:48.22,Both,Both,0,0,0,fx,{\fad(100,100)\bord0\c&H00F17FFF&\pos(50,30)}For the entirety of our fleeting existence
--- a/07/[FGT]
+++ b/07/[FGT]
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 Title: Default Aegisub file
@ -10,14 +10,12 @@ PlayResY: 1080
 YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
-Last Style Storage: Aikatsu 1
+Last Style Storage: Ladyspo
-Audio File: kageki 07-finaltest01 (1) [9497F8C3].mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 07 [WEB 1080p EAC3] [E2E9022C].mkv
-Video File: kageki 07-finaltest01 (1) [9497F8C3].mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 07 [WEB 1080p EAC3] [E2E9022C].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 0.625000
+Video Zoom Percent: 0.375000
 Active Line: 5
 Video Position: 34520
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -29,25 +27,49 @@ Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 Comment: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Intro
 Comment: 10,0:00:19.29,0:00:21.29,Default,,0,0,0,,could never understand my ferocity!
 Comment: 10,0:00:35.04,0:00:38.30,Default,,0,0,0,,Yes, flight was the only way out.
 Comment: 10,0:00:40.01,0:00:46.08,Default,,0,0,0,,But this lamentation and regret bind me.
 Comment: 10,0:00:46.91,0:00:50.07,Default,,0,0,0,,This is nothing but unsightly envy.
 Comment: 10,0:01:04.83,0:01:08.30,Default,,0,0,0,,They fail to achieve their dream. {@@ is this exactly as it was before?}
 Comment: 0,0:04:59.94,0:04:59.98,Default,,0,0,0,,Opening
 Comment: 0,0:05:11.33,0:05:11.37,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:06:29.78,0:06:29.82,Default,,0,0,0,,Part A
 Comment: 10,0:07:51.72,0:07:57.28,Default,,0,0,0,,Wait, I have my dignity to uphold as an \Nupperclassman and the class president.
 Comment: 10,0:08:41.51,0:08:45.58,Default,,0,0,0,,This isn't what I wanted my first job as class president to be after becoming a second-year.{This isn't what I was hoping to be my first job as the class president after having become a second year.}{rephrased for CPS -Corbyn}
 Comment: 10,0:10:10.26,0:10:16.36,Default,,0,0,0,,I've sure they've experienced anguish, \Ndespair, and anger that we can't imagine.
 Comment: 10,0:11:20.77,0:11:22.90,Default,,0,0,0,,Hey, class pres. {@@ this is usually prez, to match pronounciation over spelling}
 Comment: 10,0:11:48.88,0:11:51.40,Default,,0,0,0,,The B class helped out backstage,{ep 1, 07:23}
 Comment: 10,0:11:51.40,0:11:54.19,Default,,0,0,0,,while we in the A class sang and performed.
 Comment: 0,0:13:20.77,0:13:20.82,Default,,0,0,0,,Part B
 Comment: 10,0:13:53.92,0:13:58.17,Default,,0,0,0,,The more they can feel the shine that the stage girls emit,
 Comment: 10,0:13:58.17,0:13:59.93,Default,,0,0,0,,the more that the lighting,
 Comment: 10,0:14:08.90,0:14:14.34,Default,,0,0,0,,This stage will respond to the shine of the stage girls.
 Comment: 10,0:14:14.93,0:14:16.21,Default,,0,0,0,,Shine?
 Comment: 10,0:14:16.21,0:14:21.02,Default,,0,0,0,,To whomever puts on the brightest shining revue,{ep 4, 17:17:25}{@@ are you totally sure about this hyphen? first, shining is a participle, so it's wrong. also, according to APA style guidelines, it's unnecessary anyway http://blog.apastyle.org/apastyle/hyphenation/}
 Comment: 0,0:22:29.78,0:22:29.82,Default,,0,0,0,,Ending
 Comment: 0,0:23:59.75,0:23:59.79,Default,,0,0,0,,Preview
 Dialogue: 10,0:00:04.97,0:00:08.91,Default,,0,0,0,,Let's go, to pluck that star together!
 Dialogue: 10,0:00:11.01,0:00:12.92,Default,,0,0,0,,Regardless of how many I loose,
 Dialogue: 10,0:00:12.92,0:00:17.03,Default,,0,0,0,,my arrows will not reach that star.
 Dialogue: 10,0:00:17.03,0:00:19.29,Default,,0,0,0,,You who reach for the star without a care
-Dialogue: 10,0:00:19.29,0:00:21.29,Default,,0,0,0,,could never understand my ferocity!
+Dialogue: 10,0:00:19.29,0:00:21.29,Default,,0,0,0,,could never understand my fury!
 Dialogue: 10,0:00:22.20,0:00:24.42,Default,,0,0,0,,I should be able to seize that star!
 Dialogue: 10,0:00:24.42,0:00:26.73,Default,,0,0,0,,That's what I believed.
 Dialogue: 10,0:00:27.54,0:00:30.55,Default,,0,0,0,,But that was nothing short of arrogance.
 Dialogue: 10,0:00:31.37,0:00:34.38,Default,,0,0,0,,If you cannot confront it, you may as well flee.
-Dialogue: 10,0:00:35.04,0:00:38.30,Default,,0,0,0,,Yes, flight was the only way out.
+Dialogue: 10,0:00:35.04,0:00:38.30,Default,,0,0,0,,Yes, escape was the only way out.
 Dialogue: 10,0:00:38.30,0:00:40.01,Default,,0,0,0,,I had no other option.{this line just confirms that she's talking about herself, literally just "for me", but that sounds awkward}
-Dialogue: 10,0:00:40.01,0:00:46.08,Default,,0,0,0,,But this lamentation and regret bind me.
+Dialogue: 10,0:00:40.01,0:00:46.08,Default,,0,0,0,,But I am cursed with this lamentation and regret.
-Dialogue: 10,0:00:46.91,0:00:50.07,Default,,0,0,0,,This is nothing but unsightly envy.
+Dialogue: 10,0:00:46.91,0:00:50.07,Default,,0,0,0,,This is nothing but unsightly jealousy.
 Dialogue: 10,0:00:50.07,0:00:51.82,Default,,0,0,0,,So please tell me!
 Dialogue: 10,0:00:51.82,0:00:54.83,Default,,0,0,0,,What must I sacrifice to obtain that person for myself?
 Dialogue: 10,0:00:55.49,0:00:58.34,Default,,0,0,0,,O, and so it repeats.
 Dialogue: 10,0:00:58.34,0:00:59.83,Default,,0,0,0,,The cycle of despair.
 Dialogue: 10,0:01:00.63,0:01:02.83,Default,,0,0,0,,Beneath the light of the stars.
-Dialogue: 10,0:01:04.83,0:01:08.30,Default,,0,0,0,,They fail to achieve their dream. {@@ is this exactly as it was before?}
+Dialogue: 10,0:01:04.83,0:01:08.30,Default,,0,0,0,,Our dream was not meant to be.
 Dialogue: 10,0:01:22.86,0:01:24.08,Default,,0,0,0,,It's so dazzling.
 Dialogue: 10,0:01:35.83,0:01:38.37,Default,,0,0,0,,{\i1}That's it for the 99th generation's first
 Dialogue: 10,0:01:38.37,0:01:42.62,Default,,0,0,0,,{\i1}Starlight performance at the 99th Seisho Festival.
@ -130,7 +152,7 @@ Dialogue: 10,0:07:33.32,0:07:35.10,Default,,0,0,0,,I just want to be here.
 Dialogue: 10,0:07:38.58,0:07:40.73,Default,,0,0,0,,Sure, I'll have some.
 Dialogue: 10,0:07:46.21,0:07:48.81,Default,,0,0,0,,And here we have a freshly minted second-year.{i like this phrase -Corbyn}
 Dialogue: 10,0:07:48.81,0:07:51.72,Default,,0,0,0,,Junna-chan, tell us what's on your mind.
-Dialogue: 10,0:07:51.72,0:07:57.28,Default,,0,0,0,,Wait, I have my dignity to uphold as an \Nupperclassman and the class president.
+Dialogue: 10,0:07:51.72,0:07:57.28,Default,,0,0,0,,Wait, I have my dignity to uphold as an \Nupperclassman and the class representative.
 Dialogue: 10,0:07:58.49,0:08:01.04,Default,,0,0,0,,They're the same, but apparently they're spanking new.
 Dialogue: 10,0:08:05.92,0:08:07.55,Default,,0,0,0,,New students!
 Dialogue: 10,0:08:07.88,0:08:10.36,Default,,0,0,0,,They're all nervous and stiff.
@ -141,7 +163,7 @@ Dialogue: 10,0:08:21.05,0:08:24.83,Default,,0,0,0,,Spring break is over, and eve
 Dialogue: 10,0:08:27.19,0:08:27.82,Default,,0,0,0,,Wait...
 Dialogue: 10,0:08:29.64,0:08:33.57,Default,,0,0,0,,Naruse-san and Osaka-san aren't here yet.
 Dialogue: 10,0:08:34.69,0:08:36.07,Default,,0,0,0,,They dropped out.
-Dialogue: 10,0:08:41.51,0:08:45.58,Default,,0,0,0,,This isn't what I wanted my first job as class president to be after becoming a second-year.{This isn't what I was hoping to be my first job as the class president after having become a second year.}{rephrased for CPS -Corbyn}
+Dialogue: 10,0:08:41.51,0:08:45.58,Default,,0,0,0,,This isn't what I wanted my first job as \Nclass rep to be after becoming a second-year.
 Dialogue: 10,0:08:51.01,0:08:52.09,Default,,0,0,0,,Well then.
 Dialogue: 10,0:08:52.09,0:08:55.22,Default,,0,0,0,,We have to move on for the sake of improving our play{ further}.{redundant -Corbyn}
 Dialogue: 10,0:08:56.89,0:08:57.47,Default,,0,0,0,,Yeah...
@ -155,7 +177,6 @@ Dialogue: 10,0:09:18.18,0:09:20.33,Default,,0,0,0,,Then I'll be Claire!
 Dialogue: 10,0:09:20.33,0:09:23.00,Default,,0,0,0,,I'll get a lead role without a doubt!
 Dialogue: 10,0:09:23.34,0:09:24.67,Default,,0,0,0,,You're heavy.
 Dialogue: 10,0:09:26.00,0:09:26.94,Default,,0,0,0,,Daiba-san.
 Dialogue: 10,0:09:27.88,0:09:29.15,Default,,0,0,0,,
 Dialogue: 10,0:09:29.15,0:09:32.38,Default,,0,0,0,,Do you have a moment after this?
 Dialogue: 10,0:09:32.38,0:09:33.46,Default,,0,0,0,,Sure.
 Dialogue: 10,0:09:37.50,0:09:39.39,Default,,0,0,0,,Auditions again, huh...
@ -168,7 +189,7 @@ Dialogue: 10,0:09:59.73,0:10:03.20,Default,,0,0,0,,Even with the same members an
 Dialogue: 10,0:10:03.20,0:10:05.79,Default,,0,0,0,,putting on the same performance twice is impossible.
 Dialogue: 10,0:10:05.79,0:10:07.01,Default,,0,0,0,,That may be true.
 Dialogue: 10,0:10:07.01,0:10:09.29,Default,,0,0,0,,They've made up their minds.
-Dialogue: 10,0:10:10.26,0:10:16.36,Default,,0,0,0,,I've sure they've experienced anguish, \Ndespair, and anger that we can't imagine.
+Dialogue: 10,0:10:10.26,0:10:16.36,Default,,0,0,0,,I'm sure they've experienced anguish, \Ndespair, and anger that we can't imagine.
 Dialogue: 10,0:10:16.98,0:10:18.40,Default,,0,0,0,,Remember what I said?
 Dialogue: 10,0:10:18.40,0:10:21.59,Default,,0,0,0,,To face the auditions with the lead roles on the line...
 Dialogue: 10,0:10:22.08,0:10:24.31,Default,,0,0,0,,There are those who leave the stage,
@ -188,15 +209,15 @@ Dialogue: 10,0:11:13.79,0:11:14.61,Default,,0,0,0,,Nana?
 Dialogue: 10,0:11:15.38,0:11:16.87,Default,,0,0,0,,Junna-chan...
 Dialogue: 10,0:11:16.87,0:11:19.06,Default,,0,0,0,,Oh, are those from the closing party?
 Dialogue: 10,0:11:19.06,0:11:20.36,Default,,0,0,0,,Yeah, wanna see?
-Dialogue: 10,0:11:20.77,0:11:22.90,Default,,0,0,0,,Hey, class pres. {@@ this is usually prez, to match pronounciation over spelling}
+Dialogue: 10,0:11:20.77,0:11:22.90,Default,,0,0,0,,Hey, class rep.
 Dialogue: 10,0:11:23.79,0:11:25.07,Default,,0,0,0,,Nice shot!
 Dialogue: 10,0:11:25.72,0:11:28.08,Default,,0,0,0,,Did you have to take this one too?!
 Dialogue: 10,0:11:31.06,0:11:34.52,Default,,0,0,0,,It was only two months ago, but it feels oddly nostalgic.
 Dialogue: 10,0:11:36.18,0:11:43.01,Default,,0,0,0,,The play we put on for the Seisho Festival, our very own Starlight—I loved it.{grrr japanese word order. some way to get the "love" part at the end?}{I did my best. Feel free to improve on it. -Corbyn}{@@ sure we don't want to do present tense?}
 Dialogue: 10,0:11:43.68,0:11:44.89,Default,,0,0,0,,I loved it too.
 Dialogue: 10,0:11:44.89,0:11:46.89,Default,,0,0,0,,Yeah, me too.
-Dialogue: 10,0:11:48.88,0:11:51.40,Default,,0,0,0,,The B class helped out backstage,{ep 1, 07:23}
+Dialogue: 10,0:11:48.88,0:11:51.40,Default,,0,0,0,,Class B helped out backstage,{ep 1, 07:23}
-Dialogue: 10,0:11:51.40,0:11:54.19,Default,,0,0,0,,while we in the A class sang and performed.
+Dialogue: 10,0:11:51.40,0:11:54.19,Default,,0,0,0,,while we in class A sang and performed.
 Dialogue: 10,0:11:55.04,0:11:57.94,Default,,0,0,0,,All of us in the 99th generation made it.
 Dialogue: 10,0:11:57.94,0:11:59.92,Default,,0,0,0,,It was our very own play.{end of repeat}
 Dialogue: 10,0:12:01.22,0:12:04.65,Default,,0,0,0,,Is it really impossible to recreate it?
@ -230,14 +251,14 @@ Dialogue: 10,0:13:41.51,0:13:43.17,Default,,0,0,0,,I understand.
 Dialogue: 10,0:13:43.17,0:13:46.05,Default,,0,0,0,,A real giraffe?
 Dialogue: 10,0:13:47.72,0:13:49.64,Default,,0,0,0,,A revue...
 Dialogue: 10,0:13:49.64,0:13:53.30,Default,,0,0,0,,It consists of song and dance woven into a mesmerizing play.{ep 1, 18:50}
-Dialogue: 10,0:13:53.92,0:13:58.17,Default,,0,0,0,,The more they can feel the shine that the stage girls emit,
+Dialogue: 10,0:13:53.92,0:13:58.17,Default,,0,0,0,,The more they can feel the glimmer that the stage girls emit,
-Dialogue: 10,0:13:58.17,0:13:59.93,Default,,0,0,0,,the more that the lighting,
+Dialogue: 10,0:13:58.17,0:13:59.93,Default,,0,0,0,,the more the lighting,
 Dialogue: 10,0:13:59.93,0:14:03.19,Default,,0,0,0,,the audio system, and the stage mechanisms
 Dialogue: 10,0:14:03.19,0:14:05.60,Default,,0,0,0,,will begin to dance on their own.
 Dialogue: 10,0:14:05.60,0:14:08.90,Default,,0,0,0,,Acting, song, and dance...
-Dialogue: 10,0:14:08.90,0:14:14.34,Default,,0,0,0,,This stage will respond to the shine of the stage girls.
+Dialogue: 10,0:14:08.90,0:14:14.34,Default,,0,0,0,,This stage will respond to the glimmer of the stage girls.
-Dialogue: 10,0:14:14.93,0:14:16.21,Default,,0,0,0,,Shine?
+Dialogue: 10,0:14:14.93,0:14:16.21,Default,,0,0,0,,Glimmer?
-Dialogue: 10,0:14:16.21,0:14:21.02,Default,,0,0,0,,To whomever puts on the brightest shining revue,{ep 4, 17:17:25}{@@ are you totally sure about this hyphen? first, shining is a participle, so it's wrong. also, according to APA style guidelines, it's unnecessary anyway http://blog.apastyle.org/apastyle/hyphenation/}
+Dialogue: 10,0:14:16.21,0:14:21.02,Default,,0,0,0,,To whoever puts on the brightest shining revue,{ep 4, 17:17:25}
 Dialogue: 10,0:14:21.02,0:14:24.95,Default,,0,0,0,,the path to becoming the top star will open up.{ep 1, 18:59}
 Dialogue: 10,0:14:24.95,0:14:26.34,Default,,0,0,0,,The top star...
 Dialogue: 10,0:14:27.28,0:14:30.23,Default,,0,0,0,,The one who will stand on the stage of destiny.{ep 2, 17:08}{please make a batch note for ep 2 if you change this to work for both one and multiple people}{@@ even if it is multiple, the giraffe can still be wrong when speaking}
@ -362,22 +383,3 @@ Dialogue: 10,0:22:21.05,0:22:22.61,Default,,0,0,0,,Kagura Hikari-chan...
 Dialogue: 10,0:22:24.78,0:22:28.67,Default,,0,0,0,,I think I want her for my play now.{HOLY FUCK BANANA}
 Dialogue: 10,0:24:00.53,0:24:03.04,Default,,0,0,0,,Girls' Musical Revue Starlight.
 Dialogue: 10,0:24:03.04,0:24:05.63,Default,,0,0,0,,I understand.
 Dialogue: 0,0:24:04.54,0:24:04.58,Default,,0,0,0,,
 Comment: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Intro
 Comment: 10,0:03:43.73,0:03:45.62,Default,,0,0,0,,I know, bananas! {@@ are you sure you don't want this to be "I know! Banana!"}
 Comment: 0,0:04:59.94,0:04:59.98,Default,,0,0,0,,Opening
 Comment: 0,0:05:11.33,0:05:11.37,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:06:29.78,0:06:29.82,Default,,0,0,0,,Part A
 Comment: 10,0:07:03.06,0:07:05.06,Default,,0,0,0,,Hey, do you really need to photograph this too?
 Comment: 10,0:07:16.14,0:07:17.26,Default,,0,0,0,,What?
 Comment: 10,0:08:21.05,0:08:24.06,Default,,0,0,0,,Spring break is over, and everyone is here.
 Comment: 10,0:09:55.09,0:09:58.77,Default,,0,0,0,,I'd love it if we could put on the same performance again. {@@ hmm I'd like this to be more forceful, like "I'd love nothing more than if we could put on the same performance again". actually, I'll just stick that in}
 Comment: 10,0:10:24.31,0:10:27.01,Default,,0,0,0,,faced with someone they cannot \Novercome while giving it their all...
 Comment: 10,0:12:08.49,0:12:12.14,Default,,0,0,0,,I don't think I could perform{participate} in a play like that.{I feel like I'm not keeping stage/play/performance/etc straight here, please be extra attentive}{Aka, i think this comment is more for you than for me. -Corbyn}{tlc}
 Comment: 10,0:12:26.26,0:12:29.56,Default,,0,0,0,,and put on a much, much better performance!{"even, even" just sounds bad...}
 Comment: 0,0:13:20.77,0:13:20.82,Default,,0,0,0,,Part B
 Comment: 10,0:14:16.21,0:14:21.02,Default,,0,0,0,,To whomever puts on the brightest-shining revue,{ep 4, 17:17:25}{@@ are you totally sure about this hyphen? }
 Comment: 10,0:18:36.76,0:18:38.63,Default,,0,0,0,,I know, bananas!
 Comment: 0,0:22:29.78,0:22:29.82,Default,,0,0,0,,Ending
 Comment: 0,0:23:59.75,0:23:59.79,Default,,0,0,0,,Preview
--- a/07_insert.ass
+++ b/07_insert.ass
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 Title: Default Aegisub file
@ -10,14 +10,12 @@ PlayResY: 1080
 YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
-Last Style Storage: Aikatsu 1
+Last Style Storage: Ladyspo
-Audio File: kageki 07-finaltest01 (1) [9497F8C3].mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 07 [WEB 1080p EAC3] [E2E9022C].mkv
-Video File: kageki 07-finaltest01 (1) [9497F8C3].mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 07 [WEB 1080p EAC3] [E2E9022C].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 0.625000
+Video Zoom Percent: 0.375000
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--- a/08/[FGT]
+++ b/08/[FGT]
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 ScriptType: v4.00+
@ -9,15 +9,14 @@ PlayResY: 1080
 YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
-Last Style Storage: Aikatsu 1
+Last Style Storage: Ladyspo
-Audio File: kageki 08-finaltest02 (1) [BB068F21].mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 08 [WEB 1080p EAC3] [87D20662].mkv
-Video File: kageki 08-finaltest02 (1) [BB068F21].mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 08 [WEB 1080p EAC3] [87D20662].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 1.000000
+Video Zoom Percent: 0.375000
-Scroll Position: 1906
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-Active Line: 1921
+Video Position: 1504
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@ -34,6 +33,19 @@ Style: Hikari2,Signatra DEMO,80,&H00FFFFFF,&H001E1E1E,&H00FF974D,&H00000000,0,0,
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 Comment: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Intro
 Comment: 10,0:00:47.23,0:00:48.79,Default,,0,0,0,,{\i1}to that shining star,
 Comment: 0,0:00:52.03,0:00:52.07,Default,,0,0,0,,Opening
 Comment: 0,0:01:03.41,0:01:03.45,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:02:21.82,0:02:21.87,Default,,0,0,0,,Part A
 Comment: 10,0:07:56.23,0:08:00.28,Default,,0,0,0,,and to whomever puts on the brightest-shining revue
 Comment: 0,0:12:58.79,0:12:58.84,Default,,0,0,0,,Part B
 Comment: 10,0:13:02.19,0:13:07.55,Default,,0,0,0,,{\an8}To whomever puts on the brightest-shining revue
 Comment: 10,0:13:58.06,0:14:03.26,Default,,0,0,0,,To whomever puts on the brightest-shining revue,
 Comment: 0,0:22:10.80,0:22:10.85,Default,,0,0,0,,Ending
 Comment: 0,0:22:10.80,0:22:10.85,English,,0,0,0,,ED First Frame
 Comment: 0,0:23:59.79,0:23:59.83,Default,,0,0,0,,Preview
 Dialogue: 10,0:00:07.60,0:00:08.98,Default,,0,0,0,,{\i1}Starlight.
 Dialogue: 10,0:00:09.82,0:00:12.95,Default,,0,0,0,,{\i1}This is the story of goddesses
 Dialogue: 10,0:00:12.95,0:00:14.86,Default,,0,0,0,,{\i1}guided by the light of the stars.
@ -45,8 +57,8 @@ Dialogue: 10,0:00:28.55,0:00:32.38,Default,,0,0,0,,Let's go, to pluck that star
 Dialogue: 10,0:00:33.27,0:00:36.26,Default,,0,0,0,,They fail to achieve their dream.
 Dialogue: 10,0:00:37.40,0:00:39.76,Default,,0,0,0,,{\i1}That stage and that song...
 Dialogue: 10,0:00:40.19,0:00:42.77,Default,,0,0,0,,{\i1}hopelessly stir us.
-Dialogue: 10,0:00:44.04,0:00:46.27,Default,,0,0,0,,{\i1}Let us go to that stage,
+Dialogue: 10,0:00:44.04,0:00:46.27,Default,,0,0,0,,{\i1}Let us go to that stage.
-Dialogue: 10,0:00:47.23,0:00:48.79,Default,,0,0,0,,{\i1}to that shining star,
+Dialogue: 10,0:00:47.23,0:00:48.79,Default,,0,0,0,,{\i1}To become shining stars,
 Dialogue: 10,0:00:49.45,0:00:50.52,Default,,0,0,0,,{\i1}together!
 Dialogue: 10,0:02:29.58,0:02:32.38,Default,,0,0,0,,{\i1}Dear Kagura Hikari,
 Dialogue: 10,0:02:32.38,0:02:35.29,Default,,0,0,0,,{\i1}It has been cold here lately, \Nbut how are things on your end?
@ -137,7 +149,7 @@ Dialogue: 10,0:07:40.76,0:07:43.54,Default,,0,0,0,,You would prefer Japanese?
 Dialogue: 10,0:07:43.54,0:07:44.55,Default,,0,0,0,,I understand.
 Dialogue: 10,0:07:45.21,0:07:51.32,Default,,0,0,0,,A revue consists of song and dance woven into a mesmerizing play.{I guess the english is supposed to be a tl of this line, but eh}
 Dialogue: 10,0:07:53.85,0:07:56.23,Default,,0,0,0,,We will now be holding auditions,
-Dialogue: 10,0:07:56.23,0:08:00.28,Default,,0,0,0,,and to whomever puts on the brightest-shining revue
+Dialogue: 10,0:07:56.23,0:08:00.28,Default,,0,0,0,,and to whoever puts on the brightest-shining revue
 Dialogue: 10,0:08:00.28,0:08:02.65,Default,,0,0,0,,the Star Tiara will be bestowed,{new in this ep}
 Dialogue: 10,0:08:02.65,0:08:06.66,Default,,0,0,0,,and the path to becoming the top star will open up.
 Dialogue: 10,0:08:08.25,0:08:09.92,Default,,0,0,0,,Top star?
@ -199,7 +211,7 @@ Dialogue: 10,0:12:35.44,0:12:37.31,Default,,0,0,0,,I said pick up.
 Dialogue: 10,0:12:37.31,0:12:38.70,Default,,0,0,0,,Pick up, giraffe!
 Dialogue: 10,0:12:42.05,0:12:43.66,Default,,0,0,0,,I won't stand for this.
 Dialogue: 10,0:12:45.22,0:12:47.63,Default,,0,0,0,,At this rate, I'll...
-Dialogue: 10,0:13:02.19,0:13:07.55,Default,,0,0,0,,{\an8}To whomever puts on the brightest-shining revue
+Dialogue: 10,0:13:02.19,0:13:07.55,Default,,0,0,0,,{\an8}To whoever puts on the brightest-shining revue
 Dialogue: 10,0:13:07.86,0:13:10.27,Default,,0,0,0,,the Star Tiara will be bestowed,
 Dialogue: 10,0:13:10.27,0:13:13.68,Default,,0,0,0,,and the path to becoming the top star will open up.
 Dialogue: 10,0:13:13.68,0:13:17.84,Default,,0,0,0,,But if we lose, we'll have it all stolen from us.{oooh, is this what she meant with "don't use the word steal lightly" in some previous ep?}
@ -213,7 +225,7 @@ Dialogue: 10,0:13:46.13,0:13:49.98,Default,,0,0,0,,So I present you with a new o
 Dialogue: 10,0:13:49.98,0:13:50.47,Default,,0,0,0,,What?
 Dialogue: 10,0:13:51.25,0:13:53.42,Default,,0,0,0,,For the next auditions...
 Dialogue: 10,0:13:54.92,0:13:57.39,Default,,0,0,0,,They will be held in Japan.
-Dialogue: 10,0:13:58.06,0:14:03.26,Default,,0,0,0,,To whomever puts on the brightest-shining revue,
+Dialogue: 10,0:13:58.06,0:14:03.26,Default,,0,0,0,,To whoever puts on the brightest-shining revue,
 Dialogue: 10,0:14:03.26,0:14:07.34,Default,,0,0,0,,the path to becoming the top star will open up.
 Dialogue: 10,0:14:08.37,0:14:11.57,Default,,0,0,0,,You'll let me participate again?
 Dialogue: 10,0:14:11.57,0:14:12.56,Default,,0,0,0,,Why?
@ -299,23 +311,3 @@ Dialogue: 10,0:23:53.00,0:23:57.25,Default,,0,0,0,,The destined two, is it?
 Dialogue: 10,0:23:57.25,0:23:58.90,Default,,0,0,0,,I understand.
 Dialogue: 10,0:24:00.41,0:24:03.13,Default,,0,0,0,,Girls' Musical Revue Starlight.
 Dialogue: 10,0:24:03.13,0:24:05.67,Default,,0,0,0,,I see.{fuck you}{does this mean we have to update all instances of "wakarimasu" to "i see"? lmfao}
 Comment: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Intro
 Comment: 0,0:00:52.03,0:00:52.07,Default,,0,0,0,,Opening
 Comment: 0,0:01:03.41,0:01:03.45,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:02:21.82,0:02:21.87,Default,,0,0,0,,Part A
 Comment: 10,0:03:55.97,0:03:57.17,Default,,0,0,0,,{\i1}Okay.
 Comment: 10,0:04:34.27,0:04:35.88,Default,,0,0,0,,{\i1}You can't lose your focus for even a second.
 Comment: 10,0:05:44.22,0:05:47.00,Default,,0,0,0,,You don't need to write anything in response.
 Comment: 10,0:10:19.00,0:10:20.80,Default,,0,0,0,,{\i1}I'm in the middle of an important play,
 Comment: 10,0:10:31.37,0:10:34.89,Default,,0,0,0,,My right hand—my son's sword friend—
 Comment: 10,0:11:11.02,0:11:14.02,Default,,0,0,0,,{\i1}One bottle of the usual hand cream. {@@ do you usually have hand dream in jars? I imagine them in either push things or squeeze things}{in this case, yes}
 Comment: 10,0:11:43.72,0:11:48.06,Default,,0,0,0,,{\i1}yet now I can't remember a single thing.
 Comment: 10,0:12:16.08,0:12:18.92,Default,,0,0,0,,I referred to our promise as "that thing."
 Comment: 0,0:12:58.79,0:12:58.84,Default,,0,0,0,,Part B
 Comment: 10,0:13:13.68,0:13:17.84,Default,,0,0,0,,But if we lose we'll have it all stolen from us.{oooh, is this what she meant with "don't use the word steal lightly" in some previous ep?}
 Comment: 10,0:18:33.57,0:18:36.51,Default,,0,0,0,,{\i1}These auditions are dog-eat-dog{everyone for themselves}, and yet...{dog-eat-dog, or more literally "deprive or get deprived"}
 Comment: 10,0:19:41.39,0:19:44.32,Default,,0,0,0,,Even so, I could feel it.{or like... visualize, or taste it, or something, I don't think the literal "see it" works well}
 Comment: 0,0:22:10.80,0:22:10.85,Default,,0,0,0,,Ending
 Comment: 0,0:22:10.80,0:22:10.85,English,,0,0,0,,ED First Frame
 Comment: 0,0:23:59.79,0:23:59.83,Default,,0,0,0,,Preview
--- a/08_insert.ass
+++ b/08_insert.ass
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 ScriptType: v4.00+
@ -9,15 +9,14 @@ PlayResY: 1080
 YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
-Last Style Storage: Aikatsu 1
+Last Style Storage: Ladyspo
-Audio File: kageki 08-finaltest02 (1) [BB068F21].mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 08 [WEB 1080p EAC3] [87D20662].mkv
-Video File: kageki 08-finaltest02 (1) [BB068F21].mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 08 [WEB 1080p EAC3] [87D20662].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 1.000000
+Video Zoom Percent: 0.375000
-Scroll Position: 1906
+Active Line: 17
-Active Line: 1921
+Video Position: 1504
 Video Position: 34627
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -34,6 +33,7 @@ Style: Hikari2,Signatra DEMO,80,&H00FFFFFF,&H001E1E1E,&H00FF974D,&H00000000,0,0,
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 Dialogue: 1,0:15:36.20,0:15:43.70,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}For the sake of the promise we made
 Dialogue: 3,0:15:36.20,0:15:43.70,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}For the sake of the promise we made
 Dialogue: 1,0:15:46.60,0:15:54.57,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}It'll be fine, don't be afraid
@ -42,24 +42,24 @@ Dialogue: 1,0:15:57.36,0:16:05.07,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0
 Dialogue: 3,0:15:57.36,0:16:05.07,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}The sword you hold is trembling
 Dialogue: 1,0:16:07.83,0:16:15.24,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}Even a small glimmer
 Dialogue: 3,0:16:07.83,0:16:15.24,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Even a small glimmer
-Dialogue: 1,0:16:16.40,0:16:25.98,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}I bid farewell to this world that wallows in sorrow
+Dialogue: 1,0:16:16.40,0:16:25.98,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}I bid farewell to this world steeped in sorrow{tlc: I don't see the world being so active as to wallow, maybe it's "dyed/steeped in sorrow", or "driven by sorrow" to stay closer to the original?}
-Dialogue: 3,0:16:16.40,0:16:25.98,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I bid farewell to this world that wallows in sorrow
+Dialogue: 3,0:16:16.40,0:16:25.98,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I bid farewell to this world steeped in sorrow{tlc: I don't see the world being so active as to wallow, maybe it's "dyed/steeped in sorrow", or "driven by sorrow" to stay closer to the original?}
 Dialogue: 1,0:16:25.98,0:16:33.00,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}I'll protect the people who matter to me
 Dialogue: 3,0:16:25.98,0:16:33.00,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I'll protect the people who matter to me
 Dialogue: 1,0:16:32.38,0:16:34.02,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}And
 Dialogue: 3,0:16:32.38,0:16:34.02,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}And
-Dialogue: 1,0:16:33.06,0:16:35.34,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}Endlessly
+Dialogue: 1,0:16:33.06,0:16:35.34,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}Again{tlc: "Time and time again"? "Endlessly turn back" doesn't make sense to me}
-Dialogue: 3,0:16:33.06,0:16:35.34,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Endlessly
+Dialogue: 3,0:16:33.06,0:16:35.34,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Again{tlc: "Time and time again"? "Endlessly turn back" doesn't make sense to me}
-Dialogue: 1,0:16:34.56,0:16:36.16,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}Endlessly
+Dialogue: 1,0:16:34.56,0:16:36.16,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}And again
-Dialogue: 3,0:16:34.56,0:16:36.16,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Endlessly
+Dialogue: 3,0:16:34.56,0:16:36.16,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}And again
 Dialogue: 1,0:16:35.38,0:16:42.92,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}{\t(3200,6000,\3c&H0055F0&)}I'll turn back in the face of despair
 Dialogue: 3,0:16:35.38,0:16:42.92,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}{\t(3200,6000,\3c&H0055F0&)}I'll turn back in the face of despair
 Dialogue: 1,0:18:17.45,0:18:21.88,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}It all started unexpectedly
 Dialogue: 3,0:18:17.45,0:18:21.88,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}It all started unexpectedly
-Dialogue: 1,0:18:21.88,0:18:26.57,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}Before we knew it, our dreams overlapped
+Dialogue: 1,0:18:21.88,0:18:26.57,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}Before I knew it, my fate had changed
-Dialogue: 3,0:18:21.88,0:18:26.57,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Before we knew it, our dreams overlapped
+Dialogue: 3,0:18:21.88,0:18:26.57,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Before I knew it, my fate had changed
-Dialogue: 1,0:18:26.57,0:18:31.90,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}I awoke the moment you took my hand
+Dialogue: 1,0:18:26.57,0:18:31.90,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}I awoke the moment we made that promise
-Dialogue: 3,0:18:26.57,0:18:31.90,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I awoke the moment you took my hand
+Dialogue: 3,0:18:26.57,0:18:31.90,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I awoke the moment we made that promise
 Dialogue: 1,0:18:31.90,0:18:33.80,Nana,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}{\t(0,0,\3c&H0055F0&)}The girls
 Dialogue: 3,0:18:31.90,0:18:33.80,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}{\t(0,0,\3c&H0055F0&)}The girls
 Dialogue: 1,0:18:32.70,0:18:34.54,Hikari,,0,0,0,,{\fad(100,100)\c&H00FFAD79&\3c&H00FFAD79&\bord3.5\pos(50,30)\blur1.5}Are starting anew
@ -88,4 +88,3 @@ Dialogue: 2,0:20:49.08,0:20:54.88,Hikari2,,0,0,0,,{\fad(100,100)\pos(50,30)\bord
 Dialogue: 3,0:20:49.08,0:20:54.88,Hikari2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}We are once again connected by the stars
 Dialogue: 2,0:20:54.88,0:21:00.82,Hikari2,,0,0,0,,{\fad(100,500)\pos(50,30)\bord4\blur1\be.6\t(0,1030,\3c&HE5C37F&)\t(1030,2060,\3c&HFF974D&)\t(2060,3090,\3c&HE5C37F&)\t(3090,4120,\3c&HFF974D&)\t(4120,5150,\3c&HE5C37F&)\t(5150,6180,\3c&HFF974D&)\t(6180,7210,\3c&HE5C37F&)\t(0,1119,\bord3\blur3)\t(1119,2238,\bord6\blur1)\t(2238,3357,\bord3\blur3)\t(3357,4476,\bord6\blur1)\t(4476,5595,\bord3\blur3)\t(5595,6714,\bord6\blur1)}We can make a miracle happen
 Dialogue: 3,0:20:54.88,0:21:00.82,Hikari2,,0,0,0,,{\fad(100,500)\bord0\c&H00FFFFFF&\pos(50,30)}We can make a miracle happen
--- a/09/[FGT]
+++ b/09/[FGT]
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 Title: Default Aegisub file
@ -9,6 +9,15 @@ PlayResX: 1920
 PlayResY: 1080
 YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
 Last Style Storage: Default
 Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 09 [WEB 1080p EAC3] [21D27430].mkv
 Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 09 [WEB 1080p EAC3] [21D27430].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
 Video Zoom Percent: 0.500000
 Video Position: 113
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
 Style: Default,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H0045221E,&HC0171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,60,1
@ -23,12 +32,41 @@ Style: Nana,Austie Bost Hooked on a Feeling,90,&H0086FDF3,&H0046F8FB,&H00000000,
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 Comment: 0,0:00:00.00,0:00:00.02,Default,,0,0,0,,Intro
 Comment: 10,0:00:12.90,0:00:15.95,Default,,0,0,0,,With all of you in the A class working so hard,
 Comment: 10,0:00:15.95,0:00:18.99,Default,,0,0,0,,we in the B class have to show we're {no worse}just as good.
 Comment: 0,0:03:25.97,0:03:26.01,Default,,0,0,0,,Opening
 Comment: 0,0:03:37.36,0:03:37.40,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:04:55.77,0:04:55.81,Default,,0,0,0,,Part A
 Comment: 10,0:06:14.55,0:06:16.12,Default,,0,0,0,,The Star-Plucking Tower?{The Tower of Star Plucking?}{maybe take some liberties with the tl here to make it sound better? like Star Field Tower or something, since you pluck things in fields... (yes I know that suggestion doesn't sound much better)}{How about just "the tower of stars"? -Corbyn}{@@}
 Comment: 10,0:08:54.12,0:08:58.99,Default,,0,0,0,,If {???}we're able to seize a star at the top of the Star-Plucking Tower,
 Comment: 10,0:09:26.66,0:09:29.59,Default,,0,0,0,,Star plucking is the absolving of sins.
 Comment: 10,0:09:29.59,0:09:32.17,Default,,0,0,0,,Star plucking is the miracle of the night.
 Comment: 10,0:09:32.86,0:09:37.03,Default,,0,0,0,,{\i1}With their song to help them, \Nthey arrive at the Star-Plucking Tower.
 Comment: 10,0:09:42.78,0:09:47.09,Default,,0,0,0,,{\i1}They were confined to this tower 500 years ago:
 Comment: 10,0:09:50.94,0:09:52.69,Default,,0,0,0,,{\i1}Ferocity,
 Comment: 10,0:09:53.07,0:09:54.19,Default,,0,0,0,,{\i1}Flight,{book: fury, escape (again, batch notes if you change it)}
 Comment: 10,0:09:54.19,0:09:55.95,Default,,0,0,0,,{\i1}Pride,
 Comment: 10,0:09:56.32,0:09:57.70,Default,,0,0,0,,{\i1}Binding,{book: arrogance, curse}
 Comment: 10,0:09:58.01,0:09:59.45,Default,,0,0,0,,{\i1}Jealousy,
 Comment: 10,0:10:10.71,0:10:13.28,Default,,0,0,0,,Why were we confined here?
 Comment: 0,0:12:46.78,0:12:46.82,Default,,0,0,0,,Part B
 Comment: 0,0:22:20.81,0:22:20.86,Default,,0,0,0,,Ending
 Comment: 0,0:23:50.78,0:23:50.82,Default,,0,0,0,,Outro
 Comment: 0,0:23:59.79,0:24:04.63,Tenebris-signs,,0,0,0,,{\an7\pos(118,804)\c&HF9F9F9&\blur1\p1}m 1231 -71 l 1252 89 1711 110 1695 -63
 Comment: 1,0:23:59.79,0:24:04.63,Tenebris-signs,,0,0,0,,{\an7\pos(118,804)\c&HF9F9F9&\blur1\p1}m 954 53 l 949 -44 6 -38 22 87
 Comment: 3,0:23:59.79,0:24:04.63,Tenebris-signs,,0,0,0,,{\an4\pos(118,804)\fscy110\fnBook Antiqua\fs75\fsp4\c&H4F96F9&\alpha&H35&\blur0.7}T{\c&H7BAFFB&}h{\c&H4F96F9&}e {\c&H7BAFFB&}S{\c&H4F96F9&}h{\c&H7BAFFB&}o{\c&H4F96F9&}w {\c&H7BAFFB&}M{\c&H4F96F9&}u{\c&H7BAFFB&}s{\c&H4F96F9&}t {\c&H7BAFFB&}G{\c&H4F96F9&}o {\c&H7BAFFB&}O{\c&H4F96F9&}n
 Comment: 0,0:23:59.79,0:23:59.83,Default,,0,0,0,,Preview
 Comment: 0,0:24:03.54,0:24:03.63,Tenebris-signs,,0,0,0,,{\an7\pos(118,804)\c&HF9F9F9&\blur1\clip(m 1137 753 l 1147 865 1097 860 1059 734)\p1}m 995 -51 l 998 63 1038 56 1030 -32
 Comment: 0,0:24:03.63,0:24:03.71,Tenebris-signs,,0,0,0,,{\an7\pos(118,804)\c&HF9F9F9&\blur1\clip(m 1142 764 l 1152 864 1107 862 1107 699)\p1}m 995 -51 l 998 63 1038 56 1030 -32
 Comment: 0,0:24:03.71,0:24:04.63,Tenebris-signs,,0,0,0,,{\an7\pos(118,804)\c&HF9F9F9&\blur1\p1}m 995 -51 l 998 63 1038 56 1030 -32
 Dialogue: 10,0:00:02.59,0:00:03.91,Default,,0,0,0,,The script!
 Dialogue: 10,0:00:03.91,0:00:07.61,Default,,0,0,0,,It's the new script for Starlight!
 Dialogue: 10,0:00:07.61,0:00:11.36,Default,,0,0,0,,Amemiya-san finished it yesterday.
 Dialogue: 10,0:00:11.36,0:00:12.36,Default,,0,0,0,,By herself.
-Dialogue: 10,0:00:12.90,0:00:15.95,Default,,0,0,0,,With all of you in the A class working so hard,
+Dialogue: 10,0:00:12.90,0:00:15.95,Default,,0,0,0,,With all of you in class A working so hard,
-Dialogue: 10,0:00:15.95,0:00:18.99,Default,,0,0,0,,we in the B class have to show we're {no worse}just as good.
+Dialogue: 10,0:00:15.95,0:00:18.99,Default,,0,0,0,,we in class B have to show we're just as good.
 Dialogue: 10,0:00:21.21,0:00:23.04,Default,,0,0,0,,It's still just the first draft.
 Dialogue: 10,0:00:23.04,0:00:25.92,Default,,0,0,0,,I'll be making it even better going forward.
 Dialogue: 10,0:00:25.92,0:00:29.50,Default,,0,0,0,,So it would be great if you could tell me what you think about it today.
@ -105,7 +143,7 @@ Dialogue: 10,0:05:54.52,0:05:56.08,Default,,0,0,0,,{\i1}Don't worry about it.
 Dialogue: 10,0:05:56.08,0:06:00.08,Default,,0,0,0,,{\i1}I was just having everyone join{ in addition to their own clubs - I can't figure out a good way to phrase this} to keep the club going.{honestly it seems fine}
 Dialogue: 10,0:06:00.62,0:06:03.84,Default,,0,0,0,,{\i1}They all have their own clubs to worry about.
 Dialogue: 10,0:06:04.47,0:06:09.34,Default,,0,0,0,,{\i1}Daiba-san, why don't you apply to Seisho Music Academy?
-Dialogue: 10,0:06:14.55,0:06:16.12,Default,,0,0,0,,The Star-Plucking Tower?{The Tower of Star Plucking?}{maybe take some liberties with the tl here to make it sound better? like Star Field Tower or something, since you pluck things in fields... (yes I know that suggestion doesn't sound much better)}{How about just "the tower of stars"? -Corbyn}{@@}
+Dialogue: 10,0:06:14.55,0:06:16.12,Default,,0,0,0,,The Tower of Starlight Gathering?
 Dialogue: 10,0:06:26.06,0:06:29.61,Default,,0,0,0,,They said they'd remake it for the 100th anniversary.
 Dialogue: 10,0:06:29.61,0:06:32.68,Default,,0,0,0,,Really? I guess we've got our work cut out for us.
 Dialogue: 10,0:06:32.68,0:06:37.69,Default,,0,0,0,,We had to work late into the night,\N but it was a really rich and fulfilling experience.
@ -145,7 +183,7 @@ Dialogue: 10,0:08:43.25,0:08:46.50,Default,,0,0,0,,{\i1}Claire had an accident a
 Dialogue: 10,0:08:47.74,0:08:49.38,Default,,0,0,0,,We may be able to get them back.
 Dialogue: 10,0:08:49.38,0:08:50.65,Default,,0,0,0,,What?
 Dialogue: 10,0:08:50.65,0:08:54.12,Default,,0,0,0,,Today is the star festival held once every year.
-Dialogue: 10,0:08:54.12,0:08:58.99,Default,,0,0,0,,If {???}we're able to seize a star at the top of the Star-Plucking Tower,
+Dialogue: 10,0:08:54.12,0:08:58.99,Default,,0,0,0,,If {???}we're able to seize a star at the top of the Tower of Starlight Gathering,
 Dialogue: 10,0:08:58.99,0:09:01.02,Default,,0,0,0,,perhaps your memories will...
 Dialogue: 10,0:09:01.99,0:09:05.99,Default,,0,0,0,,Let's go, to pluck that star together!{that star -> those stars? pls add to batch notes any recurring lines that you change}{it's late and i'm tired. i'll let you guys decide}{@@ this show's too good}
 Dialogue: 10,0:09:07.76,0:09:10.01,Default,,0,0,0,,{\i1}If you pluck a small star,{from the book: with a small star, you have small happiness. with a big star, you have big wealth. with both, you have eternal fre(edom?)}
@ -154,23 +192,23 @@ Dialogue: 10,0:09:13.37,0:09:15.66,Default,,0,0,0,,{\i1}If you pluck a large sta
 Dialogue: 10,0:09:15.66,0:09:18.66,Default,,0,0,0,,{\i1}you will obtain a great wealth.
 Dialogue: 10,0:09:19.04,0:09:21.28,Default,,0,0,0,,{\i1}If you pluck them both,
 Dialogue: 10,0:09:21.28,0:09:24.04,Default,,0,0,0,,{\i1}you will obtain an eternal wish.
-Dialogue: 10,0:09:26.66,0:09:29.59,Default,,0,0,0,,Star plucking is the absolving of sins.
+Dialogue: 10,0:09:26.66,0:09:29.59,Default,,0,0,0,,Starlight gathering is the absolving of sins.
-Dialogue: 10,0:09:29.59,0:09:32.17,Default,,0,0,0,,Star plucking is the miracle of the night.
+Dialogue: 10,0:09:29.59,0:09:32.17,Default,,0,0,0,,Starlight gathering is the miracle of the night.
-Dialogue: 10,0:09:32.86,0:09:37.03,Default,,0,0,0,,{\i1}With their song to help them, \Nthey arrive at the Star-Plucking Tower.
+Dialogue: 10,0:09:32.86,0:09:37.03,Default,,0,0,0,,{\i1}With their song to help them, they arrive at the Tower of Starlight Gathering.
 Dialogue: 10,0:09:37.03,0:09:38.05,Default,,0,0,0,,{\i1}However...
 Dialogue: 10,0:09:38.43,0:09:39.70,Default,,0,0,0,,Who goes there?!
-Dialogue: 10,0:09:42.78,0:09:47.09,Default,,0,0,0,,{\i1}They were confined to this tower 500 years ago:
+Dialogue: 10,0:09:42.78,0:09:47.09,Default,,0,0,0,,{\i1}They were imprisoned in this tower 500 years ago:
 Dialogue: 10,0:09:47.09,0:09:50.94,Default,,0,0,0,,{\i1}Sinful goddesses awaiting their death in slumber.
-Dialogue: 10,0:09:50.94,0:09:52.69,Default,,0,0,0,,{\i1}Ferocity,
+Dialogue: 10,0:09:50.94,0:09:52.69,Default,,0,0,0,,{\i1}Fury,
-Dialogue: 10,0:09:53.07,0:09:54.19,Default,,0,0,0,,{\i1}Flight,{book: fury, escape (again, batch notes if you change it)}
+Dialogue: 10,0:09:53.07,0:09:54.19,Default,,0,0,0,,{\i1}Escape,
-Dialogue: 10,0:09:54.19,0:09:55.95,Default,,0,0,0,,{\i1}Pride,
+Dialogue: 10,0:09:54.19,0:09:55.95,Default,,0,0,0,,{\i1}Arrogance,
-Dialogue: 10,0:09:56.32,0:09:57.70,Default,,0,0,0,,{\i1}Binding,{book: arrogance, curse}
+Dialogue: 10,0:09:56.32,0:09:57.70,Default,,0,0,0,,{\i1}Curse,
 Dialogue: 10,0:09:58.01,0:09:59.45,Default,,0,0,0,,{\i1}Jealousy,
 Dialogue: 10,0:09:59.79,0:10:01.20,Default,,0,0,0,,{\i1}Despair.
 Dialogue: 10,0:10:01.70,0:10:04.04,Default,,0,0,0,,I beseech you, let us pluck the stars!{myaa - thee is singular}{@@ fucking ye olde english}
 Dialogue: 10,0:10:04.04,0:10:05.60,Default,,0,0,0,,Claire needs them!
 Dialogue: 10,0:10:06.14,0:10:08.72,Default,,0,0,0,,We will not relinquish any stars to you!
-Dialogue: 10,0:10:10.71,0:10:13.28,Default,,0,0,0,,Why were we confined here?
+Dialogue: 10,0:10:10.71,0:10:13.28,Default,,0,0,0,,Why were we imprisoned here?
 Dialogue: 10,0:10:13.28,0:10:15.32,Default,,0,0,0,,What sins did we commit?
 Dialogue: 10,0:10:15.81,0:10:20.29,Default,,0,0,0,,Amidst the flow of time,\N we goddesses have forgotten even that.
 Dialogue: 10,0:10:22.29,0:10:24.97,Default,,0,0,0,,O, and so it repeats.
@ -368,18 +406,3 @@ Dialogue: 10,0:23:54.09,0:23:57.53,Default,,0,0,0,,The last day of auditions.
 Dialogue: 10,0:23:57.53,0:23:59.22,Default,,0,0,0,,I understand.
 Dialogue: 10,0:24:00.40,0:24:02.78,Default,,0,0,0,,Girls' Musical Revue Starlight.
 Dialogue: 10,0:24:02.78,0:24:06.11,Default,,0,0,0,,I understand.
 Comment: 0,0:00:00.00,0:00:00.02,Default,,0,0,0,,Intro
 Comment: 0,0:03:25.97,0:03:26.01,Default,,0,0,0,,Opening
 Comment: 0,0:04:55.77,0:04:55.81,Default,,0,0,0,,Part A
 Comment: 0,0:12:46.78,0:12:46.82,Default,,0,0,0,,Part B
 Comment: 0,0:22:20.81,0:22:20.86,Default,,0,0,0,,Ending
 Comment: 0,0:23:50.78,0:23:50.82,Default,,0,0,0,,Outro
 Comment: 0,0:23:59.79,0:23:59.83,Default,,0,0,0,,Preview
 Comment: 0,0:03:37.36,0:03:37.40,JapOP,,0,0,0,,OP First Frame
 Comment: 0,0:23:59.79,0:24:04.63,Tenebris-signs,,0,0,0,,{\an7\pos(118,804)\c&HF9F9F9&\blur1\p1}m 1231 -71 l 1252 89 1711 110 1695 -63
 Comment: 0,0:24:03.54,0:24:03.63,Tenebris-signs,,0,0,0,,{\an7\pos(118,804)\c&HF9F9F9&\blur1\clip(m 1137 753 l 1147 865 1097 860 1059 734)\p1}m 995 -51 l 998 63 1038 56 1030 -32
 Comment: 0,0:24:03.63,0:24:03.71,Tenebris-signs,,0,0,0,,{\an7\pos(118,804)\c&HF9F9F9&\blur1\clip(m 1142 764 l 1152 864 1107 862 1107 699)\p1}m 995 -51 l 998 63 1038 56 1030 -32
 Comment: 0,0:24:03.71,0:24:04.63,Tenebris-signs,,0,0,0,,{\an7\pos(118,804)\c&HF9F9F9&\blur1\p1}m 995 -51 l 998 63 1038 56 1030 -32
 Comment: 1,0:23:59.79,0:24:04.63,Tenebris-signs,,0,0,0,,{\an7\pos(118,804)\c&HF9F9F9&\blur1\p1}m 954 53 l 949 -44 6 -38 22 87
 Comment: 3,0:23:59.79,0:24:04.63,Tenebris-signs,,0,0,0,,{\an4\pos(118,804)\fscy110\fnBook Antiqua\fs75\fsp4\c&H4F96F9&\alpha&H35&\blur0.7}T{\c&H7BAFFB&}h{\c&H4F96F9&}e {\c&H7BAFFB&}S{\c&H4F96F9&}h{\c&H7BAFFB&}o{\c&H4F96F9&}w {\c&H7BAFFB&}M{\c&H4F96F9&}u{\c&H7BAFFB&}s{\c&H4F96F9&}t {\c&H7BAFFB&}G{\c&H4F96F9&}o {\c&H7BAFFB&}O{\c&H4F96F9&}n
--- a/09_insert.ass
+++ b/09_insert.ass
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 Title: Default Aegisub file
@ -9,6 +9,15 @@ PlayResX: 1920
 PlayResY: 1080
 YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
 Last Style Storage: Default
 Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 09 [WEB 1080p EAC3] [21D27430].mkv
 Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 09 [WEB 1080p EAC3] [21D27430].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
 Video Zoom Percent: 0.500000
 Video Position: 113
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
 Style: Default,Myriad Pro Light,80,&H00FFFFFF,&H000000FF,&H0045221E,&HC0171010,-1,0,0,0,100,100,0,0,1,3.8,2.4,2,144,144,60,1
@ -23,26 +32,26 @@ Style: Nana,Austie Bost Hooked on a Feeling,90,&H0086FDF3,&H0046F8FB,&H00000000,
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 Dialogue: 1,0:15:34.34,0:15:41.34,Nana,,0,0,0,,{\fad(100,100)\c&H00000000&\3c&H00000000&\bord2\pos(1870,30)\blur1.5}I won't let anyone
 Dialogue: 3,0:15:34.34,0:15:41.34,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H0086FDF3&\pos(1870,30)}I won't let anyone
-Dialogue: 1,0:15:34.34,0:15:41.34,Nana,,0,0,0,,{\fad(100,100)\c&H00000000&\3c&H00000000&\bord2\blur1.5\pos(1870,100.571)}get in my way
+Dialogue: 1,0:15:34.34,0:15:41.34,Nana,,0,0,0,,{\fad(100,100)\c&H00000000&\3c&H00000000&\bord2\blur1.5\pos(1870,100.571)}get in the way{tlc: "get in my way of my own eternal stage" needs reworking; "my way" > "the way" should do it}
-Dialogue: 3,0:15:34.34,0:15:41.34,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H0086FDF3&\pos(1870,100.571)}get in my way
+Dialogue: 3,0:15:34.34,0:15:41.34,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H0086FDF3&\pos(1870,100.571)}get in the way{tlc: "get in my way of my own eternal stage" needs reworking; "my way" > "the way" should do it}
 Dialogue: 1,0:15:41.34,0:15:47.96,Nana,,0,0,0,,{\fad(100,0)\c&H00000000&\3c&H00000000&\bord2\pos(1870,30)\blur1.5}Of my own eternal stage
 Dialogue: 3,0:15:41.34,0:15:47.96,Nana,,0,0,0,,{\fad(100,0)\bord0\c&H0086FDF3&\pos(1870,30)}Of my own eternal stage
 Dialogue: 1,0:16:35.89,0:16:43.39,Nana,,0,0,0,,{\fad(100,100)\c&H00000000&\3c&H00000000&\bord2\pos(1870,30)\blur1.5}Change brings with it tragedy
 Dialogue: 3,0:16:35.89,0:16:43.39,Nana,,0,0,0,,{\fad(100,100)\bord0\c&H0086FDF3&\pos(1870,30)}Change brings with it tragedy
-Dialogue: 1,0:17:05.57,0:17:14.20,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}The sky shines on endlessly
+Dialogue: 1,0:17:05.57,0:17:14.20,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}The sky shines differently today from yesterday
-Dialogue: 3,0:17:05.57,0:17:14.20,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}The sky shines on endlessly
+Dialogue: 3,0:17:05.57,0:17:14.20,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}The sky shines differently today from yesterday
-Dialogue: 1,0:17:14.20,0:17:23.10,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}I want to show you this newly born star
+Dialogue: 1,0:17:14.20,0:17:23.10,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}I want to show you this newborn star{tlc: newly-born should be hyphenated, "生まれたての光" appears in Star Divine, maybe a a reference?}
-Dialogue: 3,0:17:14.20,0:17:23.10,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I want to show you this newly born star
+Dialogue: 3,0:17:14.20,0:17:23.10,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I want to show you this newborn star{tlc: newly-born should be hyphenated, "生まれたての光" appears in Star Divine, maybe a a reference?}
 Dialogue: 1,0:17:32.89,0:17:39.32,Nana2,,0,0,0,,{\fad(100,100)\c&H0001C9E7&\3c&H0001C9E7&\bord3.5\pos(1870,30)\blur1.5}I just want to treasure and protect you all
 Dialogue: 3,0:17:32.89,0:17:39.32,Nana2,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}I just want to treasure and protect you all
-Dialogue: 1,0:17:42.91,0:17:51.50,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}We had a precious encounter, and now
+Dialogue: 1,0:17:42.91,0:17:51.50,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}I treasure our meeting, and now{tlc: feels a bit stiff, maybe "I treasture our meeting" / "And it spurs us to greater strength" or something along those lines}
-Dialogue: 3,0:17:42.91,0:17:51.50,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}We had a precious encounter, and now
+Dialogue: 3,0:17:42.91,0:17:51.50,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I treasure our meeting, and now{tlc: feels a bit stiff, maybe "I treasture our meeting" / "And it spurs us to greater strength" or something along those lines}
-Dialogue: 1,0:17:51.50,0:17:56.34,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}We are growing stronger
+Dialogue: 1,0:17:51.50,0:17:56.34,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}It leads us to new strength
-Dialogue: 3,0:17:51.50,0:17:56.34,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}We are growing stronger
+Dialogue: 3,0:17:51.50,0:17:56.34,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}It leads us to new strength
-Dialogue: 1,0:17:59.09,0:18:05.19,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}We became connected by the stars
+Dialogue: 1,0:17:59.09,0:18:05.19,Hikari,,0,0,0,,{\fad(100,100)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}We became connected by the stars{tlc: might sound stronger as "We are connected by the stars"}
 Dialogue: 3,0:17:59.09,0:18:05.19,Hikari,,0,0,0,,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}We became connected by the stars
 Dialogue: 1,0:18:05.19,0:18:11.33,Hikari,,0,0,0,,{\fad(100,500)\c&H001617B8&\3c&H001617B8&\bord3.5\pos(50,30)\blur1.5}I'll protect this bond forever
 Dialogue: 3,0:18:05.19,0:18:11.33,Hikari,,0,0,0,,{\fad(100,500)\bord0\c&H00FFFFFF&\pos(50,30)}I'll protect this bond forever
--- a/10_insert.ass
+++ b/10_insert.ass
@ -1,4 +1,4 @@
-[Script Info]
+[Script Info]
 ; Script generated by Aegisub master r8903+1 g1042226, line0
 ; http://www.aegisub.org/
 Title: Default Aegisub file
@ -10,15 +10,13 @@ PlayResY: 1080
 YCbCr Matrix: TV.709
 [Aegisub Project Garbage]
-Last Style Storage: Aikatsu 1
+Last Style Storage: Default
-Audio File: ../09/[Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 09 [WEB 1080p EAC3] [21D27430].mkv
+Audio File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 10 [WEB 1080p EAC3] [FE2096EE].mkv
-Video File: ../09/[Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 09 [WEB 1080p EAC3] [21D27430].mkv
+Video File: [Chyuu-PAS] Shoujo☆Kageki Revue Starlight - 10 [WEB 1080p EAC3] [FE2096EE].mkv
 Video AR Mode: 4
 Video AR Value: 1.777778
-Video Zoom Percent: 0.750000
+Video Zoom Percent: 0.500000
-Scroll Position: 6919
+Video Position: 1368
 Active Line: 6929
 Video Position: 34522
 [V4+ Styles]
 Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
@ -28,101 +26,106 @@ Style: EngOP,BlackChancery2,70,&H00FFFFFF,&H00000000,&H000C0DB1,&H00AB012B,-1,0,
 Style: English,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,1,50,15,30,1
 Style: Romaji,Austie Bost Hooked on a Feeling,100,&H00FFFFFF,&H000000FF,&H00575757,&H00000000,-1,-1,0,0,100,100,0,0,1,3,0,9,15,50,30,1
 Style: Tenebris-signs,Candara,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
-Style: TENDOMAYA,Dream Orphans,70,&H00FFFFFF,&H00FFFFFF,&H00573C3E,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,50,10,40,1
+Style: TENDOMAYA,Dream Orphans,80,&H00FFFFFF,&H00FFFFFF,&H00573C3E,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,50,10,30,1
 Style: Karen2,Dream Orphans,70,&H00FFFFFF,&H00FFFFFF,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,50,50,40,1
 Style: Karen,Dream Orphans,57,&H00FFFFFF,&H00FFFFFF,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
 Style: Hikari,Dream Orphans,57,&H00FFFFFF,&H00FFFFFF,&H00DF8C46,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,9,50,50,30,1
 Style: Suns,Dream Orphans,57,&H00FFFFFF,&H00FFFFFF,&H00B15436,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
 Style: Stars,Dream Orphans,57,&H00FFFFFF,&H00FFFFFF,&H00573C3E,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,9,50,50,30,1
-Style: Both,Dream Orphans,57,&H00FFFFFF,&H00FFFFFF,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,8,50,50,30,1
+Style: both,Dream Orphans,57,&H00FFFFFF,&H00FFFFFF,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,8,50,50,30,1
 Style: whatshername2,Dream Orphans,80,&H00FFFFFF,&H00FFFFFF,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4.5,0,2,50,50,30,1
 Style: whatshername,Dream Orphans,57,&H00FFFFFF,&H00FFFFFF,&H001617B8,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
 Style: bluecoat,Dream Orphans,57,&H00FFFFFF,&H00FFFFFF,&H00DF8C46,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,9,50,50,30,1
 Style: Hero team,Dream Orphans,57,&H00FFFFFF,&H00FFFFFF,&H00B15436,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,7,50,50,30,1
 Style: Badgirl team,Dream Orphans,57,&H00FFFFFF,&H00FFFFFF,&H00573C3E,&H00000000,-1,-1,0,0,100,80,0,0,1,4,0,9,50,50,30,1
 [Events]
 Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
 Dialogue: 1,0:15:03.75,0:15:09.76,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Without time to hesitate, the gears have started turning
 Dialogue: 2,0:15:03.75,0:15:09.76,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}Without time to hesitate, the gears have started turning
 Dialogue: 3,0:15:03.75,0:15:09.76,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}Without time to hesitate, the gears have started turning
 Dialogue: 1,0:15:09.76,0:15:15.89,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Come, show your determination in the form of your sword
 Dialogue: 2,0:15:09.76,0:15:15.89,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}Come, show your determination in the form of your sword
 Dialogue: 3,0:15:09.76,0:15:15.89,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}Come, show your determination in the form of your sword
 Dialogue: 1,0:15:15.89,0:15:21.65,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Without knowing how it will end, the revue has started
 Dialogue: 2,0:15:15.89,0:15:21.65,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}Without knowing how it will end, the revue has started
 Dialogue: 3,0:15:15.89,0:15:21.65,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}Without knowing how it will end, the revue has started
 Dialogue: 1,0:15:21.65,0:15:27.65,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I'll once again recreate myself
 Dialogue: 2,0:15:21.65,0:15:27.65,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}I'll once again recreate myself
 Dialogue: 3,0:15:21.65,0:15:27.65,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}I'll once again recreate myself
 Dialogue: 1,0:15:27.65,0:15:33.60,Stars,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}When I whispered the wish that dyed my heart
 Dialogue: 2,0:15:27.65,0:15:33.60,Stars,,0,0,0,,{\fad(125,125)\pos(1870,30)\be.6}When I whispered the wish that dyed my heart
 Dialogue: 3,0:15:27.65,0:15:33.60,Stars,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(1870,30)}When I whispered the wish that dyed my heart
 Dialogue: 1,0:15:33.60,0:15:38.73,Stars,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}A guiding star twinkled
 Dialogue: 2,0:15:33.60,0:15:38.73,Stars,,0,0,0,,{\fad(125,125)\pos(1870,30)\be.6}A guiding star twinkled
 Dialogue: 3,0:15:33.60,0:15:38.73,Stars,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(1870,30)}A guiding star twinkled
 Dialogue: 1,0:15:39.66,0:15:45.59,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}A star divine shines with a newborn light
 Dialogue: 2,0:15:39.66,0:15:45.59,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}A star divine shines with a newborn light
 Dialogue: 3,0:15:39.66,0:15:45.59,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}A star divine shines with a newborn light
 Dialogue: 1,0:15:45.59,0:15:51.68,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Show the path star divine, to a future you can't concede
 Dialogue: 2,0:15:45.59,0:15:51.68,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}Show the path star divine, to a future you can't concede
 Dialogue: 3,0:15:45.59,0:15:51.68,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}Show the path star divine, to a future you can't concede
 Dialogue: 1,0:15:51.68,0:15:57.68,Stars,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Let our swords carve the path to glory
 Dialogue: 2,0:15:51.68,0:15:57.68,Stars,,0,0,0,,{\fad(125,125)\pos(1870,30)\be.6}Let our swords carve the path to glory
 Dialogue: 3,0:15:51.68,0:15:57.68,Stars,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(1870,30)}Let our swords carve the path to glory
 Dialogue: 1,0:16:09.63,0:16:15.58,Karen,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}We all have our own desires hidden deep within
 Dialogue: 2,0:16:09.63,0:16:15.58,Karen,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}We all have our own desires hidden deep within
 Dialogue: 3,0:16:09.63,0:16:15.58,Karen,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}We all have our own desires hidden deep within
 Dialogue: 1,0:16:15.58,0:16:21.87,Karen,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}That gallant profile is spreading sparks all around
 Dialogue: 2,0:16:15.58,0:16:21.87,Karen,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}That gallant profile is spreading sparks all around
 Dialogue: 3,0:16:15.58,0:16:21.87,Karen,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}That gallant profile is spreading sparks all around
 Dialogue: 1,0:16:21.87,0:16:27.38,Karen,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I can't even blink, I can't turn my gaze away
 Dialogue: 2,0:16:21.87,0:16:27.38,Karen,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}I can't even blink, I can't turn my gaze away
 Dialogue: 3,0:16:21.87,0:16:27.38,Karen,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}I can't even blink, I can't turn my gaze away
 Dialogue: 1,0:16:27.38,0:16:33.63,Karen,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Though we may clash, I still believe in you
 Dialogue: 2,0:16:27.38,0:16:33.63,Karen,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}Though we may clash, I still believe in you
 Dialogue: 3,0:16:27.38,0:16:33.63,Karen,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}Though we may clash, I still believe in you
 Dialogue: 1,0:16:33.63,0:16:39.64,Karen,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}At the center of the stage is a place for only one
 Dialogue: 2,0:16:33.63,0:16:39.64,Karen,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}At the center of the stage is a place for only one
 Dialogue: 3,0:16:33.63,0:16:39.64,Karen,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}At the center of the stage is a place for only one
 Dialogue: 1,0:16:39.64,0:16:44.14,Karen,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But I'm not alone anymore
 Dialogue: 2,0:16:39.64,0:16:44.14,Karen,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}But I'm not alone anymore
 Dialogue: 3,0:16:39.64,0:16:44.14,Karen,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}But I'm not alone anymore
 Dialogue: 1,0:16:45.77,0:16:51.78,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Don't lose star divine, don't give up on your future
 Dialogue: 2,0:16:45.77,0:16:51.78,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}Don't lose star divine, don't give up on your future
 Dialogue: 3,0:16:45.77,0:16:51.78,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}Don't lose star divine, don't give up on your future
 Dialogue: 1,0:16:51.78,0:16:57.53,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Stand up star divine, however many times you're hurt
 Dialogue: 2,0:16:51.78,0:16:57.53,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}Stand up star divine, however many times you're hurt
 Dialogue: 3,0:16:51.78,0:16:57.53,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}Stand up star divine, however many times you're hurt
 Dialogue: 1,0:16:57.53,0:17:02.79,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}The stage fulfills us
 Dialogue: 2,0:16:57.53,0:17:02.79,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}The stage fulfills us
 Dialogue: 3,0:16:57.53,0:17:02.79,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}The stage fulfills us
 Dialogue: 1,0:17:33.32,0:17:39.66,Karen,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Scattered as sand through space
 Dialogue: 2,0:17:33.32,0:17:39.66,Karen,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}Scattered as sand through space
 Dialogue: 3,0:17:33.32,0:17:39.66,Karen,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}Scattered as sand through space
 Dialogue: 1,0:17:39.66,0:17:45.66,Karen,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}A constellation connected by the skies
 Dialogue: 2,0:17:39.66,0:17:45.66,Karen,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}A constellation connected by the skies
 Dialogue: 3,0:17:39.66,0:17:45.66,Karen,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}A constellation connected by the skies
 Dialogue: 1,0:17:45.66,0:17:48.67,Hikari,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}That's our destiny
 Dialogue: 2,0:17:45.66,0:17:48.67,Hikari,,0,0,0,,{\fad(125,125)\pos(1870,30)\be.6}That's our destiny
 Dialogue: 3,0:17:45.66,0:17:48.67,Hikari,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(1870,30)}That's our destiny
 Dialogue: 1,0:17:48.67,0:17:51.67,Karen,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}That's our instinct
 Dialogue: 2,0:17:48.67,0:17:51.67,Karen,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}That's our instinct
 Dialogue: 3,0:17:48.67,0:17:51.67,Karen,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}That's our instinct
 Dialogue: 1,0:17:51.67,0:17:57.68,Both,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(960,30)\be.6}I'm becoming me once again
 Dialogue: 2,0:17:51.67,0:17:57.68,Both,,0,0,0,,{\fad(125,125)\pos(960,30)\be.6}{\3c&H1617B8&}I{*\3c&H1F1BB4&}'{*\3c&H271FAF&}m {*\3c&H3926A6&}b{*\3c&H422AA2&}e{*\3c&H4A2E9D&}c{*\3c&H533198&}o{*\3c&H5C3594&}m{*\3c&H653990&}i{*\3c&H6D3D8B&}n{*\3c&H764086&}g {*\3c&H88487E&}m{*\3c&H904C79&}e {*\3c&HA25370&}o{*\3c&HAA576C&}n{*\3c&HB35B67&}c{*\3c&HBC5F62&}e {*\3c&HCD665A&}a{*\3c&HD66A55&}g{*\3c&HDF6E50&}a{*\3c&HE8714C&}i{*\3c&HF07548&}n{\3c&HF97943&}
 Dialogue: 3,0:17:51.67,0:17:57.68,Both,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(960,30)}I'm becoming me once again
 Dialogue: 1,0:17:59.18,0:18:05.02,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}A star divine shines with a newborn light
 Dialogue: 2,0:17:59.18,0:18:05.02,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}A star divine shines with a newborn light
 Dialogue: 3,0:17:59.18,0:18:05.02,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}A star divine shines with a newborn light
 Dialogue: 1,0:18:05.02,0:18:12.19,Stars,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Show the path star divine, to a future you can't concede
 Dialogue: 2,0:18:05.02,0:18:12.19,Stars,,0,0,0,,{\fad(125,125)\pos(1870,30)\be.6}Show the path star divine, to a future you can't concede
 Dialogue: 3,0:18:05.02,0:18:12.19,Stars,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(1870,30)}Show the path star divine, to a future you can't concede
 Dialogue: 1,0:18:12.69,0:18:18.36,Hikari,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Don't lose star divine, don't give up on your future
 Dialogue: 2,0:18:12.69,0:18:18.36,Hikari,,0,0,0,,{\fad(125,125)\pos(1870,30)\be.6}Don't lose star divine, don't give up on your future
 Dialogue: 3,0:18:12.69,0:18:18.36,Hikari,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(1870,30)}Don't lose star divine, don't give up on your future
 Dialogue: 1,0:18:18.45,0:18:24.75,Suns,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Stand up star divine, however many times you're hurt
 Dialogue: 2,0:18:18.45,0:18:24.75,Suns,,0,0,0,,{\fad(125,125)\pos(50,30)\be.6}Stand up star divine, however many times you're hurt
 Dialogue: 3,0:18:18.45,0:18:24.75,Suns,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(50,30)}Stand up star divine, however many times you're hurt
 Dialogue: 1,0:18:24.75,0:18:30.29,TENDOMAYA,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}The stage fulfills us
 Dialogue: 2,0:18:24.75,0:18:30.29,TENDOMAYA,,0,0,0,,{\fad(125,125)\pos(980,1050)\be.6}The stage fulfills us
 Dialogue: 3,0:18:24.75,0:18:30.29,TENDOMAYA,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(980,1050)}The stage fulfills us
 Dialogue: 1,0:18:30.88,0:18:35.76,Karen2,,0,0,0,,{\fad(125,125)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1040)\be.6}Let our swords carve the path to glory
 Dialogue: 2,0:18:30.88,0:18:35.76,Karen2,,0,0,0,,{\fad(125,125)\pos(960,1040)\be.6}Let our swords carve the path to glory
 Dialogue: 3,0:18:30.88,0:18:35.76,Karen2,,0,0,0,,{\fad(125,125)\bord0\c&H00FFFFFF&\pos(960,1040)}Let our swords carve the path to glory
 Dialogue: 1,0:15:03.75,0:15:09.76,Badgirl team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Without time to hesitate, the gears have started turning
 Dialogue: 2,0:15:03.75,0:15:09.76,Badgirl team,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Without time to hesitate, the gears have started turning
 Dialogue: 3,0:15:03.75,0:15:09.76,Badgirl team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Without time to hesitate, the gears have started turning
 Dialogue: 1,0:15:09.76,0:15:15.89,Badgirl team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Come, summon your determination and raise your sword high
 Dialogue: 2,0:15:09.76,0:15:15.89,Badgirl team,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Come, summon your determination and raise your sword high
 Dialogue: 3,0:15:09.76,0:15:15.89,Badgirl team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Come, summon your determination and raise your sword high
 Dialogue: 1,0:15:15.89,0:15:21.65,Hero team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Without knowing how it will end, the revue has started
 Dialogue: 2,0:15:15.89,0:15:21.65,Hero team,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Without knowing how it will end, the revue has started
 Dialogue: 3,0:15:15.89,0:15:21.65,Hero team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Without knowing how it will end, the revue has started
 Dialogue: 1,0:15:21.65,0:15:27.65,Hero team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I'll once again recreate myself
 Dialogue: 2,0:15:21.65,0:15:27.65,Hero team,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I'll once again recreate myself
 Dialogue: 3,0:15:21.65,0:15:27.65,Hero team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I'll once again recreate myself
 Dialogue: 1,0:15:27.65,0:15:33.44,Badgirl team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}When I whispered the wish that dyed my heart
 Dialogue: 2,0:15:27.65,0:15:33.44,Badgirl team,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}When I whispered the wish that dyed my heart
 Dialogue: 3,0:15:27.65,0:15:33.44,Badgirl team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}When I whispered the wish that dyed my heart
 Dialogue: 1,0:15:33.44,0:15:38.78,Badgirl team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}A guiding star twinkled
 Dialogue: 2,0:15:33.44,0:15:38.78,Badgirl team,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}A guiding star twinkled
 Dialogue: 3,0:15:33.44,0:15:38.78,Badgirl team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}A guiding star twinkled
 Dialogue: 1,0:15:39.66,0:15:45.50,Hero team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}A star divine shines with a newborn light
 Dialogue: 2,0:15:39.66,0:15:45.50,Hero team,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}A star divine shines with a newborn light
 Dialogue: 3,0:15:39.66,0:15:45.50,Hero team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}A star divine shines with a newborn light
 Dialogue: 1,0:15:45.50,0:15:51.68,Hero team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Open the path, star divine, to a future you can't concede
 Dialogue: 2,0:15:45.50,0:15:51.68,Hero team,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Open the path, star divine, to a future you can't concede
 Dialogue: 3,0:15:45.50,0:15:51.68,Hero team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Open the path, star divine, to a future you can't concede
 Dialogue: 1,0:15:51.68,0:15:57.68,Badgirl team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Let our swords carve the path to glory
 Dialogue: 2,0:15:51.68,0:15:57.68,Badgirl team,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Let our swords carve the path to glory
 Dialogue: 3,0:15:51.68,0:15:57.68,Badgirl team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Let our swords carve the path to glory
 Dialogue: 1,0:16:09.94,0:16:15.56,whatshername,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}We all have our own desires hidden deep within
 Dialogue: 2,0:16:09.94,0:16:15.56,whatshername,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}We all have our own desires hidden deep within
 Dialogue: 3,0:16:09.94,0:16:15.56,whatshername,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}We all have our own desires hidden deep within
 Dialogue: 1,0:16:15.56,0:16:21.87,whatshername,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Sparks are flying furiously between the gallant profiles
 Dialogue: 2,0:16:15.56,0:16:21.87,whatshername,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Sparks are flying furiously between the gallant profiles
 Dialogue: 3,0:16:15.56,0:16:21.87,whatshername,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Sparks are flying furiously between the gallant profiles
 Dialogue: 1,0:16:21.87,0:16:27.38,whatshername,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}I can't even blink, I can't turn my gaze away
 Dialogue: 2,0:16:21.87,0:16:27.38,whatshername,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}I can't even blink, I can't turn my gaze away
 Dialogue: 3,0:16:21.87,0:16:27.38,whatshername,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}I can't even blink, I can't turn my gaze away
 Dialogue: 1,0:16:27.38,0:16:33.63,whatshername,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Though we may clash, I still believe in you
 Dialogue: 2,0:16:27.38,0:16:33.63,whatshername,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Though we may clash, I still believe in you
 Dialogue: 3,0:16:27.38,0:16:33.63,whatshername,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Though we may clash, I still believe in you
 Dialogue: 1,0:16:33.63,0:16:39.64,whatshername,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}At the center of the stage is a place for only one
 Dialogue: 2,0:16:33.63,0:16:39.64,whatshername,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}At the center of the stage is a place for only one
 Dialogue: 3,0:16:33.63,0:16:39.64,whatshername,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}At the center of the stage is a place for only one
 Dialogue: 1,0:16:39.64,0:16:45.27,whatshername,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}But I'm not alone anymore
 Dialogue: 2,0:16:39.64,0:16:45.27,whatshername,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}But I'm not alone anymore
 Dialogue: 3,0:16:39.64,0:16:45.27,whatshername,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}But I'm not alone anymore
 Dialogue: 1,0:16:45.27,0:16:51.78,Hero team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Don't lose, star divine, don't give up on your future
 Dialogue: 2,0:16:45.27,0:16:51.78,Hero team,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Don't lose, star divine, don't give up on your future
 Dialogue: 3,0:16:45.27,0:16:51.78,Hero team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Don't lose, star divine, don't give up on your future
 Dialogue: 1,0:16:51.78,0:16:57.53,Hero team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Stand up, star divine, however many times you're hurt
 Dialogue: 2,0:16:51.78,0:16:57.53,Hero team,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Stand up, star divine, however many times you're hurt
 Dialogue: 3,0:16:51.78,0:16:57.53,Hero team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Stand up, star divine, however many times you're hurt
 Dialogue: 1,0:16:57.53,0:17:04.04,Hero team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}The stage makes us what we are
 Dialogue: 2,0:16:57.53,0:17:04.04,Hero team,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}The stage makes us what we are
 Dialogue: 3,0:16:57.53,0:17:04.04,Hero team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}The stage makes us what we are
 Dialogue: 1,0:17:33.32,0:17:39.66,whatshername,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Scattered as sand through space
 Dialogue: 2,0:17:33.32,0:17:39.66,whatshername,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Scattered as sand through space
 Dialogue: 3,0:17:33.32,0:17:39.66,whatshername,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Scattered as sand through space
 Dialogue: 1,0:17:39.66,0:17:45.66,whatshername,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}A constellation connected by the skies
 Dialogue: 2,0:17:39.66,0:17:45.66,whatshername,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}A constellation connected by the skies
 Dialogue: 3,0:17:39.66,0:17:45.66,whatshername,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}A constellation connected by the skies
 Dialogue: 1,0:17:45.66,0:17:48.67,bluecoat,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}That's our destiny
 Dialogue: 2,0:17:45.66,0:17:48.67,bluecoat,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}That's our destiny
 Dialogue: 3,0:17:45.66,0:17:48.67,bluecoat,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}That's our destiny
 Dialogue: 1,0:17:48.67,0:17:51.67,whatshername,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}That's our instinct
 Dialogue: 2,0:17:48.67,0:17:51.67,whatshername,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}That's our instinct
 Dialogue: 3,0:17:48.67,0:17:51.67,whatshername,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}That's our instinct
 Dialogue: 1,0:17:51.67,0:17:57.68,both,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(960,30)\be.6}I'm becoming me once again
 Dialogue: 2,0:17:51.67,0:17:57.68,both,,0,0,0,fx,{\fad(100,100)\pos(960,30)\be.6}I'm becoming me once again
 Dialogue: 3,0:17:51.67,0:17:57.68,both,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,30)}I'm becoming me once again
 Dialogue: 1,0:17:59.18,0:18:05.02,Hero team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}A star divine shines with a newborn light
 Dialogue: 2,0:17:59.18,0:18:05.02,Hero team,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}A star divine shines with a newborn light
 Dialogue: 3,0:17:59.18,0:18:05.02,Hero team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}A star divine shines with a newborn light
 Dialogue: 1,0:18:05.02,0:18:12.69,Badgirl team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Show the path star divine, to a future you can't concede
 Dialogue: 2,0:18:05.02,0:18:12.69,Badgirl team,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Show the path star divine, to a future you can't concede
 Dialogue: 3,0:18:05.02,0:18:12.69,Badgirl team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Show the path star divine, to a future you can't concede
 Dialogue: 1,0:18:12.69,0:18:18.45,Hero team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(50,30)\be.6}Don't lose star divine, don't give up on your future
 Dialogue: 2,0:18:12.69,0:18:18.45,Hero team,,0,0,0,fx,{\fad(100,100)\pos(50,30)\be.6}Don't lose star divine, don't give up on your future
 Dialogue: 3,0:18:12.69,0:18:18.45,Hero team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(50,30)}Don't lose star divine, don't give up on your future
 Dialogue: 1,0:18:18.45,0:18:24.75,Badgirl team,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord4.5\pos(1870,30)\be.6}Stand up star divine, however many times you're hurt
 Dialogue: 2,0:18:18.45,0:18:24.75,Badgirl team,,0,0,0,fx,{\fad(100,100)\pos(1870,30)\be.6}Stand up star divine, however many times you're hurt
 Dialogue: 3,0:18:18.45,0:18:24.75,Badgirl team,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(1870,30)}Stand up star divine, however many times you're hurt
 Dialogue: 1,0:18:24.75,0:18:30.88,TENDOMAYA,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(980,1050)\be.6}The stage makes us what we are
 Dialogue: 2,0:18:24.75,0:18:30.88,TENDOMAYA,,0,0,0,fx,{\fad(100,100)\pos(980,1050)\be.6}The stage makes us what we are
 Dialogue: 3,0:18:24.75,0:18:30.88,TENDOMAYA,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(980,1050)}The stage makes us what we are
 Dialogue: 1,0:18:30.88,0:18:37.88,whatshername2,,0,0,0,fx,{\fad(100,100)\c&H00FFFFFF&\3c&H00FFFFFF&\bord5\pos(960,1050)\be.6}Let our swords carve the path to glory
 Dialogue: 2,0:18:30.88,0:18:37.88,whatshername2,,0,0,0,fx,{\fad(100,100)\pos(960,1050)\be.6}Let our swords carve the path to glory
 Dialogue: 3,0:18:30.88,0:18:37.88,whatshername2,,0,0,0,fx,{\fad(100,100)\bord0\c&H00FFFFFF&\pos(960,1050)}Let our swords carve the path to glory
--- a/tools/split_cpas.zsh
+++ b/tools/split_cpas.zsh
@ -17,7 +17,8 @@ echo Writing "$target"
 # /^Dialogue:.*,(Default|Alt),/ d
 /^Dialogue:.*,(Hybrid|Tenebris)-signs,/ d
 /^Dialogue:.*,Insert/ d
-/^Dialogue:.*,([bB]oth|Futaba|Kaoru|Hikari2?|Nana2?|Suns|Stars|Karen2?|TENDOMAYA|Several|Junna|Mahiru|Kaoruko|Badgirl team|Hero team|whatshername2?|Claudine|Duet|End|bluecoat),/ d
+/^Dialogue:.*,([bB]oth|Futaba|Kaoru|Hikari2?|Nana2?|Suns|Stars|Karen2?|TENDOMAYA|Several|Junna|Mahiru|Kaoruko|Badgirl team|Hero team|whatshername2?|Claudine|Duet|End|bluecoat),,/ d
 /^Dialogue:.*,(Kaoru|Futaba|Both),(Kaoru|Futaba|Both),/ d
 /^Dialogue:.*,(JapOP|EngOP),/ d
 /^Dialogue:.*,(English|Romaji),/ d
 EOF
@ -31,7 +32,8 @@ echo Writing "$target"
 /^Dialogue:.*,(Default|Alt),/ d
 # /^Dialogue:.*,(Hybrid|Tenebris)-signs,/ d
 /^Dialogue:.*,Insert/ d
-/^Dialogue:.*,([bB]oth|Futaba|Kaoru|Hikari2?|Nana2?|Suns|Stars|Karen2?|TENDOMAYA|Several|Junna|Mahiru|Kaoruko|Badgirl team|Hero team|whatshername2?|Claudine|Duet|End|bluecoat),/ d
+/^Dialogue:.*,([bB]oth|Futaba|Kaoru|Hikari2?|Nana2?|Suns|Stars|Karen2?|TENDOMAYA|Several|Junna|Mahiru|Kaoruko|Badgirl team|Hero team|whatshername2?|Claudine|Duet|End|bluecoat),,/ d
 /^Dialogue:.*,(Kaoru|Futaba|Both),(Kaoru|Futaba|Both),/ d
 /^Dialogue:.*,(JapOP|EngOP),/ d
 /^Dialogue:.*,(English|Romaji),/ d
 EOF
@ -45,7 +47,8 @@ echo Writing "$target"
 /^Dialogue:.*,(Default|Alt),/ d
 /^Dialogue:.*,(Hybrid|Tenebris)-signs,/ d
 # /^Dialogue:.*,Insert/ d
-# /^Dialogue:.*,([bB]oth|Futaba|Kaoru|Hikari2?|Nana2?|Suns|Stars|Karen2?|TENDOMAYA|Several|Junna|Mahiru|Kaoruko|Badgirl team|Hero team|whatshername2?|Claudine|Duet|End|bluecoat),/ d
+# /^Dialogue:.*,([bB]oth|Futaba|Kaoru|Hikari2?|Nana2?|Suns|Stars|Karen2?|TENDOMAYA|Several|Junna|Mahiru|Kaoruko|Badgirl team|Hero team|whatshername2?|Claudine|Duet|End|bluecoat),,/ d
 # /^Dialogue:.*,(Kaoru|Futaba|Both),(Kaoru|Futaba|Both),/ d
 /^Dialogue:.*,(JapOP|EngOP),/ d
 /^Dialogue:.*,(English|Romaji),/ d
 EOF
@ -59,7 +62,8 @@ echo Writing "$target"
 /^Dialogue:.*,(Default|Alt),/ d
 /^Dialogue:.*,(Hybrid|Tenebris)-signs,/ d
 /^Dialogue:.*,Insert/ d
-/^Dialogue:.*,([bB]oth|Futaba|Kaoru|Hikari2?|Nana2?|Suns|Stars|Karen2?|TENDOMAYA|Several|Junna|Mahiru|Kaoruko|Badgirl team|Hero team|whatshername2?|Claudine|Duet|End|bluecoat),/ d
+/^Dialogue:.*,([bB]oth|Futaba|Kaoru|Hikari2?|Nana2?|Suns|Stars|Karen2?|TENDOMAYA|Several|Junna|Mahiru|Kaoruko|Badgirl team|Hero team|whatshername2?|Claudine|Duet|End|bluecoat),,/ d
 /^Dialogue:.*,(Kaoru|Futaba|Both),(Kaoru|Futaba|Both),/ d
 /^Dialogue:.*,(JapOP|EngOP),/ d
 # /^Dialogue:.*,(English|Romaji),/ d
 EOF